Lupita Tovar

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Lupita Tovar
Lupita Tovar in an Argentinean Magazine
Born Guadalupe Natalia Tovar
(1910-07-27) July 27, 1910 (age 105)
Matías Romero, Oaxaca, Mexico
Other names Lupita Kohner
Occupation Actress
Years active 1929–1945
Notable work Drácula
Spouse(s) Paul Kohner
(1932–1988; his death)
Children 2
Parent(s) Egidio Tovar
Mary Tovar
Relatives Frederick Kohner (brother‑in‑law)
John Weitz (son-in-law)
Paul Weitz (grandson)
Chris Weitz (grandson)

Guadalupe Natalia "Lupita" Tovar[1][2] (born July 27, 1910), is a Mexican American actress, best known for her starring role in the 1931 Spanish language version of Drácula, filmed in Los Angeles by Universal Pictures at night using the same sets as the Bela Lugosi version, but with a different cast and director.[3] Tovar also starred in the 1931 film Santa, the first Mexican film to feature sound.[4] She is the oldest one of last living actors/actresses from the Golden Age of Hollywood.

Early life[edit]

Tovar was born in Matías Romero, Oaxaca, Mexico, the daughter of Egidio Tovar, who was from Tehuacán, Puebla, Mexico,[5]:2 and Mary Tovar (née Sullivan), who was Irish Mexican, from Matías Romero, Oaxaca, Mexico.[5]:3 Tovar was the oldest of nine children,[5]:5 though many of her siblings did not survive early childhood.[5]:11 Tovar grew up during the time of the Mexican Revolution and was very poor.[5]:7–8 She was raised in a very religious Catholic upbringing, and went to a school where she was taught by nuns.[5]:15

In 1918, Tovar's family moved to north to Mexico City where her father worked for the National Railroad of Mexico in an administrative position.[6]:220


Early career[edit]

Tovar was discovered by documentary filmmaker Robert Flaherty in Mexico City. Tovar had performed in a dance class and was invited, along with other girls, to do a screen test as part of a competition. Tovar won first place.[6]:220–221 The prize was a 6 month probation period, 7-year contract at $150/week contract to Fox Studios.[5]:20–25[6]:221 The studio had realized they could make money by simultaneously shooting Spanish-language movies of English language studio productions, so had been casting for Spanish stars.[3] She moved to Hollywood in November 1928 with her maternal grandmother, Lucy Sullivan.[5]:29

Tovar, under contract, was required to study intensively to enhance her skills for films. Her weekly schedule included guitar, two hours four days; Spanish dances, one hour three days; dramatics, one-half hour two days; and English, one hour every day. Her accent was considered an asset in talking motion pictures. Tovar's English improved significantly in just seven months from the time she arrived in Hollywood in January 1929, when she could not say "good morning" in English. To improve her English, she attended talkies; she also learned new words and how to say them by reading voraciously.

In 1929, Tovar appeared in the films The Veiled Woman with Bela Lugosi (now thought to be a lost film) and The Cock-Eyed World.

In 1930, she was mentioned for leads in two talkies starring Douglas Fairbanks, Sr. and Richard Barthelmess. Fairbanks put off the filming of what became The Exile. After his death, the film was made in 1947 by his son, Douglas, Jr., directed by Max Ophüls.

Spanish language remakes[edit]

Lupita's future husband, producer Paul Kohner, convinced Carl Laemmle to make Spanish language movies that could be shot simultaneously at night with their English originals.[7]

In 1930, Tovar starred opposite Antonio Moreno in La Voluntad del Muerto, the Spanish-language version of The Cat Creeps and was based on the John Willard mystery play, The Cat and the Canary. Both The Cat Creeps and La Voluntad del muerto were remakes of The Cat and the Canary (1927). Casting was done in July 1930 with the film being released later the same year. The Spanish version was directed by George Melford and, like the Spanish-language version of Drácula, was filmed at night using the same sets as those used for filming the English-language version during the day.

Tovar shot Drácula, in 1930, when she was 20 years old. The film was produced by her soon-to-be husband, Paul Kohner.[3]


In 1931, Tovar starred in the film, Santa, the first Mexican movie with sound - the first to have synchronized sound and image on the same celluloid strip.[4] The film was based on a famous book featuring a innocent girl from the country who has an affair with a soldier and then tragically becomes a prostitute.[3] Santa was such a hit that the Mexican government issued a postage stamp featuring Tovar as Santa.[3][7]

In 2006, Santa was shown in a celebratory screening by the Academy of Motion Picture Arts and Sciences called "A Salute to Lupita Tovar" that featured a conversation between Tovar and film historian Bob Dickson. The event was in honor of Tovar.[8]

Other films[edit]

In 1931, Melford directed Tovar in another Universal picture, East of Borneo, which co-starred Rose Hobart. Tovar also worked on films at Columbia Pictures as well.

Although she herself did not make any silent films, with her earliest films released by Fox Film Corporation in the Fox Movietone sound-on-film system, some may have been released in silent versions for theaters not yet equipped for sound.

Personal life[edit]

Tovar went by the nickname Lupita since she was a girl.[5]:1

During filming of Santa, which was done in Mexico, producer Paul Kohner had to return to Europe because his father was sick. It was this separation, and another the next year when Kohner was producing a film for Universal Pictures in Europe, that made Tovar realize she loved Kohner. Kohner proposed on the phone — he had previously tried to give her a ring — and Tovar went to Czechoslovakia to meet him. They were married in Czechoslovakia on October 30, 1932, at Kohner's parent's home by a rabbi.[6]:226–227

In 1936, the couple had a daughter, Susan Kohner, a retired film and television actress, and, in 1939, a son, Paul Julius "Pancho" Kohner, Jr., a director and producer.[9][10] Their grandsons, Chris and Paul Weitz, are successful film directors. She also has two great-grandchildren, Sebastian and Jane.

Tovar had a bassinet that was shared her family as well as among many well known New Yorkers, including Julie Baumgold, a writer and her husband Edward Kosner, publisher of New York; Elizabeth Sobieski, a novelist and mother of actress Leelee Sobieski, Judy Licht, a TV newswoman, and her husband Jerry Della Femina, an advertising executive.[11]



  • 1929: The Veiled Woman (Fox) as Young Girl
  • 1929: Joy Street (Fox)
  • 1929: The Cock-Eyed World (Fox) in bit part (uncredited)
  • 1929: The Black Watch (Fox) in bit part (uncredited)
  • 1930: La Voluntad del Muerto (Universal) (Spanish language version of The Cat Creeps) as Anita
  • 1931: Estamos en París (short)
  • 1931: Drácula (Universal) (Spanish language version of Dracula) as Eva
  • 1931: Carne de Cabaret (Columbia) (Spanish version of Ten Cents a Dance) as Dorothy O'Neil
  • 1931: Yankee Don (Richard Talmadge Productions) as Juanita
  • 1931: El Tenorio del Harem (Universal) as Fátima
  • 1931: East of Borneo (Universal) as Neila
  • 1931: Border Law (Columbia) as Tonita
  • 1932: Santa (Compania Nacional Productora de Peliculas) as Santa
  • 1934: Vidas Rotas (Inca) (Spanish)
  • 1935: Broken Lives as Marcela
  • 1935: Alas Sobre del Chaco (Universal) (Spanish language version of Storm Over the Andes) as Teresa
  • 1936: The Invader aka An Old Spanish Custom (British & Continental Films) as Lupita Melez
  • 1936: Mariguana (Mexican) as Irene Heredia
  • 1936: El Capitán Tormenta (Grand National) (Spanish language version of Captain Calamity) as Magda
  • 1938: Blockade (United Artists) as Cabaret Girl
  • 1938: El Rosario de Amozoc (Mexican) as Rosario
  • 1938: María (Mexican) as María
  • 1939: The Fighting Gringo (RKO) as Anita "Nita" del Campo
  • 1939: Tropic Fury (Universal) as Maria Scipio
  • 1939: South of the Border (Republic) as Dolores Mendoza
  • 1940: Green Hell (Universal) as Native Girl
  • 1940: The Westerner (United Artists) as Teresita (uncredited)
  • 1941: Two Gun Sheriff (Republic) as Nita
  • 1943: Resurrección (Mexican)
  • 1944: Gun to Gun (Warner Bros.) (short) as Dolores Diego
  • 1944: Miguel Strogoff (El Correo del Zar) (Mexican) as Nadia Fedorova
  • 1945: The Crime Doctor's Courage (Columbia) as Dolores Bragga
  • 1952: Invitation Playhouse: Mind Over Murder (TV series), 1 episode: "Winner Take Nothing"
  • 1988: Universal Horror as Interviewee

See also[edit]


  1. ^ "Guadalupe Lupita Kohner (1952) - New York, New York Passenger and Crew Lists". FamilySearch. Retrieved 29 August 2015. 
  2. ^ "Passenger Manifest - Pan American World Airways, Inc.: Guadalupe Lupita Kohner -- Paris to New York (1952)". FamilySearch. 28 October 1952. Retrieved 29 August 2015. 
  3. ^ a b c d e Montagne, Renee (15 February 2008). "Lupita Tovar, Mexico's Sultry Screen 'Sweetheart'". Morning Edition (NPR). Retrieved 29 August 2015. 
  4. ^ a b Gurza, Agustin (10 July 2001). "Milestone Mexican Film to Screen in L.A.: Movies * Its lead actress will appear at the showing of 'Santa,' which synchronized image and sound on the same strip.". Los Angeles Times. Retrieved 29 August 2015. 
  5. ^ a b c d e f g h i Tovar, Lupita; Kohner, Pancho (2011). Lupita Tovar: The Sweetheart of Mexico: A Memoir as Told to Her Son Pancho Kohner. Bloomington, IN: Xlibris Corp. ISBN 978-1-456-87736-1. OCLC 755706899. Retrieved 29 August 2015. 
  6. ^ a b c d Ankerich, Michael G. (2011). The Sound of Silence: Conversations with 16 Film and Stage Personalities Who Bridged the Gap between Silents and Talkies (Reprinted. ed.). Jefferson, N.C.: McFarland & Co. ISBN 978-0-786-46383-1. OCLC 743217471. Retrieved 29 August 2015. 
  7. ^ a b Ankerich, Michael G. (28 July 2013). "Lupita Tovar, Still Carrying On". Close-Ups and Long Shots. Retrieved 29 August 2015. 
  8. ^ King, Susan (6 December 2006). "Cine File: Academy parties like it's 1906". Los Angeles Times. Retrieved 29 August 2015. 
  9. ^ "Susanna Kohner - California Birth Index". FamilySearch. Retrieved 2 September 2015. 
  10. ^ "Paul Julius Kohner - California Birth Index". FamilySearch. Retrieved 2 September 2015. 
  11. ^ Nemy, Enid (9 April 1989). "New Yorkers, Etc.". The New York Times. Retrieved 2 September 2015. 
  12. ^ Fitzgerald, Mike (2010). "An Interview With... Lupita Tovar". Western Clippings. Retrieved 30 August 2015. 

Further reading[edit]


  • Babcock, Muriel. "Wave of Popularity Sweeping Mexican Stars to Top Goes Marching On: Directors Tell How Latin-American Beauties Have Carved Niche for Themselves in Filmdom's Hall of Fame." Los Angeles Times. January 27, 1929. p. C11 (1 page).
  • Olean Herald, "Hollywood Sights and Sounds." Saturday Evening. July 20, 1929. p. 4.
  • Boland, Elena. "Aliens Retain Screen Niche: Sound Films Disclose Need of Many Accents Separate Pictures Made For Different Countries Certainty of Future Held as Settled Fact." Los Angeles Times. February 2, 1930, p. B11 (2 pages).
  • Kingsley, Grace. "Browning Picks Story and Star: Fairbanks Will Play Bandit in Tale of Spanish Days; Richard Keene Loaned to First National; Paul Page Has "Man Crazy" Role." Los Angeles Times. March 12, 1930, p. A8 (1 page).
  • Kingsley, Grace. "Duncan Sisters May Go Abroad: Joseph Santley Writes Story for Helen Twelvetrees Toreador Signs With First National for Film Norman Taurog Will Direct Ed Wynn Comedy." Los Angeles Times. July 23, 1930. p. 6 (1 page).
  • Kingsley, Grace. "Lupita Tovar Goes Abroad: Actress Will Meet Fiance, Paul Kohner, in Paris Capt. Mollison Decides Not to Become Actor Helen Mack Wins Lead With Ken Maynard." Los Angeles Times. August 27, 1932. p. 5 (1 page).
  • Kingsley, Grace. "Lupita Tovar, Kohner Marry: Producer and Actress Wed in Czechlo-Slavokia Gloria Stuart Takes Novel Trip as Air Mail Howard Hughes Searches for Beauty in New York." Los Angeles Times. November 2, 1932. p. 11 (1 page).

Archival material[edit]


External links[edit]