Mami Wata

"Mamy-Wata" redirects here. For the Cameroonian satirical newspaper, see L'Expression de Mamy-Wata.

Depiction of Mami Wata from Nigeria on display at the Museum Five Continents in Münich, Germany.

Mami Wata, Mammy Water, or similar is a mermaid, water spirit, and/or goddess in the folklore of parts of Western Africa, Eastern Africa, and Southern Africa. Historically, scholars trace her origins to early encounters between Europeans and West Africans in the 15th century, where Mami Wata developed from depictions of European mermaids. Mami Wata subsequently joined native pantheons of deities and spirits in parts of Africa.

Historically, Mami Wata is conceived of as an exotic female entity from Europe or elsewhere, often a white woman with a particular interest in objects foreign to West Africans that her adherents place at her shrines. In the mid-19th century, Mami Wata’s iconography becomes particularly influenced by an image of snake charmer Nala Damajanti spreading from Europe. This snake charmer print soon overtook Mami Wata’s earlier mermaid iconography in popularity in some parts of Africa.

Additionally, Hindu imagery from Indian merchants have influenced depictions of Mami Wata in some areas. Papi Wata, a male consort or reflection of Mami Wata sometimes depicted as modeled from the Hindu diety Hanuman, can be found in some Mami Wata traditions, sometimes under the influence of Hindu imagery.

Mami Wata is especially venerated in parts of Africa and in the Atlantic diaspora and has also been demonized in some African Christian and Islamic communities in the region. Mami Wata has appeared in a variety of media depictions and in literary works.

Etymology

The names Mami Wata, Mami Wota, or Mammy Wata derive from the English language nouns mammy and water. The name is related to the Krio word mami wata that refers to mermaids in Krio folklore. Krio is an English-based creole language used in parts of West Africa.

The Mami element derives from English mother. However, Mami Wata has no children nor family of any kind. She is typically represented as free of any kind of social bonds and as a foreign entity, and "broadly identified with Europeans rather than any African ethnic group or ancestors".

Development

Scholars trace the origins of Mami Wata to encounters to depictions of European mermaids witnessed by West Africans as early as the 1400s and 1500s. As summarized by scholar and adherent Henry John Drewal:

Substantial evidence suggests that the concept of Mami Wata has its origins in the first encounters of Africans and Europeans in the fifteenth century. Her first representations were probably derived from European images of mermaids and marine sculptures. As an Afro-Portuguese ivory shows, an African sculptor (probably Sapi, on the coast of Sierra Leone) was commissioned to create a mermaid image for his patrons as early as 1490-1530. And an eighteenth- or nineteenth-century ship’s figurehead now in Ijebu-Ode, Nigeria, is called Mami Wata by its owners.

A second version of the mermaid from European folklore with two tails also likely influenced depictions of Mami Wata localized especially to the Benin kingdom. Scholars trace this motif to the influence of Portuguese depictions of mermaids.

Chromolithograph of a snake charmer, inspired by the performer Maladamatjaute (Nala Damajanti). Printed in the 1880s by the Adolph Friedlander Company in Hamburg, the poster gave rise to a common image of Mami Wata.

Around the mid-1800s, a lithograph of the snake charmer Nala Damajanti from Europe became popular associated with imagery around Mami Wata, likely originating in Hamburg, Germany.

In the 1940s to the 1950s Hindu religious imagery from Indian merchants and films began to strongly influence Mami Wata imagery on particular the Ghana-Nigeria coast. Drewal records the following account from a male Yoruba Mami Wata devotee who sells Hindu prints in Togo (notations are that of Drewal):

formerly, during the colonial period, we had the pictures [Hindu images], but we didn't know their meaning. People just liked them to put them in their rooms. But then Africans started to study them too - about what is the meaning of these pictures that they are putting lights, candles, and incense there every time. I think they are using the power to collect our money away, or how? So we started to befriend the Indians to know their secret about the pictures. From there the Africans also tried to join some of their societies in India and all over the world to know much about the pictures. Reading some of their books, I could understand what they mean.

Folk belief

Writing from research conducted from 1965-1966 at the Catherine Mills Rehabilitation Center in Liberia, at the time the only psychiatric center in Liberia, former director Ronald Wintrob recorded beliefs among individuals who venerated Mami Wata in the region. Wintrob records that "beliefs in Mammy Water are held by the vast majority of Liberians". Wintrob recorded that "confirmed that some ten per cent of male patients requiring in-patient treatment for psychotic disorders, revealed a system of delusions relating to possession by Mammy Water".

Wintrob summarizes the conceptualization of Mammy Water in Liberia at the time as follows:

Mammy Water is believed to be a water spirit of extraordinary power, who is generally described as a beautiful light-skinned woman with very long, light-coloured hair. She is usually conceptualized as a white woman. Sometimes the description stipulates that her lower half resembles a fish, mermaid style. Her hair is thought to be her proudest attribute. People believe that she lives in a mansion under the water, from which she some times ventures on to the shore to comb out her long hair with a golden comb. This comb is thought to be her most valued possession.

Wintrob records that in Liberian Mammy Water folk belief, anyone who has contact with her will become wealthy and gained good luck. One of his informants, a man from the Vai people, provides the following account:

If you ever come across Mammy Water sitting down a rock combing her hair, you should yell at her. If you yell while she is combing her hair, she might drop her golden comb. You pick it up and take the golden comb home with you. Mammy Water will come after you for a bit but you must not give her the comb until you have gotten your wish. Even then you should keep on wishing for something more. When you ask her for money you will get rich.

An English depiction of a European Mermaid by James Richards on Prince Frederick's Barge, 1732

Mammy Water was typically believed to visit people in their sleep at night. According to another informant, a man from the Kissi people, she grants wealth in exchange for sexual celibacy:

They say Mammy Water sits on top of rocks by the water side. If you see her and she has interest in you, you will see her every now and then. I f she has interest to really help you, to give you money, then you will see her in dreams and you and she will have to make a certain compact. If you are a man, you must not marry any woman. If you keep to this promise, she brings money every time she visits you. Sometimes she will enter the room in the form of a snake, then change herself into a beautiful white woman. They say sex must take place between you. Then you will become wealthy. People will say: 'This man used to be a poor man, now he's wealthy. The only thing is he will never marry. He may have women living in his house but none will ever sleep in his bedroom'.

Wintrob records that this was not always the case: in some instances folk belief dictated that Mammy Water's contact need not be celibate with her and could in fact have a large family.

Mammy Water may also gift extra-sensory perception, including foresight and the ability to see that which others cannot, or especially swift travels. Some groups believe that Mammy Water does not contact everyone but rather that the ability to contact her is inherited.

Papi Wata

A secondary development of Mami Wata in some traditions is Papi Wata, a male entity associated with Mami Wata. In parts of West Africa, Hindu depictions of Hanuman, a divine figure or deity typically depicted with monkey features, is interpreted as Papi Wata.

Demonization

Mami Wata has become demonized in some Christian and Muslim communities in Africa. The figure's popularity spread from the colonial period onward and over time her worship became increasingly syncretic with imagery and customs from Christianity with a heavy European influence. In 2012, Duwel writes that over the previous 20 to 30 years, Mami Wati has therefore become "a primary target of a widespread and growing religious movement led by evangelical (Pentacostal) Christians and fundamentalist Muslims who seek to denigrate and demonize indigenous African faiths." To these groups, Mami Wati personifies "immortality, sin, and damnation".

References

• Drewal, Henry John. 2002. “Mami Wata and Santa Marta” in Deborah D. Kaspin and Paul Landau. Editors. Images and Empires: Visuality in Colonial and Postcolonial Africa, pp. 193-211. University of California Press.
• Drewal, Henry John. 2013. "Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa" in Gitti Salami and Monica Blackmun Visonà. Editors. A Companion of Modern African Art, pp. 23-49. John Wiley & Sons, Inc.
• Wintrob, Ronald M. 1970. "Mammy Water: Folk Beliefs and Psychotic Elaborations in Liberia" in Canadian Psychiatric Association Journal, vol. 15, no. 2. Viewable online.

External links

• Abarbanel, Stacey Ravel. 2008. “Fowler Museum at UCLA to present Mami Wata: Arts for Water Spirits in Africa and Its Diasporas”. Fowler Museum at UCLA.
• Drewal, Henry John. 2008. “Exhibition Preview: Mami Wata: Arts for Water Spirits in Africa and Its Diasporas”. African Arts, Summer 2008.
• Gesila Uzukwu. 2023. "Crisis of Faith: Today's African Christians and Mami-Wata (Mother Water) Spirituality". Center for World Catholicism & Intercultural Theology (CWCIT). DePaul University. YouTube.