Martin Puchner

From Wikipedia, the free encyclopedia
Jump to: navigation, search

Martin Puchner is a literary critic and philosopher. He studied at Konstanz University, the University of Bologna, and the University of California, Santa Barbara, before receiving his Ph.D. at Harvard University. Until 2009 he held the H. Gordon Garbedian Chair at Columbia University, where he also served as co-chair of the Theater Ph.D. program.[1] He now holds the Byron and Anita Wien Chair of Drama and of English and Comparative Literature at Harvard University.[2] He is the founding director of the Mellon School of Theater and Performance Research at Harvard University.

As a literary critic, he focuses on modernism, especially such genres as the closet drama,[3] the literary manifesto,[4] and modern drama.[5] His philosophical work concerns the philosophical dialogue and the intersections of theater and philosophy.[6]

In an interview with Rain Taxi, Puchner anticipates the avant-garde in the 21st century in its relation to media, asserting “We are going through a media revolution even more extreme than that of the 20th century. I would say that an avant-garde for the 21st century would have to develop ways of using our own new media in critical, innovative, provocative ways. It would also have to be part of a political analysis of our moment, and translate that analysis into a new set of attitudes and ambitions.”[7]

He is the general editor of the Norton Anthology of World Literature and lectures on world literature.[8]


  • 2002; 2011: Stage Fright: Modernism, Anti-theatricality and Drama. Baltimore: Johns Hopkins University Press.
  • 2003: Against Theatre: Creative Destructions on the Modernist Stage. Editor, with Alan Ackerman. New York: Palgrave Macmillan.
  • 2003: Six Plays by Henrik Ibsen, with an introduction and notes by Martin Puchner. New York: Barnes and Noble.
  • 2005: Karl Marx: The Communist Manifesto and Other Writings. With an introduction and notes by Martin Puchner. New York: Barnes and Noble.
  • 2006: Theaterfeinde: Die anti-theatralischen Dramatiker der Moderne. Translated by Jan Kuveler. Freiburg: Rombach.
  • 2006: Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. Princeton: Princeton University Press, Winner of the James Russell Lowell Award.[9]
  • 2007: Modern Drama: Critical Concepts. New York: Routledge ISBN 978-0-415-38660-9
  • 2009: The Norton Anthology of Drama. Co-editor. New York: Norton.
  • 2010: The Drama of Ideas: Platonic Provocations in Theater and Philosophy. New York: Oxford University Press. Winner of the 2012 Joe A. Callaway Prize for best book in drama or theater.
  • 2012: "The Norton Anthology of World Literature, 3rd edition." General editor. New York: Norton.


  1. ^ Columbia U English & Comparative Literature faculty profiles Archived March 17, 2010, at the Wayback Machine.
  2. ^
  3. ^ Stage Fright: Modernism, Anti-theatricality, and Drama (Baltimore: The Johns Hopkins University Press, 2002) ISBN 0-8018-6855-6
  4. ^ Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (Princeton: Princeton University Press, 2006) ISBN 0-691-12260-1
  5. ^ Modern Drama: Critical Concepts (New York: Routledge, 2007) ISBN 978-0-415-38660-9
  6. ^ The Drama of Ideas: Platonic Provocations in Theater and Philosophy (New York: Oxford University Press, 2010) ISBN 0-19-973032-6
  7. ^ Bourgeois, Louis. "Poetry of the Revolution: An Interview with Martin Puchner", Rain Taxi. Spring 2014.
  8. ^
  9. ^

External links[edit]