A martyrium (Latin) or martyrion (Greek), plural martyria, sometimes anglicized martyry (pl. martyries), is a church or shrine built over the tomb of a Christian martyr. It is associated with a specific architectural form, centered on a central element and thus built on a central plan, that is, of a circular or sometimes octagonal or cruciform shape.
The oldest Christian martyria were built at "a site which bears witness to the Christian faith, either by referring to an event in Christ's life or Passion, or by sheltering the grave of a martyr". Martyria, mostly small, were very common after the early 4th century, when Constantine became the first Roman emperor to declare religious tolerance for Christianity in the Roman Empire. Martyria had no standard architectural plan, and are found in a wide variety of designs. There was often a sunken floor, or part of it, to bring the faithful closer to the remains of the saint, and a small opening, the fenestella, going from the altar-stone to the grave itself.
Later churches began to bring the relics of saints to the church, rather than placing the church over the grave; the first translation of relics was in Antioch in 354, when the remains of Saint Babylas, which were in a sarcophagus, were moved to a new church.
The architectural form of the martyrium has been developed from Roman architecture, mainly based on imperial mausolea. Constantine the Great applied it for the tomb of Jesus at the Anastasis in Jerusalem (ca. 326–380s) and the Apostles' Church in Constantinople, while also erecting round mausolea for himself and his daughters. The first step towards creating a church based on an imperial mausoleum was made around 320, when Constantine connected what was supposed to become his own mausoleum, with a church structure.
The same form was later adopted by the early Islamic architecture, who employed it in the creation of a shrine known as the Dome of the Rock in Jerusalem, built much in the style of the Constantinian rotunda of the Church of the Holy Sepulchre, which it was supposed to create a "dialog of shrines" with, while looking down on it from a dominant position (the Temple Mount).
The central-plan martyrium church became a shape used for important churches which didn't contain important relics, as was the case of the Constantinian "Golden Octagon" at Antioch, perhaps also of the octagonal church of Caesarea Maritima (built ca. 480–500), San Vitale in Ravenna (526–547), and the Palatine Chapel in Aachen (ca. 792–805).
Martyria that remain in something like their original form include the following:
- the 4th-century core of the much expanded St. Gereon's Basilica, Cologne
- a building with three apses over the Catacomb of Callixtus in Rome
- Santo Stefano Rotondo in Rome, late 5th century
- Basilica of San Lorenzo, Milan, perhaps 4th century, although the oldest part of the church now evident is an adjoining Imperial mausoleum of the 4th century (compare Santa Costanza in Rome).
- Church of the Holy Sepulchre in Jerusalem, on the most important Christian site of all, founded by Constantine.
- Church of Saint Simeon Stylites, Syria, 5th century, also very large, and now in ruins.
Other celebrated Martyria include:
- The Martyrium of Saint Denis, Montmartre
- The Martyrium of Saint Hripsime in the city of Vagharshapat (Etchmiadzin), Armenia
- The San Pietro in Montorio in Rome, Italy, which includes in its courtyard the Tempietto, a small commemorative martyrium built by Donato Bramante.
- Glen Bowersock, Peter Brown, Oleg Grabar (1999). Late Antiquity: A Guide to the Postclassical World. Harvard University Press Reference Library (Book 9). Cambridge, Massachusetts: Belknap Press. p. 376. ISBN 9780674511736. Retrieved 1 December 2015.
central church martyrium octagonal.CS1 maint: multiple names: authors list (link)
- Krautheimer, Richard. Early Christian and Byzantine Architecture. Yale University Press, 1986. Fourth edition, with Slobodan Ćurčić. p.518. ISBN 978-0-300-05294-7
- Syndicus, 73-74
- Syndicus, 73-89
- Jürgen Krüger (2000). Die Grabeskirche zu Jerusalem. Regensburg: Schnell & Steiner. pp. 58–59. ISBN 9783795412739.
- Syndicus, 73-87
- Eduard Syndicus; Early Christian Art, Burns & Oates, London, 1962