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Girodias photographed by Gilles Larrain
12 April 1919
|Died||3 July 1990
|Cause of death||Heart attack|
|Parent(s)||Jack Kahane (1887–1939)|
Maurice Girodias (12 April 1919 – 3 July 1990) was a French publisher who was the founder of the Olympia Press. At one time he was the owner of his father's Obelisk Press. He spent most of his productive years in Paris.
Girodias was born Maurice Kahane in Paris, France, the son of Manchester-born Jack Kahane and a French heiress, Marcelle (née Girodias). His father was Jewish and his mother was Catholic. Girodias lived a relatively idyllic childhood, until the Depression forced his father to take up a new profession in Paris, namely publishing risqué books in English for the consumption of foreign tourists, who because of censorship could not obtain such materials at home. French censorship laws had a loophole allowing English works to be published without domestic confiscation.
Kahane's venture (Girodias later took his mother's birth name to hide his partially Jewish background from the Nazis) was called the Obelisk Press. It published notorious works by Frank Harris, Henry Miller and Anaïs Nin, as well as several pieces of light erotica written by Kahane himself.
Girodias's involvement with his father's business started early. In 1934, at the age of 15, Girodias drew the disturbing crab picture seen on the original cover of Tropic of Cancer. After his father's early death in 1939, Girodias took over publishing duties, and at the age of 20 managed to survive Paris, World War II, Occupation and paper shortages.
After the war, with his brother Eric Kahane, Girodias expanded operations, publishing Zorba the Greek (in French) and Henry Miller's Sexus, among other texts. The latter volume touched off a firestorm in France, with trials and arrests for obscenity. The Affaire Miller ended with Girodias out of jail, but bankrupt and no longer in control of his company.
The Olympia Press
Following a cold and difficult winter, Girodias one day met up with numerous hungry expatriates, many of them working for Merlin, a literary review. He famously advised the group that the way out of poverty was for everyone to come and write dirty books for his new venture, The Olympia Press, which took its name from the similarity to his father's company and Manet's famous portrait of a courtesan.
Among those who wrote for Girodias in the early days were American author Henry Miller, Samuel Beckett, John Glassco and Christopher Logue. Alexander Trocchi, John Stevenson (Marcus Van Heller), Glassco and Logue penned "db's" ("dirty books") for the Atlantic Library Series, a short-lived line of erotica. Beckett published Watt and his Malone Trilogy through the more literary Collection Merlin. The South African poet Sinclair Beiles was an editor at Olympia.
After several police crackdowns, and to keep ahead of the authorities, Girodias shifted his imprints, replacing the Atlantic Library with the Traveller's Companion Series, beginning with The Enormous Bed by John Coleman. Legal difficulties persuaded Girodias to include less openly erotic and more literary works in the series and no. 6, Denny Bryant's Tender Was My Flesh, was followed byThe Ginger Man, by J. P. Donleavy.
Other famous titles published in the Traveller's Companion Series were Lolita by Vladimir Nabokov, The Naked Lunch by William S. Burroughs, a translation of Story of O by Pauline Réage, and Candy by Mason Hoffenberg and Terry Southern.
Olympia imprints included Ophir Books, The Ophelia Press, Othello Books.
The Ginger Man
Girodias, very much against Donleavy's intention, published The Ginger Man as pornography. He seemed unable to grasp the literary merit of the work. When he did belatedly understand that he had a brilliant and original book, instead of acknowledging this, he tried to steal the rights from the author. Girodias and Donleavy sued each other back and forth for a period of 20 years following the publication of The Ginger Man. This litigation continued, even after Girodias' bankruptcy, when at auction Donleavy's wife bought the rights to the Olympia Press.
Analysis of the original manuscript for The Ginger Man shows, in Donleavy's words, "a few major blunders and distinctly misplaced paragraphs and an odd misprint here and there, but the work with these exceptions had meticulously followed the manuscript". Donleavy won almost every case, though it was an expensive ordeal for both parties.
A complicated arrangement accorded the Olympia Press roughly one-third of the royalties for Lolita after the novel's breakthrough success in America. However, Girodias lost this share when he failed to pay Nabokov on time for the French royalties.
Marcus van Heller
Girodias used to reprint the successful works of some authors under another imprint belonging to him (Ophelia Press) without the knowledge of the respective authors, in order to avoid giving them royalties for new editions. This was one of the main reasons that determined John Stevenson to end the collaboration with Girodias in 1961. In the years 1955-1961, under the pen name Marcus van Heller, Stevenson was the most prolific writer for the "Traveller's Companion" series, turning his pen name into a brand of sorts. Afterwards, Girodias used the fact that the real identity behind Marcus van Haller was largely unknown, commissioning other writers to publish new novels under this pen name.
Girodias consistently ran into difficulties with the authorities throughout his career. The Paris police, often pressured by British customs, seized and destroyed many copies of his books. The courts would fine him, and by 1963 he found he had to leave Paris, first for Copenhagen, then for America, where Customs agents destroyed the microfilm copies of numerous TC titles Girodias possessed. He also got into serious trouble with Simon & Schuster and author Irving Wallace over a work called The Original Seven Minutes by J.J. Jadway. Copies of Girodias' Olympia Press title had to be destroyed before reaching the bookstores.
His books were published in the United States under the Olympia Press, Traveller's Companion and Ophelia Press imprints. After acquiring the Venus Library name from Kable News, who had taken it from Barney Rosset's Grove Press in settlement of debts, Girodias published also under the Venus Freeway imprint, with distribution being handled by Kable News.
His erotic and hardcore pornographic books were published also in the United Kingdom, in West Germany, Denmark and in The Netherlands under the Olympia Press imprint. The first British edition of Story of O by Pauline Réage was published by Olympia Press.
"In 1964, Girodias was prosecuted for publishing obscene literature. He was sentenced on March 3 to a year in jail, banned from publishing for twenty years, and received a $20,000 fine. It was the most serious penalty ever imposed on a publisher for offenses listed outrage aux moeurs par la voie du livre. Girodias was probably ruined because of collusion amongst French, American, and British authorities ... As a result, Girodias lost everything and was ruined."
In 1974 Girodias published President Kissinger using the Venus Freeway imprint, a controversial work of science fiction by numerous authors offering a dream of socialism starring Secretary of State Henry Kissinger. Girodias, it is said, was set up by the authorities in a phony drug deal and invited to leave the country.
Girodias tended not to pay his writers, if he could avoid it, not to document his work, or even live up to his contracts. He was involved in litigation concerning Lolita, Candy, The Ginger Man, Stradella and O, among other works. In the cases of Candy and O, Girodias won, setting a great deal of copyright precedents. In the cases of Lolita and The Ginger Man, he lost.
- "Maurice Girodias" (2009). In Encyclopædia Britannica.
- Jack Kahane, Memoirs of a Booklegger, The Obolus press, 2010, p. 5.
- "Pornography", Maurice Girodias, reply by Gore Vidal, New York Review of Books, May 12, 1966.
- Jansen, Sharon L., Reading Women's Worlds from Christine de Pizan to Doris Lessing: A Guide to Six Centuries of Women Writers Imagining Rooms of Their Own (N.Y.: Palgrave Macmillan, 1st ed. Apr., 2011 (ISBN 978-0-230-11066-3)), pp. 159–160.
- Solanas, Valerie, introduction by Ronell, Avital, SCUM Manifesto (London: Verso, 2004 (ISBN 1-85984-553-3)).
- Lord, Catherine, Wonder Waif Meets Super Neuter, in October (journal) (132 (2010)), pp. 135–163 (DOI 10.1162/octo.2010.132.1.135). (Subscription required.)
- Morgan, Robin, ed., Sisterhood Is Powerful: An Anthology of Writings From the Women's Liberation Movement (N.Y.: Random House, 1st ed. 1970), pp. 514–519.
- Nile Southern (2014). "The Candy Men: The Rollicking Life and Times of the Notorious Novel". Retrieved 2015-07-15.
- John Preston (2003-07-03). "The ragged-trousered pornographers". The Daily Telegraph. Retrieved 2015-07-15.
- Lee Server (2009). "Encyclopedia of Pulp Fiction Writers". p. 262. Retrieved 2015-07-15.
- "Original Seven Minutes by JJ Jadway - Olympia Press, New York 1970". google.com. Retrieved 11 November 2012.
- Orend, Karl (2006). "Maximilien Vox and the Miller Affair". Nexus: the International Henry Miller Journal 3: 25–40.
- "Maurice Girodias, A French Publisher And an Author, 71". The New York Times. 1990-07-05. Retrieved 20 November 2009.
- De St. Jorre, John (1994), The Good Ship Venus: The Erotic Voyage of the Olympia Press. London: Pimlico ISBN 0-7126-5944-7
- De St. Jorre, John (1996), Venus Bound: The Erotic Voyage of the Olympia Press. New York: Random House. ISBN 0-679-44336-3
- Southern, Niles (2004), The Candy Men: The Rollicking Life and Times of the Notorious Novel Candy. New York: Arcade Publishing. ISBN 1-55970-604-X
- Girodias, Maurice (1988), The Frog Prince. New York: Random House. (Volume 1 only, second volume, covering the 1950s, was published in French but never translated.) ISBN 0-517-54195-5
- Kearney, Patrick J. (1987), The Paris Olympia Press: An Annotated Bibliography, London: Black Spring Press ISBN 0-948238-02-X
- Kearney, Patrick J. (1988), A Bibliography of the Publications of the New York Olympia Press, Santa Rosa (CA): Scissors & Paste Bibliographies (privately printed by the author).