Our English Coasts
| Our English Coasts, 1852 ('Strayed Sheep') | |
|---|---|
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| Artist | William Holman Hunt |
| Year | 1852 |
| Medium | Oil on canvas |
| Dimensions | 76 cm × 122 cm (30 in × 48 in) |
| Location | Tate Britain, London |
Our English Coasts, also known as Strayed Sheep, is an oil-on-canvas painting by William Holman Hunt, completed in 1852.[1] It has been held by the Tate Gallery since 1946, acquired through The Art Fund.
Painter
William Holman Hunt[2] was a British painter, who co-founded the Pre-Raphaelite Brotherhood (1848), along with Dante Gabriel Rossetti and John Everett Millais. The Pre-Raphaelite Brotherhood advocated a return to spirituality and sincerity of the arts, despising academic painting, which they considered a mere repetition of clichés.[3][4]Despite these beliefs, the group created a number of works for institutes of higher learning in England. Under the Victorian era (1837–1901) the conservative academic aspect was represented by the Royal Academy. Among the more radical options was the movement Arts and Crafts, led by William Morris. William Holman Hunt was somewhere in the middle. Although he studied at the Royal Academy of Arts, he rejected the style imposed by its founder Sir Joshua Reynolds.[5][6]
Painting
After Holman Hunt's painting The Hireling Shepherd was acquired by William Broderip, this work was commissioned by Broderip's cousin, Charles Theobald Maud, as reproduction of the sheep in the background. Maud was persuaded to accept a more adventurous composition. He worked en plein air at the location depicted between August and December 1852, despite cold and rainy weather. The painting combines features from different vantage points, with butterflies added in the studio modelled from life.[7]
The painting depicts a flock of sheep on the coast of Sussex, at a scenic location on the cliffs at Fairlight Glen, beside Covehurst Bay, near Hastings, called the Lovers' Seat. [1]
The painting is painted in many layers, with brilliant colours, as many of Hunt's paintings are painted.[8]
It was exhibited at the Royal Academy summer exhibition in 1853 under the title Our English Coasts, but the frame bore the inscription "The Lost Sheep", and it was renamed Strayed Sheep when it was exhibited at the Exposition Universelle in Paris in 1855. It was acquired by the Tate Gallery in 1946, through The Art Fund.
References
- ^ a b "our-english-coasts-1852-strayed-sheep". /www.google.com/culturalinstitute. Retrieved 2014.
{{cite web}}: Check date values in:|accessdate=(help) - ^ "william-holman-hunt". /www.preraphaelites.org. Retrieved 2014.
{{cite web}}: Check date values in:|accessdate=(help) - ^ "Pre-Raphaelitism and the Pre-Raphaelite Brotherhood". http://worldcatlibraries.org. Retrieved 2014.
{{cite web}}: Check date values in:|accessdate=(help); External link in|publisher= - ^ "The Pre-Raphaelites". www.victorianweb.org/. Retrieved 2014.
{{cite web}}: Check date values in:|accessdate=(help) - ^ "pre-raphaelites-victorian-avant-garde". www.tate.org.uk. Retrieved 2014.
{{cite web}}: Check date values in:|accessdate=(help) - ^ "Preraphaelites". www.artlex.com.
- ^ Our English Coasts, 1852 (‘Strayed Sheep’), Tate Gallery
- ^ "the_Pre-Raphaelite_Technique". www.academia.edu. Retrieved 2014.
{{cite web}}: Check date values in:|accessdate=(help)
External links
- Our English Coasts, 1852 (`Strayed Sheep') at Smarthistory