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Paul Sepuya

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Paul Mpagi Sepuya
Born1982
San Bernardino, California, U.S.
EducationTisch School of the Arts
New York University
University of California Los Angeles
Known forPortraiture
MovementContemporary Studio Portraiture

Paul Mpagi Sepuya (born 1982) is an American photographer and artist. His photography works focus heavily on the relationship between artist and subject. He often explores the nude in relation to the intimacy of studio photography. The foundation of Sepuya's work is portraiture, aiming to create meaningful relationships among the subjects through the medium of photography.[1]

Early life

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Sepuya was born in San Bernardino, California.[2] He temporarily moved to New York to pursue a Bachelor in Fine Arts in Photography & Imaging from New York University's Tisch School of the Arts in 2004 and subsequently a Master of Fine Arts in Photography from UCLA Department of Art in 2016. Work from his master's degree was presented at the UCLA MFA Exhibition #3.[3]

Style

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Sepuya is best known for his portraiture. Portraiture is the artist's representation of a person. The artist uses elements of art such as composition, line, or color to display the personality or mood of a person.[4] Another major feature of his work is fragmentation: Sepuya reveals the subjects in his art in fragments: torsos, arms, legs, or feet rather the entire body. His goal in doing so is to create a feeling of longing and wanting more in order to build a deep connection with viewers.[5] Typically his photographs are ripped apart and rearranged as a link to queer culture as well as social and sexual exchange. His photographs show his interest in the history of portraiture and wanting to have black photography exist in the same time space as contemporary conversations. His photography sessions mostly take place in a familiar studio like his own or a friend's to highlight his own presence and his relationship with the individuals in his photographs.[6]

Career

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Sepuya's series Studio Work (2010–11) continues the development of his sustained interest in portraiture and the intimacy developed between the sitter and the photographer in the controlled environment of the studio. The range and breadth of his work examines not only the personality and character of the portrait but the private performance that exists within the photographic studio.[7] "My studio was private, but not a closed environment. Rather, it was a stage that I inhabited and opened to those around me,"[8] he says in reflecting on the production of the studio environment and those invited to have their portraits made. He draws inspiration for his contemporary investigations of studio photography from the works of Robert Mapplethorpe and art historian and critic Brian O'Doherty, whose publication Studio and Cube: On the relationship between where art is made and where art is displayed[9] features prominently in his early work. He has held a residency at the Studio Museum in Harlem and his work is included in the Leslie-Lohman Museum of Gay and Lesbian Art.[10]

In addition he has published several artists books and editions with Printed Matter, Inc. Since 2004, Sepuya has shot editorial features for I.D., Kaiserin Magazine, and Butt. Since 2005 he has self-published the periodical Shoot.[11] Sepuya's 2010 publication, The Accidental Egyptian and Occidental Arrangements, was co-created with artist Timothy Hull.[12]

Sepuya is represented by Ducument, Chicago; Yancey Richardson Gallery, New York; Stevenson Gallery, Cape Town. His work has been included in exhibitions at the Museum of Contemporary Art, Los Angeles, The Studio Museum in Harlem, Franklin Art Works, Minneapolis, the Artist Institute in New York, and The Center for Photography at Woodstock.[13] He has had solo exhibitions at Ducument, Platform Centre for Photography and Digital Arts in Winnipeg, Clough-Hanson Gallery at Rhodes College in Memphis, Artspeak in Vancouver, and Blaffer Art Museum in Houston.[14][15][16]

Predominantly New York-based through 2014, he is currently Associate Professor in Media Arts and the MFA program director at the University of California, San Diego.[17] He previously taught at CalArts and Bard College.[18][19]

Four of his photographs are held in the collection of the Museum of Modern Art, and he was included in its Spring 2018 show New Photography.[20] As of 2018, he was represented by Team Gallery[21] and his first solo exhibition there titled The Conditions, debuted in March 2019.[22]

Sepuya's work was included in the 79th Whitney Biennial, in 2019.[23] His Darkroom Mirror (_2070386) (detail), 2017, from the series "Darkroom Mirrors," 2017 was used on the cover of the Artforum's March 2019 issue.[24]

Critical reception

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Sepuya's work is generally critically acclaimed by art critics and enthusiasts. His work is distinctive in a sense that critics acknowledge his effective use of body fragmentation portraiture techniques.

A contributor writer from The Brooklyn Rail, explains how one of Sepuya's exhibits called the Mirror Study (2016),[25] "has lingered with him the most" in that "the photographer captures himself photographing a cut-up portrait of a man taped to a mirror, hiding the camera and all but his arms behind what remains of the printed image (only the man’s arm)".[26]

An art critic from the May 2017, Fine Arts section issue of The Nation states that Sepuya's photographs are "as insistently reflective and formally refined as any being made today, can nonetheless proclaim that in his work, the sum total of content lies outside of the conversation about art".[27] Sepuya "almost too perfectly encapsulates the current tendency to see photography as a game of mirrors. Its conceptually self-questioning strategies and fastidious-almost-to-the-point-of-finicky aesthetics account, in part, for why he seems to be a must-have artist of the moment", the art critic exclaims when mentioning Sepuya's proven track record.[27]

See also

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References

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  1. ^ "BIO & CV | PAUL MPAGI SEPUYA". paulsepuya.com. Retrieved 2017-10-26.
  2. ^ "Paul Mpagi Sepuya | Artspeak".
  3. ^ "UCLA Arts: School of the Arts and Architecture". UCLA Arts: School of the Arts and Architecture. Retrieved 2017-06-22.
  4. ^ "PsycNET". psycnet.apa.org. Retrieved 2017-11-16.
  5. ^ "Paul Mpagi Sepuya - Artists - Yancey Richardson". www.yanceyrichardson.com. Retrieved 2017-11-01.
  6. ^ "Paul Mpagi Sepuya".
  7. ^ Greenberger, Alex (2018-02-12). "Team Gallery Now Represents Paul Mpagi Sepuya". ARTnews. Retrieved 2018-07-01.
  8. ^ "Talent: Paul Mpagi Sepuya". CULT. Retrieved 2017-06-22.
  9. ^ O'Doherty, Brian (2007). Studio and Cube. New York City: Princeton Architectural Press. p. 40. ISBN 9781883584443.
  10. ^ Schwabsky, Barry (22 May 2017). "Playing with Mirrors: Two artists push the limits of what cameras can do". The Nation: 42.
  11. ^ SHOOT Magazine
  12. ^ Smyth, Diane (October 2010). "The art of photography". The British Journal of Photography.
  13. ^ "Paul Mpagi Sepuya - Artists - Yancey Richardson". www.yanceyrichardson.com. Retrieved 2017-06-22.
  14. ^ "Paul Mpagi Sepuya at DOCUMENT". www.artforum.com. 26 April 2018. Retrieved 2018-07-01.
  15. ^ "Studio Work | Platform Centre". platformgallery.org. Retrieved 2018-07-01.
  16. ^ "Paul Mpagi Sepuya | Blaffer Art Museum". blafferartmuseum.org. Retrieved 2020-06-13.
  17. ^ "Paul Mpagi Sepuya". visarts.ucsd.edu. Retrieved 2024-12-23.
  18. ^ "Paul Sepuya". art.calarts.edu. Retrieved 2017-06-22.
  19. ^ "People". www.bard.edu. Retrieved 2024-12-23.
  20. ^ "Paul Mpagi Sepuya", Art and Artists, MoMA, retrieved 2017-10-10
  21. ^ Greenberger, Alex (2018-02-12). "Team Gallery Now Represents Paul Mpagi Sepuya". ARTnews. Retrieved 2018-02-24.
  22. ^ "DPI Alum Paul Mpagi Sepuya to lecture at ICP and more". tisch.nyu.edu. Retrieved 2019-03-02.
  23. ^ "Artist List for 2019 Whitney Biennial Includes Wangechi Mutu, Simone Leigh, Brendan Fernandes, Paul Mpagi Sepuya, Jennifer Packer, and Martine Syms". 27 February 2019. Retrieved 2019-03-02.
  24. ^ "PROJECT: PAUL MPAGI SEPUYA". www.artforum.com. March 2019. Retrieved 2019-03-02.
  25. ^ "Mirror Study (_Q5A2097), 2016". Retrieved 7 February 2018.
  26. ^ "Figures, Grounds, and Studies". March 2017. Retrieved 7 February 2018.
  27. ^ a b Schwabsky, Barry (2 May 2017). "Playing With Mirrors Two. Artists push the limits of what cameras can do". Retrieved 7 February 2018. {{cite magazine}}: Cite magazine requires |magazine= (help)
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