Pod (The Breeders album)
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Pod is the debut album by the American alternative rock band The Breeders, released on the independent record label 4AD in May 1990. Produced by Steve Albini, Pod was recorded at Palladium Studios, Edinburgh, Scotland.
Engineer Steve Albini has stated that it is the one album on which he felt he got both the best sound for a band, and the best performance from a band. It has been credited by Nirvana's Kurt Cobain as being one of the most influential albums of his life. According to Cobain, "it’s an epic that will never let you forget your ex-girlfriend."
Background
Following Kim Deal's critically acclaimed work in the Pixies, she wanted to write songs, something she rarely got to do in the Pixies. As a result Deal put the The Breeders together. The band signed to the Pixies label and released Pod in 1990, since Pod and the Pixies break-up, the band has released two more albums, including the minor commercial hit, 1993's Last Splash.
The Breeders wanted to re-record the demo tape for a general release. 4AD gave the band a $11,000[1] budget and recruited Steve Albini, who had worked with Deal on the Pixies' 1988 album Surfer Rosa, to record in Edinburgh, Scotland for two weeks in December 1989.
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Template:Sample box end Pod's sound has been seen by critics as an amalgamation of the Pixies' and the Throwing Muses' music; a combination of elliptical punk, angular pop, shattered tempos and screeching dynamics. The album features a wide range of musical styles; from the poppy "Fortunately Gone" to the hard rock of "Hellbound".
Release and reception
Pod was released on 28 May 1990 by 4AD and Elektra records in the U.S. and UK. Although the album did not chart in the U.S., it was a minor hit in the UK, peaking at #22 on the UK Albums Chart.[2]
The album did, nevertheless, receive much acclaim from mainstream critics; The New York Times' Karen Schoemer wrote: "The angular melodies, shattered tempos and screeching dynamics recall elements of each of the women's full-time bands, but Pod has a smart, innovative edge all its own."[3] Heather Phares of All Music Guide hailed the album as "a vibrantly creative debut," and praised its "creative songwriting, immediate production...and clever arrangements." Phares compared Pod favorably to the Pixies' Bossanova and the Throwing Muses' Hunkpapa; Deal and Donelly's respective bands' releases at that time.[4] Rolling Stone magazine, in their profile of The Breeders, called the album "hazy and creepily erotic...[Pod was] just what college radio had been waiting for."
The praise, however, was not uniequivocal; The Village Voice's Robert Christgau derided the album, calling it an "art project", implying that The Breeders didn't "[sound] like a band."[5] In his book The Rough Guide to Rock, Peter Buckley downplays comparisons with the Pixies, suggesting the album is "far too plodding for that."[6] In The A to X of Alternative Music, Steve Taylor says, "Deal's songs [on Pod] are not of the same quality as her Pixies work."[7]
In an 1992 interview with Melody Maker, Nirvana frontman Kurt Cobain named Pod as one of the records that influenced his life: "It’s an epic that will never let you forget your ex-girlfriend."[8] Subsequently, in August 1993, after the release of their second album Last Splash, the Breeders were invited to open for Nirvana at several venues in Europe.[9] In July 1995, in their tenth anniversary issue,Alternative Press ranked Pod number 39 of the "Top 99 of '85-'95", a list of the best albums released during the magazine's years in print.[10] In July 2007, in a chat forum interview, Pod's engineer Steve Albini revealed that he considered the album to be amongst his best works.[11]
Track listing
All tracks were written by Kim Deal, except where noted.
- "Glorious" (Deal/Halliday) – 3:23
- "Doe" (Deal/Halliday) – 2:06
- "Happiness Is a Warm Gun" (Lennon/McCartney) – 2:46
- "Oh!" – 2:27
- "Hellbound" – 2:21
- "When I Was a Painter" – 3:24
- "Fortunately Gone" – 1:44
- "Iris" – 3:29
- "Opened" – 2:28
- "Only in 3's" (Deal/Donnelly) – 1:56
- "Lime House" – 1:45
- "Metal Man" (Deal/Wiggs) – 2:46
Personnel
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- Kim Deal - vocals, guitar
- Tanya Donelly - vocals, guitar
- Josephine Wiggs - vocals, bass, Spanish guitar (on "Metal Man")
- Britt Walford (credited as Shannon Doughton) - vocals, drums
- Carrie Bradley - violin
- Michael Allen - backing vocals (on "Oh!")
- Steve Albini - engineer
- Vaughan Oliver/ v23 - sleeve design
- Kevin Westerberg - photography
Notes
- ^ Spitz, Marc. "Life to the Pixies." Spin. September 2004.
- ^ "UK Top 40 Chart Archive". everyhit.com. Retrieved 2007-11-22.
- ^ Schoemer, Karen (July 8 1990). "Recent Releases". The New York Times. Retrieved 2007-11-22.
{{cite news}}: Check date values in:|date=(help); Italic or bold markup not allowed in:|publisher=(help) - ^ Phares, Heather. "Pod review". All Music Guide. Retrieved 2007-11-22.
- ^ Christgau, Robert. "'The Breeders consumer guide". The Village Voice. Retrieved 2007-11-22.
{{cite news}}: Italic or bold markup not allowed in:|publisher=(help) - ^ Buckley, Peter. The Rough Guide to Rock, Rough Guide. p. 136
- ^ Taylor, Steve. The A to X of Alternative Music. Xfm. p. 185. Xfm
- ^ ""Rebellious Jukebox" - Kurt Cobain of Nirvana talks about the records that changed his life". Melody Maker. August 29 1992.
{{cite news}}:|access-date=requires|url=(help); Check date values in:|date=(help); Italic or bold markup not allowed in:|publisher=(help) - ^ Albini, Steve. "The Breeders profile". 4AD. Retrieved 2007-11-22.
- ^ Alternative Press (July 1995). ""Top 99 of '85-'95"". RockList.net. Retrieved 2007-11-22.
- ^ "Steve Albini Drops Anonymity, Answers Questions In Poker Forum". Stereogum. July 6 2007. Retrieved 2007-11-22.
{{cite news}}: Check date values in:|date=(help)
References
- Frank, Josh; Ganz, Caryn. (2005). Fool the World: The Oral History of a Band Called Pixies. Virgin Books. ISBN 0-312-34007-9.
External links
- Pod ⚠ "
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