Rendition (film)

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Rendition
Renditionposter.jpg
Theatrical release poster
Directed by Gavin Hood
Produced by Steve Golin
David Kanter
Keith Redmon
Michael Sugar
Marcus Viscidi
Written by Kelley Sane
Starring Jake Gyllenhaal
Reese Witherspoon
Peter Sarsgaard
Omar Metwally
with Alan Arkin
and Meryl Streep
Music by Paul Hepker
Mark Kilian
Cinematography Dion Beebe
Edited by Megan Gill
Production
company
Distributed by New Line Cinema
Release date
  • September 7, 2007 (2007-09-07) (Toronto International Film Festival)
  • October 19, 2007 (2007-10-19) (United States)
Running time
122 minutes
Country United States
Language English
Budget $27.5 million[1]
Box office $27 million[2]

Rendition is a 2007 American abduction thriller film directed by Gavin Hood and starring Reese Witherspoon, Meryl Streep, Peter Sarsgaard, Alan Arkin, Jake Gyllenhaal and Omar Metwally. It centers on the controversial CIA practice of extraordinary rendition and is based on the true story of Khalid El-Masri, who was mistaken for Khalid al-Masri. The movie also has similarities to the case of Maher Arar.

Plot[edit]

CIA analyst Douglas Freeman (Jake Gyllenhaal) is briefing a newly arrived CIA agent in a square in an unnamed country in North Africa (filmed in Marrakech), when a suicide attack kills the CIA agent and 18 other people. The target was a high-ranking police official, Abbas-i "Abasi" Fawal (Yigal Naor), who acts as a liaison for the United States and whose tasks include conducting interrogations and overseeing the application of techniques amounting to torture. Fawal escapes unscathed.

Egyptian-born Anwar El-Ibrahimi (Omar Metwally), a chemical engineer who lives in Chicago with his mother, his pregnant wife Isabella (Reese Witherspoon) and their young son, is linked to a violent organization by telephone records indicating that known terrorist Rashid placed several calls to Anwar's cellphone. Returning to the United States from a conference in South Africa, he is detained by American officials and sent to a secret detention facility near the location of the suicide attack depicted earlier, where he is interrogated and tortured. Isabella is not informed and all records of his being on the flight from South Africa are erased, although records remain of his boarding the plane at Cape Town International Airport.

For lack of more experienced staff, Freeman is assigned to observe the interrogation of Anwar, whose interrogator is Fawal himself. After Freeman briefly questions Anwar, he is doubtful of Anwar's guilt, but his boss, Corrine Whitman (Meryl Streep), insists that the detention continue, justifying such treatments as necessary to save thousands from becoming victims of terrorism.

Growing worried, Isabella travels to Washington, D.C. to see old friend Alan Smith (Peter Sarsgaard), who now works as an aide to Senator Hawkins (Alan Arkin), and plead with him to find out what has happened to her husband. She is first informed that there was a mix-up in Cape Town and Anwar had failed to board his plane, but she shows him her husband's credit card record, which shows that he made a purchase at the in-flight duty-free shop; this confirms that he was on the flight. Smith slowly pieces together details of Anwar's detention. He is unable to convince either the senator or Corrine Whitman, who had ordered the rendition, to release him, or to openly acknowledge that the rendition had taken place. After the senator advises Smith to let it go on the basis that it's not the right time to start debating an extraordinary rendition because he's fighting to have a bill passed in Congress, he gives Isabella a phone number for an excellent lawyer he knows and advises her to call it, but she refuses. Upon hearing the confrontation from her office, his sympathetic secretary quietly tips Isabella off that Whitman will be visiting the following day. Isabella confronts Whitman and creates a scene, before storming out, only to go into labor in the hallway.

Eventually, Anwar confesses that he advised Rashid how to make more powerful bombs and was promised $40,000 in return. Suspicious that it's a false confession, Freeman asks where the money is and Anwar replies that it should have been delivered to him in South Africa but the courier never arrived. Freeman's suspicions are confirmed when he has the names Anwar gives traced by Interpol and draws a blank. A quick Google search reveals that the names are of the Egyptian soccer team from the year Anwar left Egypt. Without the consent of his superiors, Freeman approaches the Minister of the Interior of the country, and presents him with this finding, and also questions whether $40,000 would really be enough to persuade a man whose annual salary is $200,000 to risk his entire life, and that of his family. He quotes Shakespeare's The Merchant of Venice while making a point on the value of intelligence gathered through torture:

I fear you speak upon the rack
Where men enforced do speak anything.

Eventually, Freeman persuades the minister to authorise Anwar's release, and sends him back to America via a clandestine ship to Spain, hanging up on his superior when he gets a call to cease and desist. Angered by the injustice Anwar has suffered, Freeman leaks the details of Anwar's detention to the American press, creating a scandal that humiliates Whitman and Hawkins. The film ends with Anwar arriving home and reuniting with his family.

In a parallel storyline, Abasi's daughter Fatima (Zineb Oukach) has run away from home with her boyfriend Khalid (Moa Khouas). Fatima sees a picture of Khalid's brother, but he does not tell her what has happened to him. Abasi is told that Khalid's brother was an inmate at his prison and later died. Fatima is unaware that Khalid is a member of a terrorist group until his friends are arrested at a planned march and he leads her to the terrorist group's base. Near the end of the movie, Fatima discovers a notebook that contains pictures of Khalid and his brother together, showing that they were extremely close, as well as a picture of the two brandishing AK-47s, then some pictures of a grief-stricken Khalid standing over his brother's corpse, some pictures of her father, and finally a statement saying that Khalid is doing a deed to avenge his brother's death. Realizing that Khalid's brother met his death at the hands of her father and that Khalid is about to assassinate him, she runs off. It is then revealed that this second story took place before the suicide attack. (From the briefing with the CIA agent in the beginning we know that the first story took place after the suicide attack.) At the town square Fatima begs him not to do it, arguing that the target is her father. After removing the pin of his detonator he hesitates, and is therefore killed by the organizers of the attack. As a result, he releases the handle of the detonator and the bomb explodes, killing Fatima. In the present, Abasi rushes to Khalid's apartment and discovers Khalid's grandmother grief-stricken over the loss of both her grandsons and Fatima. Abasi then realizes that his daughter died trying to protect him and is filled with grief himself.

The record of a phone call supposedly made by Rashid to Anwar is not explained in the film. However, earlier it was mentioned that phones are sometimes passed on from one person to another in order to avoid phone tracing (the DVD extras explain that there was a subplot dropped from the film that elaborated on this concept). The film's director, Gavin Hood, stated in an interview that the lack of explanation on the call was deliberate, so as to create ambiguity about whether Anwar was guilty or innocent, and to let the viewer decide whether the possibility of his guilt was enough to justify kidnapping and torturing him.[3]

Cast[edit]

Reception[edit]

Reviews for Rendition were mixed. Review aggregator Rotten Tomatoes reports a 47% approval rating from critics, based on 152 reviews. On Metacritic, the film averaged a score of 55 based on 34 reviews.[4] Roger Ebert awarded the film four stars out of four, saying, "Rendition is valuable and rare. As I wrote from Toronto: 'It is a movie about the theory and practice of two things: torture and personal responsibility. And it is wise about what is right, and what is wrong.'"[5] In contrast, Peter Travers of Rolling Stone applauded the cast, but noted that the film was a "bust as a persuasive drama".[6] Travers declared the film the year's Worst Anti-War Film on his list of the Worst Movies of 2007.

See also[edit]

References[edit]

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