Jump to content

Salim Ghazi Saeedi

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Hamid Hassani (talk | contribs) at 10:27, 31 March 2016 (Minor editing and wikifying). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Salim Ghazi Saeedi
سلیم قاضی‌سعیدی
Salim Ghazi Saeedi
Salim Ghazi Saeedi
Background information
Born (1981-07-19) 19 July 1981 (age 43)
Tehran, Iran
GenresProgressive rock, Rock in Opposition, jazz fusion, art rock
Occupation(s)Composer, Guitarist
Instrument(s)Guitar, Keyboards
Years active2006–present
LabelsIndependent
Websitewww.salimworld.com

Salim Ghazi Saeedi (pronunciation) (Template:Lang-fa, also Romanized as Salim Ghāzi Saeedi and Salim Ghāzi-Saeedi; born 1981, Tehran, Iran) is an Iranian composer and guitarist in variety of genres ranging from progressive metal[1] and jazz fusion[2] to avant-garde classical chamber,[3] progressive surf,[4] progressive rock,[5] RIO (Rock in Opposition)[6][7][8] and art rock with minimalist approach.[9]

Biography

Salim Ghazi Saeedi was born in 1981 in Tehran, Iran. He began self-teaching guitar in 1999. He has composed three albums "Abrahadabra" (2006), "Sovereign" (2007) and "Ustuqus-al-Uss" (2008) in the band Arashk. Afterwards he released Iconophobic (2010), Human Encounter (2011) and namoWoman (2012) as a one-man-band in which he played the roles of composer, guitarist, keyboard player, drums arranger, mixing engineer and producer.

Some critiques have compared his sound to Univers Zero, Art Zoyd,[10][11][12] John Zorn,[13] Patrick O'Hearn, Mike Oldfield[14]Djam Karet and Birdsongs of the Mesozoic,[15] David Bedford, Richard Pinhas, ZNR, Mecano,[16] Present, Aranis, the entire Belgian chamber rock scene,[17] Dick Dale,[18] Anne Dudley and Jaz Coleman[19] and X-Legged Sally.[20] Some progressive rock publications have also compared his music to King Crimson and Robert Fripp's.[21][22][23][24]

His albums could be regarded as concept albums hiring elements of classical and electronic music and progressive rock with diversified use of instruments.[25] In his 2012 album, namoWoman, he incorporated Persian microtonal music influences.[26]

Discography

Solo:

  • namoWoman - Salim Ghazi Saeedi (2012) - Composer, Performer
  • Human Encounter - Salim Ghazi Saeedi (2011) - Composer, Performer
  • Iconophobic - Salim Ghazi Saeedi (2010) - Composer, Performer

In the band Arashk:

  • Yell - Arashk (2008) - Co-composer, Rhythm guitarist
  • Ustuqus-al-Uss - Arashk (2008) - Composer, Performer
  • Sovereign - Arashk (2007) - Composer, Performer
  • Abrahadabra - Arashk (2006) - Composer, Performer

In collaboration:

  • [Single] When There is More Beauty in the Contrary - Negar Bouban and Salim Ghazi Saeedi (2011) - Co-composer, Performer

References

  1. ^ Windhawk, "Progarchives.com's review on Ustuqus-al-Uss album", ProgArchives, May 23, 2009
  2. ^ MP, "Albumbesprechung Salim Ghazi Saeedi - Iconophobic, Rezensator.de, 2010
  3. ^ Lee Henderson, "Iconophobic Album Review", ProgNaut, October 13, 2010
  4. ^ Richard Poulin, Abrahadabra Review, Gnosis2000, May 2008
  5. ^ Lee Henderson, "Iconophobic Album Review", ProgNaut, October 13, 2010
  6. ^ Fred Trafton, Iconophobic Album Review", GEPR, Jun 2011
  7. ^ Gary Hill, Iconophobic Album Review", Music Street Journal, Issue 85, December 2010
  8. ^ Mr. Blue, Iconophobic Album Review", Music Waves webzine, Jun 2011
  9. ^ Steven Reid, "Iconophobic Album Review", Sea of Tranquility, September 28th 2010
  10. ^ Siggy Zielinski, "Iconophobic Album Review", BabyBlaue.de prog-review, 17.10.2010
  11. ^ ProgNaut webzine, Lee Henderson, Iconophobic Review, Oct 2010
  12. ^ The Rocktologist, Rok Podgrajšek, Human Encounter Review, Oct 2011
  13. ^ Digg*, Human Encounter Review, Quincy Cloet, Nov 2011
  14. ^ Hard Rock Service, Iconophobic Album Review, Vincent, Jul 2011
  15. ^ "Gary Hill, Iconophobic Album Review", Music Street Journal, Issue 85, December 2010
  16. ^ Lee Henderson, "Iconophobic Album Review", ProgNaut, October 13, 2010
  17. ^ Peter van Haerenborgh, "Iconophobic Review", Progwereld, Mar 2011
  18. ^ Richard Poulin, Abrahadabra Review, Gnosis2000, May 2008
  19. ^ Rob F., "Iconophobic Review", Leicester Bangs, Jun 2011
  20. ^ Lee Henderson, "Ustuqus-al-Uss Review", ProgNaut, Aug 2011
  21. ^ Philippe Gnana, "Iconophobic Review", Harmonie Magazine, No. 70, Nov 2010, p. 30
  22. ^ Peter van Haerenborgh, Iconophobic Review, Progwereld, Mar 2011
  23. ^ Artrock.pl, Iconophobic Album Review, Wojciech Kapała, May 2011
  24. ^ Gary Hill, Human Encounter Review, Music Street Journal, Issue 85, Dec 2011
  25. ^ "The Progressive Rock Files, Iconophobic Review, Jerry Lucky, Mar 2011
  26. ^ Progwereld, namoWoman album review, Peter Van Haerenborgh, Retrieved: 3/24/2013

Template:Persondata