Sevasadanam
| Sevasadanam | |
|---|---|
 Poster | |
| Directed by | Krishnaswami Subrahmanyam |
| Written by | Premchand K. Subramanyam |
| Produced by | Krishnaswami Subrahmanyam |
| Starring | M. S. Subbulakshmi F.G. Natesa Iyer S. G. Pattu Iyer S. Varalakshmi |
| Cinematography | Sailen Bose Ellappa Rama Rao |
| Edited by | Dharam Veer Singh |
| Music by | Papanasam Sivan |
Release date |
|
Running time | 210 minutes |
| Country | India |
| Language | Tamil |
Sevasadanam (Template:Lang-en) is a 1938 Indian Tamil-language drama film directed by Krishnaswami Subrahmanyam. It is one of the early Tamil films to be set in a contemporary social setting and to advocate reformist social policies. This was the first film for M. S. Subbulakshmi.[1][2][3][4][5]
Plot
An abused wife Sumathi (M. S. Subbulakshmi) is driven out of her house by husband and later forced into prostitution. Later she reforms her ways and devotes her life to running an institution for the children of prostitutes.
Production
After the success of Balayogini (1937), director Subramanyam was encouraged to make more socially oriented films. In 1938 he decided to make a film version of Premchand's novel Bazaar-e-Husn. While Balayogini was about the travails of widows, Sevasadanam dealt with domestic abuse, prostitution and women's liberation. Subramanyam wrote the screenplay himself and made the film under his Madras United Artists Corporation Banner.[3][4] The completed film was 18,900 feet in length with a run time of 210 minutes.[4][5]
Cast and crew
- M. S. Subbulakshmi - Sumathi
- F.G. Natesa Iyer -Eashwara Iyer
- S. Varalakshmi
- S. G. Pattu Iyer
- Kumari Kamala
- "Jolly" Kittu Iyer
- Jayalakshmi
- Ram Pyari
- Premchand - Story
- K. Subramanyam - Screenplay and Director
- Papanasam Sivan - Music, Lyrics
- Rajagopal Iyer - Music, Lyrics
- Sailen Bose - Cinematographer
- Jyotish Sinha - Audiographer
- Ellappa - Cinematographer
- Ramarao - Cinematographer
- K. R. Sharma - Art Director
- Dharam Veer Singh - Art Director[5]
Reception
Sevasadanam was released on 2 May 1938. It was a critical and commercial success.[5] Ananda Vikatan favourably reviewed the film on 8 May 1938:
We should always expect somethings from Subramaniam's direction - for instance depiction of social ills.. If we have to say only two words about this talkie based on Premchand's story it is - Go see (it).[6]
As was the case with Balayogini, conservative Hindus were upset with Sevasadanam.[7]
The veteran Marxist leader N. Sankaraiah, has described Seva Sadhanam as an "unusual film" for choosing the subject of marriages between young girls and old men (which had social sanction). According to him, the film successfully broughout the "sufferings of the girl" and the "mental agony of the aged husband". Sankariah particularly appreciated F.G. Natesa Iyer's performance in the role of the old man, which he said " was impressive". Tamil film critic and historian Aranthai Narayanan observes in his book Thamizh Cinemavin Kathai (The Story of Tamil Cinema) that "Seva Sadhanam proved a turning point in the history of Tamil cinema. In the climax, the aged husband, now a totally changed man, was shown as casting aside with utter contempt his `sacred thread', which symbolises his Brahmin superiority. It came as a stunning blow to the then Brahmin orthodoxy."[8]
Availability
No print of Sevasadanam is known to survive, making it a lost film. While K. Subrahmanyam's family only have a few surviving photographs related to the film in their possession, the complete set of 78 rpm gramophone records in their original envelopes has survived in the collection of musicologist V. A. K. Ranga Rao in Chennai.[9]
See also
References
- ^ "The stamp of honour". The Hindu. 10 July 2000. Archived from the original on 6 August 2016. Retrieved 20 January 2017.
- ^ Baskaran, S. Theodore (1996). The eye of the serpent: an introduction to Tamil cinema. Chennai: East West Books. p. 15.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help) - ^ a b Thoraval, Yves (2000). The cinemas of India. India: Macmillan. p. 37. ISBN 0-333-93410-5, ISBN 978-0-333-93410-4.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help) - ^ a b c Rajadhyaksha, Ashish; Willemen, Paul (1994). Encyclopaedia of Indian cinema. British Film Institute. p. 259. ISBN 0-85170-455-7, ISBN 978-0-85170-455-5.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help) - ^ a b c d Film News Anandan (2004). Sadhanaigal padaitha Tamil Thiraipada Varalaaru (in Tamil). Chennai: Sivagami Publications. pp. 28:14.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help) - ^ Arandhai Narayanan (2008). Arambakala Tamil Cinema (1931-41) (in Tamil). Chennai: Vijaya Publications. p. 26.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help) - ^ Kaul, Gautam (1998). Cinema and the Indian freedom struggle: covering the subcontinent. Sterling Publishers. p. 84. ISBN 81-207-2116-0, ISBN 978-81-207-2116-6.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help) - ^ Vishwanathan, S. (3–16 July 2004). "A progressive film maker; Tribute to K.Subramanian". Frontline. Vol. 21, no. 14. Chennai, Tamil Nadu: Hindu Publications.
- ^ George, T. J. S. (2016) [2004]. M. S. Subbulakshmi: The Definitive Biography. Aleph Book Company. p. 99. ISBN 978-93-84067-60-1.
External links
- Sevasadan at IMDb
- http://www.dhingana.com/maa-ramanan-song-sevasadanam-tamil-oldies-399aa31
- Film India Magazine 1938 at Archive.org