Violin Sonatas (Grieg)
The three Sonatas for violin and piano by Edvard Grieg were written between 1865 and 1887.
- Violin Sonata No. 1 in F major, Op. 8 was written in Copenhagen in 1865.
- Violin Sonata No. 2 in G major, Op. 13 was written in Oslo (then Christiania) in 1867.
- Violin Sonata No. 3 in C minor, Op. 45 was completed while Grieg was living in Troldhaugen in 1887.
Violin Sonata No. 1 in F major, Op. 8
Grieg composed this sonata in the summer of 1865 while on holiday with Benjamin Feddersen in Rungsted, Denmark, near Copenhagen. The piece was composed shortly after his only piano sonata was completed that same summer.
Concerning the piece, Norwegian composer Gerhard Schjelderup commented: it is "the work of a youth who has seen only the sunny side of life." Despite this, many sections of the work are quite dark and turbulent.
The violin's opening theme in the first movement runs thus:
Violin Sonata No. 2 in G major, Op. 13
On the second sonata, Schjelderup remarked: it is "the gift to the world of a man who has also shivered in the cold mists of night." Also, due to the sonata's tragic qualities, he considered the piece more Norwegian than the first sonata and "a Norway without tragedy is not a complete Norway."
When Grieg presented the sonata to his teacher Niels Gade, he proclaimed the work "too Norwegian" and professed that his next sonata should be less Norwegian. Grieg, reportedly, in defiance claimed that his next sonata would be even more Norwegian.
Violin Sonata No. 3 in C minor, Op. 45
Grieg began composing his third and final violin sonata in the autumn of 1886. Whereas the first two sonatas were written in a matter of weeks, this sonata took him several months to complete.
The sonata remains the most popular of the three works, and has established itself in the standard repertoire. The work was also a personal favorite of Grieg's. The sonata premiered with Grieg himself at the piano with well-known violinist Adolph Brodsky in Leipzig. To a certain extent, Grieg built on Norwegian folk melodies and rhythms in this three-movement sonata. However, Grieg considered the second sonata as the "Norwegian" sonata, while the third sonata was "the one with the broader horizon."
This was the last piece Grieg composed using sonata form.
The first movement is characterized by its bold and heroic introduction. The agitated opening theme is contrasted with a lyrical second theme.
The second movement opens with a serene piano solo in E major with a lyrical melodic line. In the middle section, Grieg uses a playful dance tune.
- Henry Theophilus Finck. Grieg and His Music. (New York: Dodd, Mead and Co., 1922), 36-39.
- Finck. 195.
- Finck. 58.
- Finck. 195.
- Chris Woodstra, et al. All music Guide to Classical Music: The Definitive Guide to Classical Music. (San Francisco, CA: Backbeat Books, 2005). 531.
- Oelmann, Klaus Henning (1993): Edvard Grieg - Versuch einer Orientierung. Egelsbach Köln New York: Verlag Hänsel-Hohenhausen 1993, pp. 117, 366-373
- Finck. 238. The sole notable exception is perhaps his String Quartet No. 2 in F major, EG 117 (1891), whose first two movements Grieg more or less finished in 1891 (and whose second pair he returned to in 1906 in another failed attempt. His friend Julius Röntgen prepared an edition for Peters of the two movements Grieg finished, after Grieg's death, which were premiered at his home in November 1907 and published by Peters in 1908 (http://www.griegsociety.org/default.asp?kat=1022&id=4767&sp=2 ).)
- Violin Sonata No. 1: Scores at the International Music Score Library Project (IMSLP)
- Violin Sonata No. 2: Scores at the International Music Score Library Project (IMSLP)
- Violin Sonata No. 3: Scores at the International Music Score Library Project (IMSLP)
- Performance of Violin Sonata No. 3 by Nicholas Kendall (violin) and Robert Koenig(piano) from the Isabella Stewart Gardner Museum in MP3 format
- RISM RISM-online description of autograph of the F major sonata (held at Leipziger Stadtbibliothek)