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Originally known as Stephenson and Meldrum (1921–1937), Stephenson and Turner (1938–1995) was a prominent Australian architectural firm, best known for the pioneering modernism of their numerous hospital designs of the 1930s and 1940s.

Percy Meldrum

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Percy Hayman Meldrum (1887–1968), architect, born in 1887 at Casterton, Victoria and educated at Ballarat College. In 1907 he studied architecture and articled to Melbourne Architect A. A. Fritsch from 1907 until 1913, where he won the Royal Victorian Institute of Architects Bronze Medal.[1]: 81 

In 1913 Meldrum travelled to Chicago and admired the architecture of Frank Lloyd Wright. Then travelled to England in 1914 and worked with the War Office designing aircraft hangars. In 1919 Meldrum joined the AA, where he met and taught Arthur Stephenson and Donald Turner.[1]: 81  In 1930 he designed the Castlemaine Art Museum building in an Art Deco style.[2] A fine draftsman and watercolorist, Meldrum was the artistic director and collaborated with some of Melbourne's prominent artists, including Napier Waller, whose mosaic featured on the façade of the Newspaper House in Melbourne (1933). Stephenson and Meldrum's partnership ended in 1937, with Meldrum moving on to practice with Arthur Noad, to form Meldrum and Noad. That year he became a foundation member of, and exhibited with, Robert Menzies' anti-modernist organisation, the Australian Academy of Art.[3] His son James became a non-objective, surrealist painter and lecturer in art at RMIT.[4]

Arthur George Stephenson

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Arthur George Stephenson (1890–1967), architect, born in 1890 in Box Hill, Melbourne. In 1907 Stephenson worked for Swansson Brothers while studying construction at the Working Men's College. He joined the Australian Imperial Force in 1915 as a lieutenant, promoted to captain and awarded the Military Cross. After World War I, Stephenson remained in London and studied at the Architectural Association School (AA) under Percy Hayman Meldrum and joined the Royal Institute of British Architects (RIBA) in 1920. He returned to Melbourne and formed a partnership with Meldrum in 1921, known as Stephenson & Meldrum.

Stephenson was largely responsible for the firm's direction to specialize in hospital design. He also lectured, wrote widely and was a member of numerous committees, including the International Hospitals Federation, the Hospital Advisory Council (Melbourne) and a trustee of the National Museum of Victoria.[1]: 80  In 1954 Stephenson was knighted for services to architecture and was the first Australian to receive a RIBA Gold Medal in 1964. The Royal Australian Institute of Architects awarded him a gold medal in 1963 and was made honorary fellow by the American Institute of Architects in 1964.

Donald Turner

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Donald Turner (1895–1964), architect, was born in Maitland, New South Wales. He began his architectural career as a student with Ross & Rowe in 1912.[1]: 82  In 1915 he enlisted in the First All and served as captain until 1919 with the Field Artillery in Egypt and France. After World War I he also studied at the AA in London where he met Arthur Stephenson and Percy Meldrum. Turner joined the RIBA in 1921 and was appointed assistant architect for the Imperial War Graves Commission. Returning to Melbourne in 1924, he joined Stephenson and Meldrum and was promoted to director in 1936. With Meldrum's departure in 1937 the firm's name changed to become Stephenson and Turner in 1938.

Projects

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Hospitals

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St Vincent's Hospital Healy Wing 1934

Stephenson's firm designed most of the major hospitals built in Australia in the 1930s.[5] Robin Boyd wrote in his book, Victorian Modern (1947), "hospitals gave modern architecture in Australia its first big break".[6] The early 20th century saw advancements in medical technology and treatments, which transformed hospitals into a symbol of modern and healthy society.[7] Stephenson took full advantage of this and traveled to America in 1926–7 to research the most modern developments in hospital design and equipment. They immediately embarked on a number of hospital commissions, such as the Wangaratta Base Hospital, the Jesse McPherson wing of the Queen Victoria Hospital then located in William Street, and a large campus for 'crippled children' for the children's hospital at Somers. The firm's first major city hospital commission was the Healy Wing at St Vincent's Hospital in Fitzroy, where Stephenson provided efficient planning and accommodation of modern medical technology. All these hospitals were designed in eclectic styles typical of American hospitals, St Vincent's being the most adventurous – the design of 1928[8] was a massive block with arched windows at each end and columns flanking the entrance, a design which evolved when it was finally built in 1931–34[9] taking on some more Art Deco characteristics of a stepped skyscraper profile and patterned brickwork that varied from dark at the base to light on the top storeys.

Mercy Hospital, East Melbourne 1934

It wasn't until after Stephenson's second research trip in 1932–33 to continental Europe that hospital design in Australia drastically changed. Stephenson was inspired by European Modernism, particularly Bijvoet and Jan Duiker's Zonnestraal Sanatorium (1928) in the Netherlands, and the Paimio Sanatorium (1929–33) in Finland by Alvar Aalto, which Stephenson described as a way "to express in the simplest form the function of the building in the most appropriate materials".[7] Their next project, the Mercy Hospital (1934-5), introduced a completely new aesthetic : a six-level reinforced-concrete building with stark white sweeping cantilevered balconies that allowed for sun control and outdoor space for patients. The efficiency of the design was described by Professor John Freeland as "clean-cut with the precision of a machine".[10]

Royal Melbourne Hospital
Concord Repatriation General Hospital, Sydney

The success of the Mercy was followed by a succession of hospital commissions in Australia for Stephenson and Meldrum (replaced by Turner in 1937), most featuring long sweeping horizontal balconies with curved corners on a body of cream brick, a streamlined ‘functionalist’ idiom. The Freemason's Hospital (1936) in East Melbourne, defined by its horizontal balconies, was followed by the tall wedge-shaped United Dental Hospital (1940) in Sydney, and the rectilinear Pathology Block at the Royal Women's Hospital in Melbourne in 1941. In 1936 they began designing the new Royal Melbourne Hospital in Parkville, completed in 1942, which served as an American military hospital during World War II (returned to civilian use in 1944). The front façade design departed from the sweeping horizontality that Stephenson's hospitals were known for; instead they opted for a simple and pared back International Style, though the rear facade did include their signature sweeping white horizontal balconies.

While work on the Royal Melbourne Hospital was underway, they also designed for Sydney the King George V Hospital for Mothers and Babies (1939–41), which features the sweeping horizontal balconies on the front facades, and the Concord Repatriation General Hospital, completed in 1942, which repeated the design of the Royal Melbourne, with a plain front dominated by a tower elements, and the sweeping balconies on the rear, but more visible than on the tight Melbourne site.

International expositions

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H. Chipault, Pavillon de l'Australie, Exposition Internationale, Paris, 1937, postcard. Jim Davidson Australian postcard collection, National Library of Australia

Stephenson and Turner designed the Australian pavilions at three international exhibitions, which demonstrated both his commitment to Modernism and the firms status. The Australian pavilion at the International Exposition of Arts & Technology in Modern Life in Paris (1937), was a stark cylinder, while the Australian Pavilion at the New Zealand Centennial Exhibition in Wellington, New Zealand in 1940, was an essay in intersecting volumes, with a bold stylised classical portico.[11] The 1939 New York World's Fair work was an interior design only, as it was an attached wing of the British Pavilion (Stanley Hall & Easton and Robertson) and was noted for collaborations with artists and photographers to create a dynamic modern experience; the United States honoured Stephenson with citizenship for his work.[5]

After World War II

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Stephenson and Turner were closely involved in the post-war manufacturing revolution in Australia,[5] designing plants for Holden in Dandenong, Ford, BHP, Fibremakers as well as Australia's first experimental nuclear reactor in Lucas Heights for the Atomic Energy Commission. They applied the same rigorous approach to researching and engaging with state of the art technologies and methods of manufacturing. Their design for the General Motors Holden Factory complex (1954–56) in Dandenong featured a curtain wall to the administration building.

As well as major buildings in every capital city in Australia, in New Zealand and a hospital in Basra, Iraq, Stephenson and Turner grew to become the largest Australian architecture firm at its time with 300–400 staff at its peak.[1] They opened offices internationally in Singapore (1949), New Zealand (1956) and Hong Kong. Stephenson and Turner were one of the many architectural firms that were hit hard by the global economic downturn during the mid-1980s and merged with John Castles to become Castles, Stephenson and Turner in 1995. Since 2000, all Australian operations have closed down, with offices operating in New Zealand since 1956.

Today Stephenson & Turner operates out of five bases in New Zealand, specialising in social infrastructure buildings and carrying on its heritage in healthcare architecture.

Major projects

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Awards

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References

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  1. ^ a b c d e Philip Goad and others: Australian Modern: The Architecture of Stephenson and Turner, The Miegunyah Press and the State Library of Victoria, 2004.
  2. ^ Castlemaine Art Gallery & Historical Museum : history & collections. Geoff Hannon. Castlemaine, Australia. 2013. ISBN 978-0-9807831-9-3. OCLC 869312119.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  3. ^ Australian Academy of Art First Exhibition, April 8th-29th, Sydney : Catalogue (1st ed.). Sydney: Australian Academy of Art. 1938. Retrieved 2 November 2022.
  4. ^ McIntyre, Arthur (1 September 1988). "Meldrum links old and new Antipodes surrealism". The Age. p. 14.
  5. ^ a b c Fisher, J.D., Australian Dictionary of Biography: Stephenson, Sir Arthur George (1890–1967), [adb.anu.edu.au/biography/stephenson-sir-arthur-george-8646)].
  6. ^ Shaw, Sir Arthur Stephenson: Australian Architect, 85.
  7. ^ a b Julie Willis, Machines for healing, Architecture Australia, July/August 2002, 46.
  8. ^ "New Wing of St. Vincent's Hospital". The Advocate. Melbourne. 11 October 1928. p. 14. Retrieved 26 January 2020 – via Trove.
  9. ^ "Opening of St. Vincent's Hospital". The Advocate. Melbourne. 6 December 1934. p. 40. Retrieved 24 January 2020 – via Trove.
  10. ^ John Shaw, Sir Arthur Stephenson: Australian Architect, The Stephenson & Turner Sydney/Hong Kong Group, 1987, 86.
  11. ^ "Commonwealth of Australia Pavilion at the Centennial Exhibition". Wellington City Libraries. Retrieved 1 March 2024.

Sources

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