Suseok

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Suseok
Hangul
수석
Hanja
水石 or 壽石
Revised Romanizationsuseok
McCune–Reischauersusŏk
IPA[sʰu.sʰʌ̹k̚]
Korean artwork shows scholar paying homage to a special stone -- painting with calligraphy by Hô Ryôn, 1885

Suseok (수석), also called viewing stones or scholar's stones, is the Korean term for rocks resembling natural landscapes.[1][2] The term also refers to the art of stone appreciation.[1] The stone may be hand-carved or naturally occurring, with natural stones being of greater value.[3] Such stones are similar to Chinese gongshi and Japanese suiseki.[4]

Suseok can be any color. They vary widely in size – suseok can weigh hundreds of kilograms or much less than one kilogram, the largest of which may be displayed in traditional Korean gardens.

History[edit]

Suseok began as votive art over 3000 years ago[citation needed] and became a fixture of Korean society during the Joseon Dynasty, when Confucian scholars displayed them on their writing desks.[5] From here is where the English name "scholar's rock" originates.[5] Suseok regained popularity amongst nouveau riche businessmen in the 1980s during Korea's economic boom.[3]

The art usually works on three scales: large installations of monumental shaped stones as ornamental gates; medium-sized shaped stones for landscape decoration within Korean gardens; and the smaller shaped stones for scholar's tables, the most important of these scales.

Chinese gongshi influenced the development of suseok in Korea.[4]

Evaluation[edit]

Early on, important sites within landscape were marked with shaped stones, similarly to distance markers on post roads. Burial sites were also given permanent marking by large scale tumuli or mounds, often surrounded by anthropomorphic shaped stones much akin to that of Inuit or First Nations' memory markers. The animistic belief of nature being alive, and large-scaled elements of nature having souls, has led to the continued use of massive sculpted stone in natural forms throughout Korean traditional entranceways, as the firstgrowth[clarification needed] cedarwood traditionally used for gates is now rare.

As Confucian scholarship ascended into the golden age of the Joseon dynasty, scholar rocks became an essential fixture of the writing tables of the yangban class of scholars, and a brilliant example of Confucian art. Smaller ceramic versions of scholar's rocks have been seen cast in celadon and used as brush-holders, as well as water droppers for scholar's calligraphy – particularly in the shape of small mountains.

Genres of Korean stone art[edit]

  • mountain view (horizontal and vertical)
  • shaped jade mountains
  • shaped rock crystal mountains
  • abstract shape
  • overhanging shapes
  • organic mineral shapes (calcites, pyrites)
  • stalactite and stalagmite stelae
  • shamanistic shape
  • single stone buddhas
  • multiple stone buddhas
  • astrological year figures (dragon, snake, monkey etc.)
  • tree and house shapes
  • fossilized fish
  • fossilized insects
  • enhanced coloured stones

Standard reference work[edit]

  • Soosuk, #72 in a series of books on Korean culture, Daewonsa Publishing Co, Ltd (Korea, 1989), ISBN 89-369-0072-2 (in Korean)

See also[edit]

References[edit]

  1. ^ a b Brian, Addie. "Object of the Week: Suiseki Rock". museumca.org. Oakland Museum of California. Retrieved 25 February 2021.
  2. ^ Suseok at KoreanViewingStones.com; retrieved 2013-2-7.
  3. ^ a b Chernick, Karen. "A Highly Collectible Rock Plays a Key Role in the Oscar-Nominated Film 'Parasite.' Here's the Actual Meaning Behind It". news.artnet.com. Artnet. Retrieved 25 February 2021.
  4. ^ a b Brokaw, Charles. (2011). The Temple Mount Code, p. 73.
  5. ^ a b Brzeski, Patrick. "Bong Joon Ho Reveals the Significance of 'Parasite's' Scholar Stone". hollywoodreporter.com. Hollywood Reporter. Retrieved 25 February 2021.

External links[edit]