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Suzi Gablik

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Suzi Gablik
Gablik, photo courtesy of Deborah Solomon
Born(1934-09-26)September 26, 1934
DiedMay 7, 2022(2022-05-07) (aged 87)
EducationBlack Mountain College; Hunter College, BA
Known forart historian, writer, painter
Notable workHas Modernism Failed?, The Reenchantment of Art
AwardsNational Lifetime Achievement Award, Women's Caucus for Art, 2003

Suzi Gablik (September 26, 1934 – May 7, 2022) was an American visual artist, author, art critic, and professor of art history and art criticism.[1] She lived in Blacksburg, Virginia.[2][3]

Early life and education[edit]

Gablik was born in New York City on September 26, 1934.[4][5] Her interest in art was piqued after visiting museums in her hometown with her father during her childhood.[4] In 1951, after a summer studying at Black Mountain College, she entered Hunter College where she studied with Robert Motherwell. She graduated with a Bachelor of Arts in 1955.[4][6]

As a graduation gift from her parents, she travelled to Europe, but on her return she fell out with her parents over a love affair and had to rely on her own resources. Dollie Chareau, the widow of Pierre Chareau, let her stay in Chareau's studio, and she began working for George Wittenborn [de], a dealer in art books and small-press publisher as a clerk at Wittenborn's bookstore and assistant with his publishing. This was the beginning of her work in art publishing and art history.[7]

Writing career[edit]

Gablik wrote articles for Art in America (for which she was the London correspondent for fifteen years),[8] ARTnews (1962–1966),[8] Times Literary Supplement,[9][10] and The New Criterion,[11] as well as for blogs.[12]

Gablik's first book was Pop Art Redefined, co-authored with art critic John Russell.[8][13] Her other books include: Progress in Art (1977),[14] Has Modernism Failed? (1982),[15] The Reenchantment of Art (1992),[16] Conversations Before the End of Time (1995),[17] Living the Magical Life: An Oracular Adventure (2002),[18] and Magritte (1970),[19] about the Belgian surrealist René Magritte, written while living with the Magrittes.[20]

Gablik's The Reenchantment of Art announced her disenchantment with "the compulsive and oppressive consumeristic framework in which we do our work," and argued that a re-connection to the primordial and to ritual might allow "for a return of soul."[21][22] Instead of traditional forms of religion, however, Gablik sought out contemporary art that she believed broke out of the Western framework, championing the work of artists such as Frank Gohlke, Gilah Yelin Hirsch, Nancy Holt, Dominique Mazeaud, Fern Shaffer and Otello Anderson, Starhawk, James Turrell, and Mierle Laderman Ukeles, in the book and in subsequent critical writing.[23]

In addition to her critical articles, Gablik conducted interviews with other artists, art critics or philosophers, such as Richard Shusterman.[24][25] She also wrote essays for exhibition catalogues of shows that she has curated.[26]

Her papers are held at the Smithsonian Institution's Archives of American Art.[8][7]


Gablik taught at Virginia Commonwealth University's School of the Arts and Washington and Lee University, and has lectured at many others. From 1976 to 1979, she participated in U.S. International Communications Agency lecture tours in India, Hungary, Pakistan, and countries of South Asia.[27] She also participated in the Mountain Lake Symposium in 1986 and again in 1989.[28]

Collections and exhibitions[edit]

Gablik's art work is in the permanent collection of the Smithsonian American Art Museum[29] and the Black Mountain College Museum collection.[30]

Her work has been exhibited at the Museum of Modern Art, New York.[31]

Personal life and death[edit]

Gablik was in a brief relationship with Harry Torczyner [fr] after her graduation.[7][4] She died on May 7, 2022, at her home in Blacksburg, Virginia. She was 87, and suffered from a long unspecified illness prior to her death.[4][32]

Awards and honors[edit]

In 2003, Gablik was awarded a National Lifetime Achievement Award for outstanding achievement in the visual arts by the Women's Caucus for Art.[33]


  1. ^ "Suzi Gablik – Dictionary of Art Historians". arthistorians.info. Retrieved September 3, 2016.
  2. ^ "Resurgence • Author Suzi Gablik". www.resurgence.org. Retrieved September 4, 2016.
  3. ^ "Suzi Gablik". Smithsonian American Art Museum. Retrieved March 29, 2018.
  4. ^ a b c d e Greenberger, Alex (May 12, 2022). "Suzi Gablik, Well-Connected Critic Who Asked Tough Questions, Dies at 87". ARTnews. Retrieved May 12, 2022.
  5. ^ "Interview with Suzi Gablik". jari.podbean.com. November 1, 2009. Archived from the original on August 4, 2020. Retrieved September 5, 2016.
  6. ^ "Suzi Gablik – Artist, Fine Art Prices, Auction Records for Suzi Gablik". askart.com. Retrieved September 4, 2016.
  7. ^ a b c Stieber, Jason (2014). "Collector's Note: Suzi Gablik Abroad". Archives of American Art Journal. 53 (1/2): 140–145. doi:10.1086/aaa.53.1_2.43155548. ISSN 0003-9853. JSTOR 43155548. S2CID 192168719.
  8. ^ a b c d "Detailed description of the Suzi Gablik papers, 1954–2014". Archives of American Art. Smithsonian Institution. Retrieved September 5, 2016.
  9. ^ "Suzi Gablik". OverDrive. Retrieved September 5, 2016.
  10. ^ Gablik, Suzi. "A Catalogue of Horrors: Suzi Gablik on Edward Kienholz, in 1965 | ARTnews". www.artnews.com. Retrieved September 3, 2016.
  11. ^ "Gablik – Art and God". Scribd. Retrieved September 4, 2016.
  12. ^ Gablik, Suzi. "Suzi Gablik" (PDF). GreenMuseum. Retrieved September 3, 2016.
  13. ^ Reviews of Pop Art Redefined:
  14. ^ Reviews of Progress in Art:
  15. ^ Reviews of Has Modernism Failed?:
  16. ^ Reviews of The Reenchantment of Art:
  17. ^ Reviews of Conversations Before the End of Time:
  18. ^ "Annotated List of Recent Books". Interdisciplinary Studies in Literature and Environment. 10 (2): 299–308. July 2003. doi:10.1093/isle/10.2.299. JSTOR 44086217.
  19. ^ Dutton, Flora (1971). "Review of Magritte". The Burlington Magazine. 113 (823): 616–619. ISSN 0007-6287. JSTOR 876774.
  20. ^ Gablik, Suzi (1970). Magritte. New York Graphic Society. ISBN 0500490031.
  21. ^ Gablik, Suzi. The Reenchantment of Art. London: Thames and Hudson, 1992, p. 3, 11. ISBN 978-0-5002768-9-1. Retrieved February 22, 2018.
  22. ^ Morgan, David. "Enchantment, Disenchantment, Re-Enchantment,” in Re-Enchantment, edited by James Elkins, David Morgan. New York: Routledge, 2009, p. 16-17. Retrieved February 22, 2018.
  23. ^ Gablik, Suzi. "Arts and the Earth: Making Art as If the World Mattered," Orion, Autumn 1995, p. 44.
  24. ^ "FAU – Breaking Out of the White Cube". www.fau.edu. Retrieved September 4, 2016.
  25. ^ Gablik, Suzi. "The Ecological Imperative: An Interview with Fern Shaffer and Othello Anderson," Art Papers, Nov. 1991.
  26. ^ "apexart :: Suzi Gablik :: Sacred Wild". www.apexart.org. Retrieved September 4, 2016.
  27. ^ Art, Archives of American. "Detailed description of the Suzi Gablik papers, 1954–2014 | Archives of American Art, Smithsonian Institution". www.aaa.si.edu. Retrieved September 5, 2016.
  28. ^ "Artists/Workshops" (PDF). Mountain Lake Workshop. Retrieved May 13, 2022.
  29. ^ Smithsonian Institution. "Suzi Gablik: Works by this artist". Smithsonian American Art Museum. Retrieved June 20, 2020.
  30. ^ "Suzi Gablik". Black Mountain College Museum. March 20, 2020. Retrieved June 20, 2020.
  31. ^ "Suzi Gablik". Museum of Modern Art. Retrieved June 20, 2020.
  32. ^ "Suzi Gablik (1934–2022)". Artforum. May 12, 2022. Retrieved May 12, 2022.
  33. ^ "Women's Caucus for Art Honor Awards 2003" (PDF). National Women's Caucus for Art. Retrieved June 20, 2020.