Taking Chance

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Taking Chance
Takingchance.jpg
Official film poster
GenreHistorical drama
Written by
Directed byRoss Katz
StarringKevin Bacon
ComposerMarcelo Zarvos
Country of originUnited States
Original languageEnglish
Production
Executive producers
ProducerLori Keith Douglas
CinematographyAlar Kivilo
Editors
Running time77 minutes
Production companies
DistributorHBO Films
Release
Original networkHBO
Original release
  • January 16, 2009 (2009-01-16) (Sundance)
  • February 21, 2009 (2009-02-21) (United States)
External links
Website

Taking Chance is a 2009 American historical drama television film directed by Ross Katz (in his directorial debut), from a screenplay by Michael Strobl and Katz, based on the journal of the same name by Strobl, who also serves as military consultant. Kevin Bacon's portrayal of Strobl in the film won him a Golden Globe Award for Best Actor in a Miniseries or a Motion Picture Made for Television and a Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Miniseries or Television Movie, among other accolades.

Taking Chance premiered at the Sundance Film Festival on January 16, 2009 and aired on HBO in the United States on February 21, 2009. The film received generally favorable reviews from critics. At the 61st Primetime Emmy Awards, it earned ten nominations, including Outstanding Made for Television Movie and Outstanding Lead Actor in a Miniseries or a Movie for Bacon, and won one for Outstanding Single-Camera Picture Editing for a Miniseries or a Movie.

Plot[edit]

The film opens on a black screen, with white letters describing the date and place, as we hear radio chatter about a "suspicious vehicle" followed by the sound of an explosion and gunfire. We then cut to see two Marines driving, wearing dress blue uniforms, to an unmarked house in the middle of the night and knocking on the door. Finally, we cut to Colonel Michael Strobl (played by Kevin Bacon) searching on his computer the casualty report for the Middle East. After a couple clips of Michael running through the woods, service members' coffins getting put into an airplane, and some driving, we find the colonel at work giving a presentation to several other Marines. The colonel makes his way home with his family for a short while, then the camera cuts to five Marines in woodland MarPat camouflage taking US Flag-draped coffins off of an airplane in the rain. After a short clip of the colonel eating dinner with his family, we find him looking at the casualty report yet again but this time he writes down some information. The movie then cuts to him in an interview with a higher ranking Marine and he asks to escort a Marine named PFC (Private First Class) Chance Phelps. He says it is because the private is from his hometown, and then we see him discuss his choice with his wife. After he explains that he is doing this only because the private is from his hometown and has no other meaning, the film cuts to several people doing medical procedures on a corpse which one can assume to be Phelps. After the morticians are shown, the film then cuts to the colonel leaving and telling his wife goodbye.

He then arrives at Dover Port Mortuary where he gets his instructions along with other Marines on how to go about escorting a fallen Marine. After the instruction, all the service member escorts who are awaiting their turn to depart head outside and render honors as each of them departs. The colonel is informed that Phelps is not ready to be transported due to the number of casualties. He checks into a hotel room and the next day does an inventory, with another Marine, of Phelps' personal items including: a cross on a string, a Saint Christopher necklace, a wristwatch, and Phelps' dog tags. He is told that Phelps's private effects are not to leave his side, under any circumstances. The colonel then verifies that the body in the van is in fact the private and then begins his drive to the airport where he has a talk with Rich Brewer (played by John Magaro) of the Dover Port Mortuary. They talk about the military and how the driver knew two men from his high school who enlisted, one of whom returned after sustaining severe injuries (who is recovering at Walter Reed), and the other who was killed. Strobl arrives at the airport, where he first renders honors to the private as he is offloaded to a cargo area, before saying a curbside goodbye to the driver (telling him, he's "a good man"). Strobl heads to the check-in counter, where the ticketing agent tells him that he has been upgraded to First Class. As he goes through security, he tells a somewhat annoyed TSA agent that he cannot put Phelps' personal items into the x-ray scanner (because they are not allowed to leave his side at any time for any reason). He also says that he will not take off his Marine Dress Uniform Jacket to go through the metal detector because it would desecrate the uniform. Eventually he is screened in private, with the TSA agent using a metal-detector wand, while the colonel holds on to the private's personal effects in his hand. He then renders honors to the private again as the coffin is loaded onto the airplane. On board, the man next to him in first class orders a Jack Daniels, and he orders a water, after which the man asks him "What, are you on duty?" He replies, "Yes, I am," and they take off. While in the air the flight attendant hands him a crucifix and tells him that she wants him to have it.

A few hours later, the plane touches down and Strobl and the private's casket wait to change flights in Minneapolis. After the casket is unloaded, Strobl requests to stay with the casket overnight in the airport's cargo area. Despite reservations from the foreman, his request is granted; one of the workers offers him a sleeping bag from his jeep. During this time, Strobl meets a U.S. Army Sergeant of the 1st Cavalry Division who he recognized from the Dover Port Mortuary. The sergeant tells Strobl that he is escorting his deceased brother home. The following morning, the private's casket is loaded onto a Northwest Airlines flight as the baggage handlers and even the flight captain pay their respects. On this flight, Strobl sits next to a young woman who cheerily offers him a magazine to read, and also texts someone that she is sitting next to a "HOT soldier," which Strobl happens to catch a glimpse of and corrects her that he is actually a Marine. Upon landing, the airliner captain, a retired U.S. Air Force officer and former A-10 attack jet pilot in the first Persian Gulf War, makes a special announcement, asking for the other passengers to remain seated so that Strobl has a chance to deplane first and render honors for Phelps as his casket is unloaded. The woman sitting next to the Lt. Col, who had no idea he was on an escort mission for a fallen Marine, is visibly touched, and apologizes for potentially being insensitive with her earlier actions; Strobl instead warmly thanks her for her company.

After unloading, Strobl is greeted by the funeral director, and they load Phelp's casket for the final part of his journey. Along the way, an impromptu funeral procession forms along the highway, as people in passing cars see Strobl and realize what the hearse is carrying. After arriving in the town where Phelps's parents reside, the colonel is greeted by a younger fellow Marine, who along with a partner had driven up from Salt Lake City a few days earlier to inform Phelps's family of his death. The men proceed into the funeral home, where the younger Marine suggests that this would be a good time to place some personal items that Phelps's family had asked him to place into the casket; Strobl agrees, and despite it being a closed casket ceremony, insists that he wants to make sure Phelps's uniform is correct and in place. As the men open the casket, both Marines have a strong, emotional reaction to seeing Phelps; Strobl remarks that even though the staff at Dover Port Mortuary knew it was going to be a closed casket ceremony, they still made every effort to make sure that Phelps was prepared and dressed perfectly.

Later that evening, a memorial event is held at the local VFW, to which Strobl was invited earlier. The local veterans, along with Phelps's sergeant (who was with him when he was killed) and others, all welcome Strobl with sincere gratitude for "bringing Chance home." They reminisce about Chance's outgoing personality, and recount some war stories of his, including, eventually later in the evening, the sergeant's story of what happened the day that Phelps was killed (apparently in the firefight following the IED attack on their convoy, heard at the beginning of the film, in which Phelps was the gunner on a machine gun and was able to draw the focus of much of the enemy fire, allowing for his comrades to safely find cover for themselves). As the attendees of the memorial leave at the end of the evening, Strobl remarks to the U.S. Marine 1st. Division Korean War veteran who first introduced himself at the bar, that he was eligible for a tour of duty in Iraq himself, but instead "got used to the sight of his wife and kids" and put in an application for an office tour instead, which was granted. Even though Lt. Col Strobl is a recipient of the Marine Combat Action Ribbon from his service in the First Gulf War, he feels somewhat ashamed of his actions, to which the Korean War veteran reminds him that there is no shame in loving his family, and that he is not any less of a Marine than Phelps or his sergeant or any of the other men serving in combat in Iraq, because now, he is a witness for Phelps, having served this escort mission, and he is now responsible in no small part for Phelps's legacy.

Prior to the funeral the next day, Lt. Col. Strobl meets PFC Phelps's family for the first time, and makes a point of mentioning that Phelps was treated with great care and dignity across his entire journey. He hands over Phelps's personal effects, as well as a letter from Phelps's platoon leader. He finally leaves them with the cross that was given to him by a flight attendant, saying that eventually he realized it was not really given to him, only that he was carrying it for them. With the father's voiceover reading the platoon leader's letter in the background, we see Phelps receive a funeral with full military honors, and his divorced parents are each presented with a flag, "on behalf of the President, the Commandant of the Marine Corps, and a grateful nation," honoring their son. As the attendees all pay their respects, Strobl renders one final salute as the last one left at the ceremony. The film ends as Strobl reminisces about his experience, saying that despite the fact he did not know Chance Phelps prior to his death, somehow after escorting him home and laying him to rest, he now misses him. We then see Strobl returning home and embracing his wife and children, as the final shot of the film reveals that the mailbox of the unknown house depicted at the beginning of the film says "Phelps."

Family members of Chance Phelps attend the Virginia premiere in February 2009
Director Ross Katz speaking before the premiere
Kevin Bacon speaking before the premiere
Len Amato, president of HBO Films, speaking before the premiere

Cast[edit]

Critical reception[edit]

Taking Chance received generally favorable reviews, and currently holds a 76/100 rating on Metacritic.[1] Review aggregator Rotten Tomatoes gave it a more mixed reception, with 50% of professional critics giving the film a positive review.[2]

One review from The Baltimore Sun, said that it "... is one of the most eloquent and socially conscious films the premium cable channel has ever presented," and USA Today, said "A small, almost perfectly realized gem of a movie, Taking Chance is also precisely the kind of movie that TV should be making." On the other end is Slant Magazine, saying "Instead of well-drawn characters or real human drama, we are presented with a military procedural on burial traditions. The film desperately wants the viewer to shed tears for its fallen hero without giving a single dramatic reason to do so."

The film was the most-watched HBO original in five years, with over two million viewers on the opening night, and more than 5.5 million on re-airings. Critics often attribute this success to its apolitical nature, not directly depicting nor offering an opinion of the Iraq War.[3]

Former Secretary of Defense Robert Gates wrote in his 2014 memoir Duty: Memoirs of a Secretary at War that the film had an "important impact" on his decision to allow the media access to the transfer of fallen service members at Dover Air Force Base in February 2009.[4] During a White House press conference in 2017, former White House Chief of Staff and Retired Marine Corps General John F. Kelly, who was next to Chance when he was killed and is the father of First Lieutenant Robert Kelly who was killed in action in Afghanistan, recommended that the Washington press corps watch the film in order to understand the solemnity and dignity of the process of returning fallen military service members to their families.[5]

Awards and nominations[edit]

Year Award Category Recipient(s) Result
2009 25th Television Critics Association Awards Outstanding Achievement in Movies, Miniseries and Specials Taking Chance Nominated
61st Primetime Emmy Awards Outstanding Made for Television Movie Brad Krevoy
Cathy Wischner-Sola
Ross Katz
William Teitler
Lori Keith Douglas
Nominated
Outstanding Lead Actor in a Miniseries or a Movie Kevin Bacon Nominated
Outstanding Directing for a Miniseries, Movie or a Dramatic Special Ross Katz Nominated
Outstanding Writing for a Miniseries, Movie or a Dramatic Special Michael Strobl
Ross Katz
Nominated
Outstanding Single-Camera Picture Editing for a Miniseries or a Movie Lee Percy
Brian A. Kates
Won
Outstanding Art Direction for a Miniseries or Movie Dan Leigh
James Donahue
Ron von Blomberg
Nominated
Outstanding Sound Editing for a Miniseries, Movie or a Special Rickley W. Dumm
Frank Gaeta
David Grant
Tim Boggs
Catherine Harper
Chris Moriana
Johnny Caruso
Nominated
Outstanding Sound Mixing for a Miniseries or a Movie T.J. O'Mara
Rick Ash
Nominated
Outstanding Music Composition for a Miniseries, Movie or a Special (Original Dramatic Score) Marcelo Zarvos Nominated
Outstanding Main Title Design Michael H. Riley
Dru Nget
Dan Meehan
Bob Swensen
Nominated
14th Satellite Awards Best Television Film Ross Katz Nominated
Best Actor in a Miniseries or a Television Film Kevin Bacon Nominated
2010 15th Critics' Choice Awards Best Picture Made for Television Taking Chance Nominated
67th Golden Globe Awards Best Television Motion Picture Nominated
Best Actor in a Miniseries or a Motion Picture Made for Television Kevin Bacon Won
16th Screen Actors Guild Awards Outstanding Performance by a Male Actor in a Television Movie or Miniseries Won
21st Producers Guild of America Awards Outstanding Producer of Long-Form Television Brad Krevoy
Cathy Wischner-Sola
Ross Katz
William Teitler
Lori Keith Douglas
Nominated
62nd Directors Guild of America Awards Outstanding Directorial Achievement in Miniseries or Movies for Television Ross Katz Won
60th American Cinema Editors Eddie Awards Best Edited Miniseries or Motion Picture for Television Lee Percy
Brian A. Kates
Nominated
62nd Writers Guild of America Awards Long Form – Adaptation Michael Strobl
Ross Katz
Won
46th Cinema Audio Society Awards Outstanding Achievement in Sound Mixing for Television Movies and Miniseries T.J. O'Mara
Rick Ash
Nominated
24th American Society of Cinematographers Awards Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Alar Kivilo Won

References[edit]

  1. ^ Taking Chance reviews at Metacritic
  2. ^ Taking Chance. Rotten Tomatoes. Flixter. Retrieved 5 July 2012.
  3. ^ "Taking Chance". Wall Street Journal. News Corporation. March 14, 2009. p. 8. Retrieved 2009-03-14.
  4. ^ Gates, Robert. Duty: Memoirs of a Secretary at War. (New York: Alfred A. Knopf, 2014). In Chapter 9: New Team, New Agenda, Old Secretary.
  5. ^ Shear, Michael D. (2017-10-20). "Kelly Delivers Fervent Defense of Trump Call to Soldier's Widow". The New York Times. p. A1.

External links[edit]