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Talk:Kill Bill/references

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References to use

[edit]
Please add to the list references that can be used for the film article.
References about Kill Bill or Tarantino
  • Ansen, David (October 13, 2003). "Pulp Friction". Newsweek. {{cite journal}}: Check date values in: |date= (help)CS1 maint: date and year (link)
  • Barlow, Aaron (2010). "Kill Bill: An Extreme Fairy Tale". Quentin Tarantino: Life at the Extremes. Extreme Filmmakers. Praeger. pp. 107–122. ISBN 978-0-313-38004-4.
  • Carradine, David (2006). The Kill Bill Diary: The Making of a Tarantino Classic as Seen Through the Eyes of a Screen Legend. Harper Paperbacks. ISBN 978-0-06-082346-7.
  • Cavallero, Jonathan J. (2011). Hollywood's Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino. University of Illinois Press. ISBN 978-0-252-07807-1.
  • Charyn, Jerome (2006). "Don't Kill Bill". Raised by Wolves: The Turbulent Art and Times of Quentin Tarantino. Da Capo Press. pp. 131–162. ISBN 978-1-56025-858-2.
  • Clarkson, Wensley (2007). Quentin Tarantino: The Man, The Myths and His Movies. John Blake. ISBN 978-1-84454-366-3.
  • Gallafent, Edward (2006). "Kill Bill: Excursion into style". Quentin Tarantino. Longman. ISBN 978-0-582-47304-1.
  • Hedegaard, Erik (April 29, 2004). "A Magnificent Obsession". Rolling Stone (947): 40–50. {{cite journal}}: Check date values in: |date= (help)
  • Holm, D. K. (2005). Quentin Tarantino. Pocket Essential Series. Pocket Essentials. ISBN 978-1-904048-36-7.
  • Holm, D. K. (2005). Kill Bill: An Unofficial Casebook. Glitter Books. ISBN 978-1-902588-12-4.
  • Mottram, James (2007). "Middle-Age Malaise: Kill Bill and Ocean's Twelve". The Sundance Kids: How the Mavericks Took Back Hollywood. Faber & Faber. pp. 397–412. ISBN 978-0-86547-967-8.
  • Olsen, Mark (2003). "Turning on a dime". Sight & Sound. 13 (10): 12–15. {{cite journal}}: Unknown parameter |month= ignored (help) (Interview with Quentin Tarantino who talks about making "Kill Bill" and the influence on moviemaking of his own interests as a viewer.)
  • Page, Edwin (2005). Quintessential Tarantino: The Films of Quentin Tarantino. Marion Boyars Publishers Ltd. ISBN 978-0-7145-3116-8.
  • Pavlus, John (2003). "A Bride Vows Revenge". American Cinematographer. 84 (10). ISSN 0002-7928. {{cite journal}}: Unknown parameter |month= ignored (help)
  • Smith, Jim (2004). "Kill Bill: Volume One (2003)". Gangster Films. Virgin Film. Virgin Books. ISBN 978-0-7535-0838-1.
  • Smith, Jim (2010). Tarantino. Virgin Film. Virgin Books. ISBN 978-0-7535-1273-9.
  • Sutherland, Bryony; Ellis, Lucy (2004). Uma Thurman: The Biography. Aurum Press. pp. 236–275. ISBN 978-1-84513-006-0.
  • Woods, Paul A. (2005). Quentin Tarantino: The Film Geek Files. Ultrascreen Series. Plexus Publishing. ISBN 978-0-85965-364-0.
  • Wright, Evan (October 30, 2003). "Quentin's Kung-Fu Grip". Rolling Stone (934): 42–45. {{cite journal}}: Check date values in: |date= (help) (moviemaker Quentin Tarantino Interview)
Critical analysis
  • Anderson, Aaron (2004). "Mindful violence: The visibility of power and inner life in Kill Bill". Jump Cut: A Review of Contemporary Media (47).
  • Bealer, Tracy L. (2009). "Mommy Is a Bride With a Hanzo Sword: Quentin Tarantino's Destabilization of Gendered Identity in Kill Bill". In Teague, Gypsey Elaine (ed.). Presentations of the 29th Annual SW/Texas Regional Meeting of the Popular Culture and American Culture Association: Gender. Cambridge Scholars Publishing. pp. 177–186. ISBN 978-1-4438-0135-5.
  • Biderman, Shai (2005). "The Roar and the Rampage: A Tale of Revenge in Kill Bill Volumes I and II". In Blessing, Kimberly A. (ed.). Movies and the Meaning of Life. Open Court. pp. 199–210. ISBN 978-0-8126-9575-5.
  • Booker, M. Keith (2007). Postmodern Hollywood: What's New in Film and Why It Makes Us Feel So Strange. Praeger. pp. 92–96. ISBN 978-0-275-99900-1.
  • Brown, Jeffrey A. (2011). Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture. University Press of Mississippi. ISBN 978-1-60473-714-1.
  • Buikema, Rosemarie; van der Tuin, Iris, eds. (2009). Doing Gender in Media, Art and Culture. Routledge. pp. 182, 187–191, 247. ISBN 978-0-415-49383-3.
  • Chang, A (2004). "Kill Bill: the Making of a Film Mythology". Art AsiaPacific (39): 94–95. {{cite journal}}: Unknown parameter |month= ignored (help)
  • Chattaway, Peter T (2004). "The Revenger's Tragedy". Books & Culture. 10 (4): 22–23. {{cite journal}}: Unknown parameter |month= ignored (help)
  • Coulthard, Lisa (2007). "Killing Bill: Rethinking Feminism and Film Violence". In Tasker, Yvonne; Negra, Diane (eds.). Interrogating Postfeminism: Gender and the Politics of Popular Culture. Console-ing Passions. Duke University Press Books. pp. 153–175. ISBN 978-0-8223-4032-4.
  • Crouch, Stanley (2005). The Artificial White Man: Essays on Authenticity. Basic Civitas Books. pp. 176–177, 189–204. ISBN 978-0-465-01516-0.
  • Dancey, Angela (2009). "Killer Instincts: Motherhood and Violence in The Long Kiss Goodnight and Kill Bill". In Hall, Ann C.; Bishop, Mardia (eds.). Mommy Angst: Motherhood in American Popular Culture. Praeger. pp. 81–92. ISBN 978-0-313-37530-9.
  • Fox, Emily Kales (2011). Body Shots: Hollywood and the Culture of Eating Disorders. Excelsior Editions. State University of New York Press. ISBN 978-1-4384-3529-9.
  • Franklin, Daniel P. (2006). "Feature film: Kill Bill: Vol. 2". Politics and Film: The Political Culture of Film in the United States. Rowman & Littlefield Publishers, Inc. ISBN 978-0-7425-3808-5.
  • Gillett, Philip (2008). "Kill Bill: Volume 1 (US, 2003): Violence as Art". Movie Greats: A Critical Study of Classic Cinema. Berg Publishers. pp. 143–150. ISBN 978-1-84520-653-6.
  • Goren, Lilly J. (2009). You've Come A Long Way, Baby: Women, Politics, and Popular Culture. The University Press of Kentucky. pp. 160, 166–173. ISBN 978-0-8131-2544-2.
  • Greene, Richard; Mohammad, K. Silem, eds. (2007). Quentin Tarantino and Philosophy: How to Philosophize With a Pair of Pliers and a Blowtorch. Popular Culture and Philosophy. Open Court. ISBN 978-0-8126-9634-9.
  • Griffin, Sean, ed. (2009). Hetero: Queering Representations of Straightness. Horizons of Cinema. State University of New York Press. pp. 218–225. ISBN 978-1-4384-2617-4.
  • Hansen, Chris (2010). "From Tekken to Kill Bill: The future of narrative storytelling?". In Detweiler, Craig (ed.). Halos and Avatars: Playing Video Games with God. Westminster John Knox Press. pp. 19–33. ISBN 978-0-664-23277-1.
  • Hitchcock, Peter (2007). "Niche cinema, or Kill Bill with Shaolin Soccer". In Marchetti, Gina; Kam, Tan See (eds.). Hong Kong Film, Hollywood and New Global Cinema: No Film is An Island. Media, Culture and Social Change in Asia Series. Routledge. pp. 219–232. ISBN 978-0-415-38068-3.
  • Hunt, Leon (2008). "Asiaphilia, Asianisation and the Gatekeeper Auteur: Quentin Tarantino and Luc Besson". In Hunt, Leon; Wing-Fai, Leung (eds.). East Asian Cinemas: Exploring Transnational Connections on Film. Tauris World Cinema. I. B. Tauris. pp. 220–236. ISBN 978-1-84511-615-6.
  • Isaacs, Bruce (2008). Toward a New Film Aesthetic. Continuum. ISBN 978-0-8264-2871-4.
  • King, Geoff (2009). "Working both ends: Miramax, from Shakespeare in Love to Kill Bill". Indiewood, USA: Where Hollywood meets Independent Cinema. International Library of Cultural Studies. I. B. Tauris. pp. 93–140. ISBN 978-1-84511-825-9.
  • Le Cain, Maximilian (2004). "Tarantino and the Vengeful Ghosts of Cinema". Senses of Cinema. 32. {{cite journal}}: Unknown parameter |month= ignored (help)
  • Matuska, Ágnes (2008). "Tarantino's Kill Bill and the Renaissance Tradition of Revenge Plays". In Drãibek, Pavel; Kolinskãi, Klãira; Nicholls, Matthew (eds.). Shakespeare and His Collaborators over the Centuries. Cambridge Scholars Publishing. pp. 211–220. ISBN 978-1-84718-978-3.
  • Mendelsohn, Daniel (2008). "It's Only a Movie (Kill Bill: Volume 1)". How Beautiful It Is And How Easily It Can Be Broken: Essays. Harper. pp. 150–160. ISBN 978-0-06-145643-5.
  • Lavin, Maud (2010). "Violence: Kill Bill and Murder Girls". Push Comes to Shove: New Images of Aggressive Women. The MIT Press. pp. 106–155. ISBN 978-0-262-12309-9.
  • McGee, Patrick (2006). "Conclusion: Kill Bill, or Why Shane Always Comes Back". From Shane to Kill Bill: Rethinking the Western. New Approaches to Film Genre. Wiley–Blackwell. pp. 235–243. ISBN 978-1-4051-3965-6.
  • Ng, Jenna (2005). "Cinephilia, Homage and Kill Bill". In de Valck, Marijke; Hagener, Malte (eds.). Cinephilia: Movies, Love and Memory. Film Culture in Transition. Amsterdam University Press. pp. 65–82. ISBN 978-90-5356-769-2.
  • Novoa, Adriana (2010). "Rough Awakenings: Unconscious Women and Rape in Kill Bill and Talk to Her". In Russell, Dominique (ed.). Rape in Art Cinema. Continuum. pp. 83–98. ISBN 978-0-8264-2967-4.
  • Pang, Laikwan (2006). "Copying Kill Bill". Cultural Control and Globalization in Asia: Copyright, Piracy and Cinema. Media, Culture and Social Change in Asia. Routledge. pp. 63–79. ISBN 978-0-415-42689-3.
  • Park, Jane Chi Hyun (2010). Yellow Future: Oriental Style in Hollywood Cinema. University Of Minnesota Press. pp. 137, 143, 153–159. ISBN 978-0-8166-4979-2.
  • Rich, B. Ruby; Newman, Kim (2004). "Day of the Women". Sight & Sound. 14 (6): 24–27, 63–64. {{cite journal}}: Unknown parameter |month= ignored (help) (An appreciation of Kill Bill vol. 2, focusing on it as a female revenge fantasy, as well as, a remapping of traditional female values)
  • Schubart, Rikke (2007). "High Trash Heroines: Lara, Beatrix, and Three Angels". Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006. McFarland & Company. pp. 290–318. ISBN 978-0-7864-2924-0.
  • Scott, Jill (2010). "Anger without Emotion: Revenge from the Iliad to Kill Bill". A Poetics of Forgiveness: Cultural Responses to Loss and Wrongdoing. Palgrave Macmillan. pp. 25–44. ISBN 978-0-230-61531-1.
  • Silberman–Keller, Diana (2008). "Education and Popular Culture: Chiasmatic Reflections in Almodóvar's Bad Education and Tarantino's Kill Bill". In Silberman–Keller, Diana; et al. (eds.). Mirror Images. Counterpoints, Studies in the Postmodern Theory of Education. Peter Lang. pp. 69–91. ISBN 978-1-4331-0230-1. {{cite book}}: Explicit use of et al. in: |editor-first= (help)
  • Stephens, Chuck. "The Whole She–Bang". Film Comment. 40 (4): 44–47. {{cite journal}}: Unknown parameter |month= ignored (help)
  • Stuller, Jennifer K. (2010). Ink-Stained Amazons and Cinematic Warriors: Superwomen in Modern Mythology. I. B. Tauris. pp. 119–122. ISBN 978-1-84511-965-2.
  • Tapia, Ruby (2011). "Volumes of Transnational Vengeance: Fixing Race and Feminism on the Way to Kill Bill". In Hong, Grace Kyungwon; Ferguson, Roderick A. (eds.). Strange Affinities: The Gender and Sexual Politics of Comparative Racialization. Perverse Modernities. Duke University Press Books. ISBN 978-0-8223-4970-9.
  • Tapia, Ruby (2006). "Volumes of Transnational Vengeance: Fixing Race and Feminism on the Way to Kill Bill". Visual Arts Research. 32 (2). University of Illinois Press: 32–37.
  • Tierney, Sean M. (2006). "Themes of Whiteness in Bulletproof Monk, Kill Bill, and The Last Samurai". Journal of Communication. 56 (3): 607–624. doi:10.1111/j.1460-2466.2006.00303.x. {{cite journal}}: Unknown parameter |month= ignored (help)
  • Vojković, Saša (2009). "Feminism, philosophy, and queer theory. Reformulating the symbolic universe: Kill Bill and Tarantino's transcultural imaginary". In Buckland, Warren (ed.). Film Theory and Contemporary Hollywood Movies. Routledge. pp. 175–191. ISBN 978-0-415-96261-2.
  • Wallin, Jason J. (2010). A Deleuzian Approach to Curriculum: Essays on a Pedagogical Life. Education, Psychoanalysis, and Social Transformation. Palgrave Macmillan. pp. 99–103. ISBN 978-0-230-10400-6.
  • Walters, James (2010). "Style and sincerity in Quentin Tarantino's Kill Bill Vol. 2 (2004)". In Walters, James; Brown, Tom (eds.). Film Moments: Criticism, History, Theory. British Film Institute. ISBN 978-1-84457-336-3.
  • Young, Alison (2009). The Scene of Violence: Cinema, Crime, Affect. Routledge–Cavendish. pp. 66–70. ISBN 978-0-415-49071-9.
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