The Annunciation, with Saint Emidius
| The Annunciation, with Saint Emidius | |
|---|---|
 | |
| Artist | Carlo Crivelli |
| Year | 1486 |
| Type | Egg and oil on canvas |
| Dimensions | 207 cm × 146.7 cm (81 in × 57.8 in) |
| Location | National Gallery, London |
The Annunciation, with Saint Emidius is an altarpiece by Italian artist Carlo Crivelli showing an artistic adaptation of the Annunciation.[1] It was painted for the Church of SS. Annunziata in the Italian town of Ascoli Piceno, in the region of Marche, to celebrate the self-government granted to the town in 1482 by Pope Sixtus IV.[2] The painting was removed to the Pinacoteca di Brera in Milan in 1811, but passed to Auguste-Louis de Sivry in 1820, and had reached England by the mid-19th century. It has been housed in the National Gallery in London since it was donated by Henry Labouchere, 1st Baron Taunton in 1864.[2]
Themes
[edit]The light ray from the sky represents Mary receiving Jesus Christ into her womb by the Holy Spirit.[3] The closed passage into the depth at the left and the flask of pure water in Mary's bedroom conventionally refer to Mary's virginity.[3] The winged angel Gabriel is depicted with Saint Emidius, the patron saint of Ascoli Piceno carrying a model of that town.[2] The two figures on top of the stairs, left of the Angel Gabriel and Saint Emidius, are believed to be Franciscan friars and the patrons of Crivelli's The Annunciation, with Saint Emidius.[4] The apple in the foreground represents the forbidden fruit and associated fall of man. The cucumber symbolizes the promise of resurrection and redemption.[3] The peacock symbolizes associated immortality, because it was believed that its flesh never decayed.[3] An oriental carpet adorns the loggia on the first floor of the Mary's house.
The bottom portion of the painting features the coats of arms of Pope Sixtus IV and the local bishop, Prospero Caffarelli.[2] The Latin words libertas ecclesiastica (church liberty) refer to the self-government of Ascoli Piceno under the general oversight of the Catholic Church.[3]
In fringe theories, the halo of the Holy Spirit on the painting is sometimes interpreted as a UFO.[5] According to historian Massimo Polidoro, the circular form in the sky is "a vortex of angels in the clouds, another frequent representation of God in Medieval and Renaissance sacred works of art". Polidoro calls the UFO explanation, "reinterpreting with the eyes of twenty-first-century Europeans the product of other cultures".[6]
The inscriptions on the bottom read ″OPVS CAROLI CRIVELLI VENETI 1486.
See also
[edit]References
[edit]- ^ "Smarthistory – Carlo Crivelli, The Annunciation with Saint Emidius". smarthistory.org. Retrieved 2024-08-29.
- ^ a b c d "The Annunciation, with Saint Emidius". The National Gallery. Retrieved 26 June 2015.
- ^ a b c d e Charles Harrison (2009). An Introduction to Art. Yale University Press. p. 128. ISBN 978-0300109153.
- ^ McCall, Timothy (2009). "The Gendering of Libertas and The International Gothic: Carlo Crivelli's "Ascoli Annunciation"". Studies in Iconography. 30: 183 – via JSTOR.
- ^ Michael Carter (2013). Alien Scriptures: Extraterrestrials in the Holy Bible. Grave Distractions Publications. p. 44. ISBN 978-0989029346.
- ^ Polidoro, Massimo (2018). "Does the Vatican Hold a Painting of a UFO?". Skeptical Inquirer. 42 (3). Committee for Skeptical Inquiry: 19.