J. Paul Getty Museum
|Location||1200 Getty Center Drive, Los Angeles, California; and 17985 Pacific Coast Highway, Pacific Palisades, Los Angeles, California|
|Visitors||1.7 million (2013)
Ranking 27th globally (2013)
The Getty Center is in the Brentwood neighborhood of Los Angeles and is the primary location of the museum. The collection features Western art from the Middle Ages to the present. Its estimated 1.3 million visitors annually make it one of the most visited museums in the United States. The museum's second location, the Getty Villa, is in the Pacific Palisades neighborhood (though self-claims in the city of Malibu) and displays art from ancient Greece, Rome, and Etruria.
In 1974, J. Paul Getty opened a museum in a re-creation of the Villa of the Papyri at Herculaneum on his property in Pacific Palisades, California. In 1982, the museum became the richest in the world when it inherited US$1.2 billion. In 1983, after an economic downturn in what was then West Germany, the Getty Museum acquired 144 illuminated medieval manuscripts from the financially struggling Ludwig Collection in Aachen; John Russell, writing in The New York Times, said of the collection, "One of the finest holdings of its kind ever assembled, it is quite certainly the most important that was in private hands." In 1997, the museum moved to its current location in the Brentwood neighborhood of Los Angeles; the Pacific Palisades museum, renamed the "Getty Villa", was renovated and reopened in 2006.
Detailed information about the J. Paul Getty Museum’s collections is provided on GettyGuide, a suite of interactive multimedia tools available at the Museum, as well as on getty.edu. At the GettyGuide stations in the Museum, visitors can get information about exhibitions, interact with a timeline, watch videos on art-making techniques, and more. Also available at the Museum, the GettyGuide multimedia player features commentary from curators and conservators on many works of art. With GettyGuide on the Web, one may browse the Museum’s collection and bookmark works of art to create a customized tour and printable map.
The controversies with Italy and Greece
In the 1970s and 1980s, the curator, Jiří Frel, designed a tax manipulation scheme which expanded the museum collection of antiquities, essentially buying artifacts of dubious provenance, as well as a number of artifacts generally considered fakes, such as the Getty kouros. In 1984, Frel was demoted, and in 1986, he resigned.
The Getty is involved in a controversy regarding proper title to some of the artwork in its collection. The museum's previous curator of antiquities, Marion True (hired by Frel), was indicted in Italy in 2005 (along with famed dealer Robert E. Hecht) on criminal charges relating to trafficking in stolen antiquities. Similar charges have been addressed by the Greek authorities. The primary evidence in the case came from the 1995 raid of a Geneva, Switzerland, warehouse which had contained a fortune in stolen artifacts. Italian art dealer Giacomo Medici was arrested in 1997; his operation was thought to be "one of the largest and most sophisticated antiquities networks in the world, responsible for illegally digging up and spiriting away thousands of top-drawer pieces and passing them on to the most elite end of the international art market". In 2005 True was forced to tender her resignation by the Board of Trustees, which announced her early retirement. Italy allowed the statute of limitations of the charges filed against her to expire in October 2010.
In a letter to the J. Paul Getty Trust on December 18, 2006, True stated that she was being made to "carry the burden" for practices which were known, approved, and condoned by the Getty's Board of Directors. True is currently under investigation by Greek authorities over the acquisition of a 2,500-year-old funerary wreath. The wreath, along with a 6th-century BC statue of a woman, have been returned to Greece and are exhibited at the Archaeological Museum of Thessaloniki.
On November 20, 2006, the director of the museum, Michael Brand, announced that 26 disputed pieces were to be returned to Italy, but not the Victorious Youth, which is still claimed by the Italian authorities. In 2007, the Los Angeles J. Paul Getty Museum was forced to return 40 artifacts, including a 5th-century BC statue of the goddess Aphrodite, which was looted from Morgantina, an ancient Greek settlement in Sicily. The Getty Museum resisted the requests of the Italian government for nearly two decades, only to admit later that "there might be 'problems'" attached to the acquisition." In 2006, Italian senior cultural official Giuseppe Proietti said: "The negotiations haven't made a single step forward." Only after he suggested the Italian government "to take cultural sanctions against the Getty, suspending all cultural cooperation," did the J. Paul Getty Museum return the antiquities.
In another unrelated case in 1999, the Getty Museum had to hand over three antiquities to Italy after determining they were stolen. The objects included a Greek red-figure kylix from the 5th-century BC, signed by the painter Onesimos and the potter Euphronios as potter, looted from the Etruscan site of Cerveteri; a torso of the god Mithra from the 2nd-century AD, and the head of a youth by the Greek sculptor Polykleitos.
In 2016, the terracotta head of the Greek god Hades was returned to Sicily (Italy). The archaeological artifact was looted from Morgantina in the 1970s. The Getty museum purchased the terracotta head of Hades in 1985 from the New York collector Maurice Tempelsman, who had purchased it from the London dealer Robin Symes. Getty records show the museum paid $530,000 for it. On December 21, 2016, the head of Hades was added to the collection of the archaeological museum of Aidone, where it joined the statue of Demeter, the mother of his consort Persephone. Sicilian archaeologists found a blue curl that was missing from Hades' beard, and so it proved the origin of the terracotta head.
Selected collection highlights
Fra Bartolommeo, The Rest on the Flight Into Egypt with St. John the Baptist, about 1509
Pontormo, Portrait of a Halberdier, 1528
Titian, Portrait of Alfonso d’Avalos, Marchese del Vasto, 1533
Peter Paul Rubens, The Entombment, 1612
Peter Paul Rubens, Calydonian Boar Hunt, 1611–12
Orazio Gentileschi, “Danaë”, 1621
Anthony van Dyck, Portrait of Agostino Pallavicini, 1621–23
Rembrandt, An Old Man in Military Costume, 1630
Rembrandt, Abduction of Europa, 1632
Nicholas Poussin, Landscape in Calm Weather, 1651
Jean-Antoine Watteau, The Italian Comedians, 1720
Giambattista Pittoni, The Sacrifice of Polyxena, about 1733
Jacques-Louis David, The Sisters Zénaïde and Charlotte Bonaparte, 1821
Édouard Manet, Portrait of Madame Brunet, 1867
Pierre-Auguste Renoir, La Promenade, 1870
Claude Monet, Sunrise (Marine), 1873
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