On January 1, the narrator records that it is his first day in the lighthouse, and records his annoyance at the fact that he had a difficult time getting the appointment to man it, even though he is of noble birth. He records that a storm is in progress, and that the ship that brought him "had a narrow pass". He also dwells on the concept of being alone, and how much he looks forward to spending time alone, just him and his dog Neptune, so he can write his book. He briefly comments that he hears some echo in the walls, thinking they may not be sturdy, but catches himself and claims that his worries are "all nonsense", alluding to a prophecy made by his friend DeGrat, who got him the appointment to the lighthouse.
On January 2 he describes the sea as being calm and uneventful, the wind having "lulled about day-break", and expounds on his passion for being alone.
On January 3 he describes the day as being calm and placid, and resolves to explore the lighthouse. He again begins to worry about the safety of the structure, but tries to reassure himself. The last line reads, "The basis on which the structure rests seems to me to be chalk..."
A heading for January 4 follows, but there is no text.
It is uncertain how the story would have ended and there is some debate if "The Light-House" was intended as a short story or a novel. Silverman speculates that the work might have been complete in its two-page form and the final blank entry implied the narrator's death.
It is likely the last fiction work Poe wrote.
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Its style is very straightforward and plainspoken, in contrast to the more elaborate and decorated prose of Poe's earlier stories, implying a shift in Poe's writing style which the author did not live to realize.
Like many of Poe's works, "The Light-House" has been studied autobiographically. The lighthouse keeper, then, stands in for Poe himself, who is expressing his own feelings of being alone and isolated and questioning if he can survive.
It is very similar in theme to the later and also unfinished short story "The Burrow" by Franz Kafka. Both involve a reclusive narrator who obsesses over the safety of his enclosure, though Kafka's work was much closer to completion and, consequentially, much more elaborate. Given the obscurity of Poe's story, it is very unlikely that Kafka had read it.
Author and surgeon Dr. Richard Selzer included his short story 'Poe's Light-house', inspired by Edgar Allan Poe's 'The Light-House', in 'The Doctor Stories', published by Picador. Joyce Carol Oates also used Poe's "The Light-House" as an inspiration for the story 'Poe Posthumous, or The Light-House' in her collection Wild Nights! (2008). Leigh M. Lane's Finding Poe (2012) speculates the role Poe's own works, including "The Lighthouse", may have played in his mysterious death.
Author Robert Bloch finished Poe's tale and published it in the February 1969 issue (#53) of Famous Monsters of Filmland as "Horror in the Lighthouse". An earlier version appeared in the January/February 1953 Ziff-Davis publication Fantastic entitled "The Lighthouse".
In addition to Bloch's adaption of "The Light-House", in the TV show The Following, fictional psychopath and serial killer Joe Carroll (played by James Purefoy), writes a novel inspired by Poe's tale, titling it The Gothic Sea.
- Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. New York: Harper Perennial, 1991: 412. ISBN 0-06-092331-8
- Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. New York: Harper Perennial, 1991: 412–413. ISBN 0-06-092331-8
- Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. New York: Harper Perennial, 1991: 414. ISBN 0-06-092331-8
- Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. New York: Harper Perennial, 1991: 413. ISBN 0-06-092331-8
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