The Psychotronic Man
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|The Psychotronic Man|
|Directed by||Jack M. Sell|
|Produced by||Peter G. Spelson|
|Written by||Peter G. Spelson|
|Starring||Peter G. Spelson|
|Music by||Tommy Irons|
|Cinematography||Jack M. Sell|
|Edited by||Jack M. Sell|
|Distributed by||International Harmony (US)|
The Psychotronic Man is a science fiction cult film that opened in Chicago April 23, 1980, at the Carnegie Theatre. It was directed by Jack M. Sell and written, produced and starred Peter G. Spelson.
It is based on the obscure concept of psychotronics, which gained some prominence in the 1970s due to Cold War paranoia over mind control. The film inspired Michael J. Weldon to publish Psychotronic Video magazine, covering obscure films that he felt were under-appreciated by the mainstream.
Rocky Foscoe is a Chicago barber living a fairly normal life, until one night he drives along the long way home and, while parked on Old Orchard Road, has a nightmare in which his car hovering in mid-air. The next day, he consults a doctor about his experience on Old Orchard Road. He tries to return to work, but has an anxiety attack and flees, which worries his mistress.
He returns to the Road to make sense of his experiences. An old man offers him help, and comments that strange things have been happening on that stretch of road; he himself had heard screams coming from the sky, implying that Rocky's car actually did float in the air. Soon afterwards, Rocky has another attack; in return, his host fires at him with a shotgun, and Rocky reacts by killing him with supernatural force.
Five hours later, Chicago police discover the body of the old man, and tire tracks from Rocky's car that suddenly stop, as if his car had floated into the air. That night, seeing an item in the newspaper about the old man's death on the Road, the doctor connects Rocky with the killing and calls the police. Later, Rocky unexpectedly shows up, discovers the doctor's suspicion, and kills him with his psychic powers. When the police arrive, they begin to surmise a supernatural explanation for the killing. The next day, they consult a professor at the Chicago Institute of Psychology, who explains his parapsychological theory that the killer has somehow tapped the latent power of his subconscious mind, which he refers to as "psychotronic energy".
Rocky visits his mistress and returns home. A confrontation with his wife grows out of hand, and he kills her with his psychotronic powers. The police, on stakeout outside his home, hear the scream and go in pursuit. Rocky drives downtown and manages to keep ahead of the police, at one point using his powers to float the car again. When he reaches a dead end, he crashes the vehicle and flees on foot. He kills an officer who has trapped him in a warehouse, then heads for the roof of a hotel, killing a security guard on the way. The pursuers catch up with him in a boiler room, but he psychotronically kills them and escapes to a tower in an adjoining building. The police, on the rooftop opposite, call in a SWAT team to shoot down Rocky.
As the SWAT team moves into position, a special intelligence agent appears and orders the police to capture Rocky alive, so his unique powers can be exploited for national security. The sheriff bluffs to Rocky that he has one last chance to surrender, then has him shot. Although he falls off the tower, his body is absent on the streets below. In the final shot, Rocky is back in the woods of Old Orchard Road, his eyes aglow with psychotronic power.
- Peter Spelson – Rocky Foscoe
- Christopher Carbis – Lt. Walter O'Brien
- Curt Colbert – Sgt. Chuck Jackson
- Robin Newton – Kathy
- Jeff Caliendo – Officer Maloney
- Lindsey Novak – Mrs. Foscoe
- Irwin Lewin – Professor
- Corney Morgan – S.I.A. Agent Gorman
- Bob McDonald – Old Man
- Direction – Jack M. Sell
- Producer – Peter Spelson
- Music – Tommy Irons
- Cinematography – Jack M. Sell
- Editing – Jack M. Sell
- Art Direction – Fred Becht
It was one of the few feature films to be shot entirely in Chicago since the days of the silent movie. It was also entirely produced outside any of the existing studio systems and financed by private funds. At the time Chicago’s mayor Richard J. Daley actively discouraged movie making because he felt the movies that were being made at that time period were mostly negative and rebellious, and he wanted Chicago to be seen in a good light. As a result of this there were almost no permits issued to get scenes filmed. According to Peter Spelson's DVD commentary, this meant that all of the scenes including the downtown running gun battles and the high speed car chases with fake police cars were filmed illegally and without permission or prior notification.
The film only played commercially once in Chicago, and was shown in the southern Drive-in theater circuit. In Europe, unauthorized copies of the film, often under different names, proliferated. One version of this went on to inspire the name of UK punk/hardcore band Revenge of the Psychotronic Man.
- Barnes, Brad (2010-01-13). "Get ready for 'really good movies and really bad ones' at the Psychotronic Film Festival". Savannah Morning News. Retrieved 2015-10-21.