The Shepherd on the Rock

"The Shepherd on the Rock" (Template:Lang-de), D. 965, is a Lied for soprano, clarinet, and piano by Franz Schubert. It was composed in 1828 during the final months of his life.

Lyrics

Of the seven verses, the first four and the last came from the poetry of Wilhelm Müller, while verses five and six were written by Karl August Varnhagen von Ense.^[1]

Background

The Lied was written as a belated response to a request from the operatic soprano Pauline Anna Milder-Hauptmann, a friend of Schubert. She had requested a showpiece that would allow her to express a wide range of feelings. It was published a year and a half after Schubert's death. Milder sang it for the first time at the House of the Blackheads in Riga on 10 February 1830.^[2]

Structure

The Lied is multi-sectional with the clarinet and the voice equally challenged. The first section is warm as the lonely shepherd, high on the mountain top, listens to the echoes rising from below. The second section becomes quite dark as the shepherd expresses his all encompassing grief and loneliness. The third and last section is a sign of hope as the shepherd anticipates the coming of Spring and with it rebirth.

Complete text

"Der Hirt auf dem Felsen"

Performed by Montserrat Alavedra (soprano), William McColl (ca. 1820 clarinet), and Joseph Levine (fortepiano)

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Wilhelm Müller – "Der Berghirt" [1]
Wenn auf dem höchsten Fels ich steh', In's tiefe Tal hernieder seh', Und singe. Fern aus dem tiefen dunkeln Tal Schwingt sich empor der Widerhall Der Klüfte. Je weiter meine Stimme dringt, Je heller sie mir wieder klingt Von unten. Mein Liebchen wohnt so weit von mir, Drum sehn' ich mich so heiß nach ihr Hinüber.	When, from the highest rock up here, I look deep down into the valley, And sing, Far from the valley dark and deep Echoes rush through, upward and back to me, The chasm. The farther that my voice resounds, So much the brighter it echos From under. My sweetheart dwells so far from me, I hotly long to be with her Over there.
Varnhagen – "Nächtlicher Schall" [2]
In tiefem Gram verzehr ich mich, Mir ist die Freude hin, Auf Erden mir die Hoffnung wich, Ich hier so einsam bin. So sehnend klang im Wald das Lied, So sehnend klang es durch die Nacht, Die Herzen es zum Himmel zieht Mit wunderbarer Macht.	I am consumed in misery, Happiness is far from me, Hope has on earth eluded me, I am so lonesome here. So longingly did sound the song, So longingly through wood and night, Towards heaven it draws all hearts With amazing strength.
Wilhelm Müller – "Liebesgedanken" [3]
Der Frühling will kommen, Der Frühling, meine Freud', Nun mach' ich mich fertig Zum Wandern bereit	The Springtime will come, The Springtime, my happiness, Now must I make ready To wander forth.

Notes

^ T. G. Waidelich: "Der letzte Hauch im Lied entflieht, im Lied das Herz entweicht! – Varnhagens 'Nächtlicher Schall' als letzter Baustein zum 'Hirt auf dem Felsen'." In: Schubert: Perspektiven 8 (2010), p. 237–243.
^ "Anna Milder-Hauptmann and 'Der Hirt auf dem Felsen'". In: Schubert 200, Heidelberg 1997, pp. 165–167.

References

Andreas Mayer: "'Gluck'sches Gestöhn' and 'welsches Larifari': Anna Milder, Franz Schubert und der deutsch-italienische Opernkrieg", in Archiv für Musikwissenschaft LII (1995), pp. 171–204 Template:De icon (subscription required)
C. Ahrens: "Schuberts 'Der Hirt auf dem Felsen' D. 965 – Lied, Arie oder 'Duett'?" In: Schubert: Perspektiven 5 (2005), pp. 162–182.

External links

"Der Hirt auf dem Felsen": Scores at the International Music Score Library Project
First part of the German lyrics, with translations
Third part of the German lyrics, with translations
Complete Text, with translations
Discography and Comments
Performance of "Der Hirt auf dem Felsen" on modern instruments by Hyunah Yu (soprano), Alexander Fiterstein (clarinet), and Gilbert Kalish (piano), from the Isabella Stewart Gardner Museum in MP3 format

[1] T. G. Waidelich: "Der letzte Hauch im Lied entflieht, im Lied das Herz entweicht! – Varnhagens 'Nächtlicher Schall' als letzter Baustein zum 'Hirt auf dem Felsen'." In: Schubert: Perspektiven 8 (2010), p. 237–243.

[2] "Anna Milder-Hauptmann and 'Der Hirt auf dem Felsen'". In: Schubert 200, Heidelberg 1997, pp. 165–167.

[1]

[2]

v t e Songs by Franz Schubert
Part songs	"Schwertlied", D 170 "An die Freude", D 189 "Gesang der Geister über den Wassern", D 714 "Ständchen", D 920
Lieder	"Der Taucher", D 77 "Gretchen am Spinnrade", D 118 "Rastlose Liebe", D 130 "Der Mondabend", D 141 "Amphiaraos", D 166 "Die Bürgschaft", D 246 "Heidenröslein", D 257 "Vaterlandslied", D 287 "Hermann und Thusnelda", D 322 "Erlkönig", D 328 "Der König in Thule", D 367 "Der Wanderer", D 489 "Wiegenlied", D 498 "Der Tod und das Mädchen", D 531 "An die Musik", D 547 "Die Forelle", D 550 "Prometheus", D 674 "Willkommen und Abschied", D 767 "Der Zwerg", D 771 "Auf dem Wasser zu singen", D 774 "Du bist die Ruh', D 776 "Lachen und Weinen", D 777 "Nacht und Träume", D 827 "Ave Maria", D 839 "Im Frühling", D 882 "Ständchen", D 889 "An Sylvia", D 891 "Der Doppelgänger", D 957 No. 13 "Der Hirt auf dem Felsen", D 965
Cycles	Schubert's song cycles, including: Die schöne Müllerin, D 795 Winterreise, D 911 Schwanengesang, D 957
Multiple	Mignon "Nur wer die Sehnsucht kennt" Romanze Sehnsucht Ständchen Trinklied "Wandrers Nachtlied"
List of compositions by Franz Schubert List of compositions by Franz Schubert by genre Schubert opus/Deutsch number concordance

v t e Chamber music by Franz Schubert
Duos	For violin and piano Sonat(in)as D 384, 385 and 408 Duo in A major, D 574 Rondo in B minor, D 895 Fantasy in C major, D 934 Arpeggione Sonata, D 821
Trios	Sonatensatz for piano trio, D 28 String Trios D 111A, 471 and 581 Notturno for piano trio, D 897 Piano Trio No. 1, D 898 Piano Trio No. 2, D 929 "The Shepherd on the Rock", D 965
String Quartets	No. 1, D 18 No. 2, D 32 No. 3, D 36 No. 4, D 46 No. 5, D 68 No. 6, D 74 No. 7, D 94 Quartettsatz, D 103 No. 8, D 112 No. 9, D 173 No. 10 (Haushaltung), D 87 No. 11, D 353 No. 12 (Quartettsatz), D 703 No. 13 (Rosamunde), D 804 No. 14 (Death and the Maiden), D 810 No. 15, D 887
Other	Rondo for violin and strings, D 438 Adagio and Rondo Concertante, D 487 Trout Quintet, D 667 Octet, D 803 String Quintet, D 956
List of compositions by genre