|Artist||John Singer Sargent|
|Dimensions||34.6 cm (13.6 in) × 53.2 cm (20.9 in)|
|Location||Metropolitan Museum of Art|
|Identifiers||The Met object ID: 12440|
Early history and creation
Sargent painted Tommies Bathing in the summer of 1918. The British government had commissioned him for a painting that would commemorate the efforts of the Americans and British in World War I, so he traveled to the front in the valley of the Somme to find a subject. During this time, he painted some informal watercolors, including Tommies Bathing. The name "Tommy" comes from "Thomas Atkins," the fictitious name the British Army used on official forms for private soldiers.
Later history and display
The watercolor was a gift to the Metropolitan Museum of Art in 1950 from Mrs. Francis Ormond, Sargent's sister.
Description and interpretation
The work depicts soldiers bathing, resting, and sleeping or napping, implying a narrative from the bathing soldier, to the soldier drying himself in the sunlight, to the partially dressed soldier. Sargent used a high, voyeuristic viewpoint and shows the men in a state of complete relaxation. He also captured the shadows cast across the bodies by blades of grass, with technical facility.
- "Tommies Bathing". Metropolitan Museum of Art.
- "Tommies Bathing, 1918". www.metmuseum.org. Retrieved 2019-07-20.
- Herdrich, Stephanie L. (2000). American drawings and watercolors in the Metropolitan Museum of Art : John Singer Sargent. New York: Metropolitan Museum of Art. p. 258. ISBN 0870999524. OCLC 43615463.
- "Tommies Bathing". www.metmuseum.org. Retrieved 2019-07-20.