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User:Anna P. Pimentel/sandbox

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From Dr. Hildebrandt: This looks great, Anna! Keep up with it.

SA #17

1. What stub did you choose? Why did you choose this one? Copy and paste the URL link into your Sandbox

  • I chose a stub article about Juan Padrón, a Cuban animator and comic artist. I decided on this article because I can see how much information about him and other artists from my country is still missing on the internet. I also chose this article because I used to watch the films that Juan Padrón created almost every day when I was little.
  • Juan Padrón

2. How do you know that it's a stub: Identify where on the page you know that this is a stub.

  • When going to the talk tab of the article, below where it says, "This article is of interest to the following WikiProjects," it is shown that each of the three categories is classified as a stub with low to medium importance.

3. What are some missing or under-developed parts of this stub? A good way to determine this is to compare your stub to a more developed article on the same topic and category. So for example, if you chose a stub article on a horror novel, look for another Wikipedia article on another horror novel that is more fully developed. What is missing on your stub page in comparison? You should devote 4-5 sentences to answering this question.

  • When comparing the Stub (Low Importance) article of Juan Padrón with the GA-Class (Top importance) article of Hayao Miyazaki, it can be seen how much information is still missing in the stub article, being that Juan Padrón and Hayao Miyazaki are both animators, directors, and comic creators. They both have a lot in common to say that many of the topics discussed about Miyazaki should also be mentioned about Padrón. For instance, in the Hayao Miyazaki article, there is a lengthy description of who he is and what he does, while in the article about Juan Padrón, there is only a brief summary. In addition, the GA-class article has a bunch of sections that talk about Hayao Miyazaki's early life in detail, his career, breakthrough films, later films, views, themes, creation processes, influences, personal life, and even his legacy. On the other hand, in the article about Juan Padrón, there is not much information than just a general and not extensive paragraph about who he is. The articles also differ in the number of references they use and their credibility.
  • Juan Padrón (Stub-class)
  • Hayao Miyazaki (GA-class)

4. In particular, locate the "References" section of the stub. What, if anything, is listed in the references?  If the references are hyperlinked, do the links still work?

  • There are three references listed. One is from a site where there’s information about comics. The other two are from the same webpage that informs about Cuba.

5. And, when you compare this stub to a well-developed article of the same category type, what sections of the overall article are present, and what are missing?

  • There are things present, like where he was born, the date, who he was, and the date of his death. Still, many sections are missing, like his art style, awards, early life, career, breakthrough films, later films, views, themes, creation processes, influences, personal life, filmography, etc.

SA #18

Identify three stub page titles and provide the URL links.

  1. Digital illustration Digital illustration [1]
  2. Balloon (game) Balloon (game) [2]
  3. Juan Padrón Juan Padrón [3]
  4. Acrylic painting techniques Acrylic painting techniques [4] (Might be interested in working in this one)
  5. Watermedia Watermedia [5] (and this one as well)
  6. *Reverse glass painting Reverse glass painting [6] (and this one) :)

SA #19

FIRST: Pick any one of the 3 stub articles that you chose last time.

SECOND: Spend 1-2 sentences in your Sandbox identifying which, if any, guides are appropriate for this stub article.

  • This page is divided into two categories, glass art, and painting techniques. The most appropriate guides for this stub are related to Art History, Visual Art, Paints, Painting Materials, Art Techniques, Mediums, Culture, etc. According to those guides, the best sources for this stub page are books, peer-reviewed articles, and academic journals, while the not-so-great ones are mostly primary sources of any kind.

THIRD: In 2-3 sentences, what is missing in your chosen stub article compared to a more fully fleshed out article on a similar topic?

  • In the article Reverse glass painting it can be seen how much structure, cleanliness, organization, and stylization are still missing compared to more developed and researched pages like Oil painting and Acrylic paint. The only information the stub page contains is what reverse glass painting actually is and its use in the United States.
  • On the other hand, in pages like Oil painting and Acrylic paint, the information is divided into sections (important sections) like history, technique, processes, differences from other types of paintings and techniques, and examples of artworks created by using it.

FOURTH: Enter the bibliographic information from at least one source that is connected to your chosen stub article.

  • Reverse painting on glass as seen by the proton beam [7]

SA #20

Enter the full bibliographic information for minimally two sources identified and located that you think will contribute useful information to stub #1.

Digital illustration

  1. Visual Space System Design in Digital Media Art Design.[8]
  2. Development in digital print standardization.[9]

SA #21

Enter the full bibliographic information for minimally two sources identified and located that you think will contribute useful information to stub #2.

Acrylic painting techniques

  1. The joy of Acrylic Painting: Expressive Painting Techniques For Beginners.[10]
  2. Creating Vibrant Color With Acrylic Glazes.[11]
  3. Laser Discoloration in Acrylic Painting of Visual Art: Experiment and Modeling.[12]

SA #22

Wikipedia page I'm using:

*Reverse glass painting Reverse glass painting [6]

Sources I'll be using:

Sections I might be adding:

  1. Materials and methods
    • Glasses, Paints, and Layers
  2. Luminous paintings
  3. Reverse Glass Painting in China
    • Paintings and techniques
  4. Pigments
    • Preparation and application
  5. Aging
  6. Investigations


Development: -------------

Materials and methods[edit]

In almost any work of art, there need to be art materials and techniques to create a specific piece. Reverse glass painting is not any different. Although there are differences in the structure and components of this painting, paint and brushes are as essential and similar to those in any other type of painting. Still, one thing varies, the use of glass as a base for this painting.

As its name suggests, a reverse glass painting utilizes glass instead of a canvas. One of the most distinctive aspects of this type of painting is the glass that works as a paint holder for the piece.[15] The glass used to create these pictures is usually very resistant.

Haltern am See, Lavesum, Künstlerhof, Acrylfarbe -- 2021
Regina Reim, Reverse painting on glass
  1. ^ "Digital illustration", Wikipedia, 2022-06-05, retrieved 2022-06-23
  2. ^ "Balloon (game)", Wikipedia, 2022-02-07, retrieved 2022-06-23
  3. ^ "Juan Padrón", Wikipedia, 2022-01-14, retrieved 2022-06-23
  4. ^ "Acrylic painting techniques", Wikipedia, 2022-05-06, retrieved 2022-06-23
  5. ^ "Watermedia", Wikipedia, 2021-10-09, retrieved 2022-06-23
  6. ^ a b c "Reverse glass painting", Wikipedia, 2021-12-14, retrieved 2022-06-23
  7. ^ Neelmeijer, C.; Mäder, M. (2004-11). "Reverse painting on glass as seen by the proton beam". Nuclear Instruments and Methods in Physics Research Section B: Beam Interactions with Materials and Atoms. 226 (1–2): 126–135. doi:10.1016/j.nimb.2004.02.013. ISSN 0168-583X. {{cite journal}}: Check date values in: |date= (help)
  8. ^ Wang, Mengyao; Wang, Jingyu; Zhang, Chuan (2022-04-28). Yahya, Abid (ed.). "Visual Space System Design in Digital Media Art Design". Scientific Programming. 2022: 1–13. doi:10.1155/2022/3678090. ISSN 1875-919X.{{cite journal}}: CS1 maint: unflagged free DOI (link)
  9. ^ Trochoutsos, Christos; Politis, Anastasios (2018-11). "DEVELOPMENTS IN DIGITAL PRINT STANDARDIZATION". Proceedings of 9th International Symposium on Graphic Engineering and Design. Faculty of Technical Sciences. doi:10.24867/grid-2018-p58. {{cite journal}}: Check date values in: |date= (help)
  10. ^ dx.doi.org http://dx.doi.org/10.17658/issn.2058-5462/issue-10/mcheetham/p17. Retrieved 2022-06-24. {{cite web}}: Missing or empty |title= (help)
  11. ^ Honigman, Ana Finel; Harvey, Ellen (2005-10-01). "Good Artist/Bad Artist: An Interview with Ellen Harvey". Art Journal. 64 (3): 102. doi:10.2307/20068404. ISSN 0004-3249.
  12. ^ Tamrin, Khairul Fikri; Moghadasi, Kaveh; Jalil, Marzie Hatef; Sheikh, Nadeem Ahmed; Mohamaddan, Shahrol (2021-04-16). "Laser Discoloration in Acrylic Painting of Visual Art: Experiment and Modeling". Materials. 14 (8): 2009. doi:10.3390/ma14082009. ISSN 1996-1944. PMC 8073473. PMID 33923675.{{cite journal}}: CS1 maint: PMC format (link) CS1 maint: unflagged free DOI (link)
  13. ^ Nardo, V. Mollica; Renda, V.; Anastasio, G.; Caponetti, E.; Saladino, M. L.; Vasi, C. S.; Ponterio, R. C. (2019-05-01). "A combination of portable non-invasive techniques to study on reverse glass paintings at Mistretta museum". Microchemical Journal. 146: 640–644. doi:10.1016/j.microc.2019.01.067. ISSN 0026-265X.
  14. ^ Sánchez, Inma Conejos; Hampel, Gabriele; Zauner, Stefan; Riederer, Josef (2009-12-01). "Reverse paintings on glass—A new approach for dating and localization". Applied Radiation and Isotopes. 67 (12): 2113–2116. doi:10.1016/j.apradiso.2009.04.020. ISSN 0969-8043.
  15. ^ a b Neelmeijer, C.; Mäder, M. (2004-11-01). "Reverse painting on glass as seen by the proton beam". Nuclear Instruments and Methods in Physics Research Section B: Beam Interactions with Materials and Atoms. Radiation and Archaeometry. 226 (1): 126–135. doi:10.1016/j.nimb.2004.02.013. ISSN 0168-583X.
  16. ^ Steger, Simon; Oesterle, Diana; Mayer, Rupprecht; Hahn, Oliver; Bretz, Simone; Geiger, Gisela (2019-08). "First insights into Chinese reverse glass paintings gained by non-invasive spectroscopic analysis—tracing a cultural dialogue". Archaeological and Anthropological Sciences. 11 (8): 4025–4034. doi:10.1007/s12520-019-00799-3. ISSN 1866-9557. {{cite journal}}: Check date values in: |date= (help)
  17. ^ Bayle, M.; Waugh, D. G.; Colston, B. J.; Lawrence, J. (2015-12-01). "On the study of oil paint adhesion on optically transparent glass: Conservation of reverse paintings on glass". Applied Surface Science. 357: 293–301. doi:10.1016/j.apsusc.2015.08.192. ISSN 0169-4332.
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