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Italian unification in 1861 caused economic conditions to considerably worsen for many in southern Italy and Sicily. Major factors that contributed to the large exodus from southern Italy and Sicily after unification, included: political and social unrest; the government’s allocation of much more of its resources to the industrialization of the North than to that of the South; an inequitable tax burden on the South; tariffs on the products of the South; soil exhaustion and erosion; and military conscription lasting seven years.[1] The poor economic situation following unification became untenable for many sharecroppers, tenant farmers, and small business and land owners. Multitudes chose to emigrate rather than face the prospect of a deepening poverty. A large number of these were attracted to the U.S. which, at the time, was actively recruiting workers from Italy and elsewhere to fill the labor shortage that existed in the years following the Civil War. Often, the father and older sons would go first, leaving the mother and the rest of the family behind until the male members could afford their passage.

From 1880 to 1915, an estimated 13 million Italians migrated out of Italy, making Italy the scene of the largest voluntary emigration in recorded world history.[2]

During this period of mass migration, 4 million Italian immigrants arrived in the United States, the majority from 1900 to 1914. Once in America, the immigrants faced great challenges. Often with no knowledge of the English language and with little formal education, many of the immigrants were compelled to accept low-wage manual-labor jobs, and were frequently exploited by the middlemen who acted as intermediaries between them and the prospective employers.[3]

Many sought housing in the older sections of the large Northeastern cities where they settled, that became known as "Little Italies", frequently in overcrowded substandard tenements which were often dimly lit with poor heating and ventilation. Tuberculosis and other communicable diseases were a constant health threat for the immigrant families that were compelled by economic circumstances to live in these dwellings. Other immigrant families lived in single-family abodes, which was more typical in areas outside of the enclaves of the large Northeastern cities, and other parts of the country as well.

An estimated 49 per cent of Italians who migrated to the Americas between 1905 (when return migration statistics began) and 1920 did not remain in the United States.[4] These So-called "birds of passage", intended to stay in the United States for only a limited time, followed by a return to Italy with enough in savings to re-establish themselves there.[5] While many did return to Italy, others chose to stay, or were prevented from returning by the outbreak of World War I.

The Italian male immigrants in the Little Italies were most often employed in manual labor, heavily involved in public works, such as the construction of roads, sewers, subways and bridges being carried out at the time in the northeastern cities. The women most frequently worked as seamstresses in the garment industry or in their homes. Many established small businesses in the Little Italies to satisfy the day-to-day needs of fellow immigrants.

A New York Times article from 1895 provides a glimpse into the status of Italian immigration at the turn of the century. The article states:

Of the half million Italians that are in the United States, about 100,000 live in the city, and including those who live in Brooklyn, Jersey City, and the other suburbs the total number in the vicinity is estimated at about 160,000. After learning our ways they become good, industrious citizens.[6]

The New York Times in May 1896 sent its reporters to characterize the Little Italy/Mulberry neighborhood:

They are laborers; toilers in all grades of manual work; they are artisans, they are junkmen, and here, too, dwell the rag pickers....There is a monster colony of Italians who might be termed the commercial or shop keeping community of the Latins. Here are all sorts of stores, pensions, groceries, fruit emporiums, tailors, shoemakers, wine merchants, importers, musical instrument makers....There are notaries, lawyers, doctors, apothecaries, undertakers.... There are more bankers among the Italians than among any other foreigners except the Germans in the city.[7]

The masses of Italian peasants that immigrated to the United States (1890-1900) posed a change in the labor market, prompting Fr. Michael J. Henry to write a letter in October 1900 to the Bishop John J. Clency of Sligo, Ireland; warning:[8]

[that unskilled young Irishmen] would have to enter into competition with their pick-axe and shovel against other nationalities - Italians, Poles etc. to eke out bare existence. The Italians are more economic, can live on poor fare and consequently can afford to work for less wages than the ordinary Irishman

The Brooklyn Eagle in an 1900 article addressed the same reality:[8]

The day of the Irish hod-carrier has long been past .... But it is the Italian now that does the work. Then came the Italian carpenter and finally the mason and the bricklayer

In spite of the economic hardship of the immigrants, civil and social life flourished in the Italian American neighborhoods of the large Northeastern cities. Italian theater, band concerts, choral recitals, puppet shows, mutual-aid societies, and social clubs were available to the immigrants.[9] An important event, the "festa", became for many an important connection to the traditions of their ancestral villages in Italy and Sicily. The festa involved an elaborate procession through the streets in honor of a patron saint or the Virgin Mary in which a large statue was carried by a team of men, with musicians marching behind. Followed by food, fireworks and general merriment, the festa became an important occasion that helped give the immigrants a sense of unity and common identity.

To assist the immigrants in the Little Italies, who were overwhelmingly Catholic, Pope Leo XIII dispatched a contingent of priests, nuns and brothers of the Missionaries of St. Charles Borromeo. Among these was Sister Francesca Cabrini, who founded schools, hospitals and orphanages. She was canonized as the first American saint in 1946. Hundreds of parishes were founded by the St. Charles missionaries to serve the needs of the Italian communities. By 1910, Italians had founded 219 Italian Catholic churches and 41 parochial schools, served by 315 priests and 254 nuns, 2 Catholic seminaries and 3 orphanages.[10]

The destinations of many of the Italian immigrants were not only the large cities of the East Coast, but also more remote regions of the country, such as Florida and California. They were drawn there by opportunities in agriculture, fishing, mining, railroad construction, lumbering and other activities underway at the time. Oftentimes, the immigrants contracted to work in these areas of the country as a condition for payment of their passage. It was not uncommon, especially in the South, for the immigrants to be subjected to economic exploitation, hostility and sometimes even violence.[11] The Italian laborers who went to these areas were in many cases later joined by wives and children, which resulted in the establishment of permanent Italian American settlements in diverse parts of the country.

A number of major business ventures were founded by Italian Americans. Amadeo Giannini originated the concept of branch banking to serve the Italian American community in San Francisco. He founded the Bank of Italy, which later became the Bank of America. His bank was also instrumental in providing financing to the film industry developing on the West Coast at the time. Other companies founded by Italian Americans – such as Ghirardelli Chocolate Company, Progresso, Planters Peanuts, Contadina, Chef Boyardee, Italian Swiss Colony wines and Jacuzzi – became nationally known brand names in time. An Italian immigrant, Italo Marciony (Marcioni), is credited with inventing the earliest version of an ice cream cone in 1898. Another Italian immigrant, Giuseppe Bellanca, brought with him in 1912 an advanced aircraft design, which he began producing. It was Charles Lindbergh's first choice for his flight across the Atlantic, but other factors ruled this out; however, one of Bellanca's planes, piloted by Cesare Sabelli and George Pond, made one of the first non-stop trans-Atlantic flights in 1934.[12] A number of Italian immigrant families, including Grucci, Zambelli and Vitale, brought with them expertise in fireworks displays, and their pre-eminence in this field has continued to the present day.

Following in the footsteps of Constantino Brumidi, other Italians and their descendants helped create Washington’s impressive monuments. An Italian immigrant, Attilio Piccirilli, and his five brothers carved the Lincoln Memorial, which they began in 1911 and completed in 1922. Italian construction workers helped build Washington's Union Station, considered one of the most beautiful in the country, which was begun in 1905 and completed in 1908. The six statues that decorate the station's facade were sculpted by Andrew Bernasconi between 1909 and 1911. Two Italian American master stone carvers, Roger Morigi and Vincent Palumbo, spent decades creating the sculptural works that embellish Washington National Cathedral.[13]

Italian conductors contributed to the early success of the Metropolitan Opera of New York (founded in 1880), but it was the arrival of impresario Giulio Gatti-Casazza in 1908, who brought with him conductor Arturo Toscanini, that made the Met an internationally known musical organization. Many Italian operatic singers and conductors were invited to perform for American audiences, most notably, tenor Enrico Caruso. The premiere of the opera La Fanciulla del West on December 10, 1910, with conductor Toscanini and tenor Caruso, and with the composer Giacomo Puccini in attendance, was a major international success as well as an historic event for the entire Italian American community.[14]

Italian Americans became involved in entertainment and sports. Rudolph Valentino was one of the first great film icons. Dixieland jazz music had a number of important Italian American innovators, the most famous being Nick LaRocca of New Orleans, whose quintet made the first jazz recording in 1917. The first Italian American professional baseball player, Ping Bodie (Giuseppe Pezzole), began playing for the Chicago White Sox in 1912. Ralph DePalma won the Indianapolis 500 in 1915.

Italian Americans became increasingly involved in politics, government and the labor movement. Andrew Longino was elected Governor of Mississippi in 1900. Charles Bonaparte was Secretary of the Navy and later Attorney General in the Theodore Roosevelt administration, and founded the Federal Bureau of Investigation.[15] Fiorello LaGuardia was elected from New York in 1916 to serve in the US Congress. Numerous Italian Americans were at the forefront in fighting for worker's rights in industries such as the mining, textiles and garment industries, the most notable among these being Arturo Giovannitti, Carlo Tresca and Joseph Ettor.

References[edit]

  1. ^ Cite error: The named reference ReferenceA was invoked but never defined (see the help page).
  2. ^ Choate, Mark. 2008. Emigrant Nation: The making of Italy abroad. Cambridge, MA: Harvard University Press.
  3. ^ Luciano J. Iorizzo, Italian immigration and the impact of the padrone system (1980) p. 160
  4. ^ Glynn, Irial. "Emigration Across the Atlantic: Irish, Italians and Swedes compared, 1800–1950". European History Online.
  5. ^ Michael Burgan and Robert Asher, Italian Immigrants (2004) p. 32
  6. ^ Bill Cribbs. "IMMIGRANTS FROM ITALY – Article from 1895". Genealogybuff.com. Retrieved 2014-08-10.
  7. ^ Staff (May 31, 1896) "Little Italy in New-York" The New York Times p.32
  8. ^ a b Moses, Paul (2015). An Unlikely Union: The Love-Hate Story of New York's Irish and Italians. New York University Press. p. 90.{{cite book}}: CS1 maint: location missing publisher (link)
  9. ^ John W. Briggs, An Italian Passage: Immigrants to Three American Cities, 1890-1930 (Yale University Press, 1978)
  10. ^ The Catholic Encyclopedia, Vol. 8, 1910
  11. ^ Gambino, Richard (1977). Vendetta: A True Story of the Worst Lynching in America, the Mass Murder of Sicilian Americans in New Orleans in 1891, the Vicious Motivations Behind it, and the Tragic Repercussions and Stereotypes that Linger to This Day. Doubleday. ISBN 0-385-12273-X.
  12. ^ Crissouli (2012-01-10). "That Moment in Time: CLARE CHATTER". Thatmomentintime-crissouli.blogspot.com. Retrieved 2013-01-16.
  13. ^ The Stone Carvers: Master Craftsmen of Washington National Cathedral, Marjorie Hunt, Smithsonian Books, November 1999
  14. ^ Giacomo Puccini's La Fanciulla del West. 100th Anniversary of World Premiere.
  15. ^ "In Annual Ritual, Justice Honors Founder of FBI". Main Justice. 2010-06-09. Retrieved 2013-01-16.