User:Dancermia11/Dance music

https://www.britannica.com/art/electronic-dance-music

https://www.armadamusic.com/news/the-history-of-dance-music

history of dance music

Article Draft

In my edits, I expanded the "By Decade" section of this article to provide a detailed chronological overview of the genre's evolution, including more recent information on EDM with references. I included a dedicated section on the 2020s to cover modern dance music and emerging subgenres such as hardstyle, progressive (house), drum 'n' bass, and dubstep. To address concerns about Western-centric perspectives on the talk page, I incorporated information on international forms of dance music, highlighting its global impact and diverse cultural origins based in East African ancient civilization. Additionally, I introduced a new section focusing on African-American cultural influences to acknowledge their significant contributions to the development of dance music. Throughout the editing process, I engaged with the talk page to clarify edits and address concerns raised by other editors. One of the main disagreements was on the broadnedd of scheme of the term "Dance Music," and I chose to clarify this into a very broad umbrella of music genres so I didn't have to exclude any information on music genres that was already edited into the article. I provided reliable sources and external links to support the information added.

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Origins See also: History of dance, History of ballet, and Historical dance While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are the surviving medieval dances such as carols and the Estampie. The earliest of these surviving dances are almost as old as Western staff-based music notation.

By period The Renaissance dance music was written for instruments such as the lute, viol, tabor, pipe, and the sackbut.

In the Baroque period, the major dance styles were noble court dances (see Baroque dance). Examples of dances include the French courante, sarabande, minuet and gigue. Collections of dances were often collected together as dance suites.

In the classical music era, the minuet was frequently used as a third movement in four-movement non-vocal works such as sonatas, string quartets, and symphonies, although in this context it would not accompany any dancing. The waltz also arose later in the classical era, as the minuet evolved into the scherzo (literally, "joke"; a faster-paced minuet).

Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka and polonaise. Also in the romantic music era, the growth and development of ballet extended the composition of dance music to a new height. Frequently, dance music was a part of opera.

Popular dance music Modern popular dance music initially emerged from late 19th century's Western ballroom and social dance music.

By genre Dance music works often bear the name of the corresponding dance, e.g. waltzes, the tango, the bolero, the can-can, minuets, salsa, various kinds of jigs and the breakdown. Other dance forms include contradance, the merengue (Dominican Republic), and the cha-cha-cha. Often it is difficult to know whether the name of the music came first or the name of the dance.

Ballads are commonly chosen for slow-dance routines. However ballads have been commonly deemed the opposite of dance music in terms of their tempo.[citation needed] Originally, the ballad was a type of dance as well (hence the name "ballad", from the same root as "ballroom" and "ballet"). Ballads are still danced on the Faeroe Islands.

Dansband Main article: Dansband "Dansband" ("Dance band") is a term in Swedish for bands who play a kind of popular music, "dansbandsmusik" ("Dance band music"), to partner dance to. These terms came into use around 1970, and before that, many of the bands were classified as "pop groups". This type of music is mostly popular in the Nordic countries.

Disco Main article: Disco Disco is a genre of dance music containing elements of funk, soul, pop, and salsa. It was most popular during the mid to late 1970s, though it has had brief resurgences afterwards. The first notable fully synthesized disco hit was "I Feel Love" by Donna Summer.[1] It inspired the electronic dance music genre going into the 2000's.

Electronic Dance party in Kazantip Festival, Crimea. Electronic dance music. Main article: Electronic dance music By 1981, a new form of dance music was developing. This music, made using electronics, is a style of popular music commonly played in dance music nightclubs, radio stations, shows and raves. During its gradual decline in the late 1970s, disco became influenced by electronic musical instruments such as synthesizers. Looping, sampling and segueing as found in disco continued to be used as creative techniques within trance music, techno music and especially house music. In the context of Electronic Dance Music (EDM), performance can be understood as the process through which human movements visually express the auditory experience created by machine-generated sounds.

Electronic dance music experienced a boom in the late 1980s. In the UK, this manifested itself in the dance element of Tony Wilson's Haçienda scene (in Manchester) and London clubs like Delirium, The Trip, and Shoom. The scene rapidly expanded to the Summer Of Love in Ibiza, which became the European capital of house and trance. In 2018, the release of Fisher's "Losing It," a significant tech-house crossover by the Australian EDM producer, marked a notable shift in trends within the dance music landscape.

Many music genres that made use of electronic instruments developed into contemporary styles mainly due to the MIDI protocol, which enabled computers, synthesizers, sound cards, samplers, and drum machines to interact with each other and achieve the full synchronization of sounds. Electronic dance music is typically composed using synthesizers and computers, and rarely has any physical instruments. Instead, this is replaced by analogue and digital electronic sounds, with a 4/4 beat. Many producers of this kind of music however, such as Darren Tate and MJ Cole, were trained in classical music before they moved into the electronic medium.

Some of the most popular upbeat genres include house, techno, drum & bass, jungle, hardcore, electronica, industrial, breakbeat, trance, psychedelic trance, UK garage and electro. There are also much slower styles, such as downtempo, chillout and nu jazz.

Many subgenres of electronic dance music have evolved. Subgenres of house include acid house, electro house, hard house, funky house, deep house, tribal house, hip house, tech house and US garage. Subgenres of drum & bass include techstep, hardstep, jump-up, intelligent D&B/atmospheric D&B, liquid funk, sambass, drumfunk, neurofunk and ragga jungle. Subgenres of other styles include progressive breaks, booty bass, Goa trance, hard trance, hardstyle, minimal techno, gabber techno, breakcore, broken beat, trip hop, folktronica and glitch. Speed garage, breakstep, 2-step, bassline, grime, UK funky, future garage and the reggae-inspired dubstep are all subgenres of UK garage.

By decade 1900s–1910s During the early 20th century, ballroom dancing gained popularity among the working class who attended public dance halls.

1920s Main article: Jazz Age Dance music became enormously popular during the 1920s. Nightclubs were frequented by large numbers of people at which a form of jazz, which was characterized by fancy orchestras with strings instruments and complex arrangements, became the standard music at clubs. A particularly popular dance was the fox-trot. At the time this music was simply called jazz, although today people refer to it as "white jazz" or big band.

1930s–1940s Main article: Swing era Genres: Swing music, Western swing. Duke Ellington, Benny Goodman and Glenn Miller gained swing jazz hits.

1950s Genres: Rock and roll

In 1952, the television showed that American Bandstand switched to a format where teenagers dance along as records are played. American Bandstand continued to be shown until 1989. Since the late 1950s, disc jockeys (commonly known as DJs) played recorded music at nightclubs.

1960s Genres: Rock and roll, R&B, funk

In 1960, Chubby Checker released his song "The Twist" setting off a dance craze. The late 1960s saw the rise of soul and R&B music which used lavish orchestral arrangements.

1970s Genres: Disco, funk, R&B, hip hop

In 1970, the television show Soul Train premiered featuring famous soul artists who would play or lipsync their hits while the audience danced along. In the early '70s, Kool and the Gang, Ohio Players, and B.T. Express were popular funk bands. By the mid-1970s, disco had become one of the main genres featured. In 1974, Billboard added a Disco Action chart of top hits to its other charts (see List of Billboard number one dance club songs). Donna Summer, the Bee Gees, the Village People and Gloria Gaynor gained pop hits.[2] Disco was characterized by the use of real orchestral instruments, such as strings, which had largely been abandoned during the 1950s because of rock music. In contrast to the 1920s, however, the use of live orchestras in night clubs was extremely rare due to its expense. The disco craze reached its peak in the late 1970s when the word "disco" became synonymous with "dance music" and nightclubs were referred to as "discos".

1980s Genres: Funk, hip hop, New jack swing,[3] R&B, bounce, Miami bass, boogie, disco, contemporary R&B, New wave, dark wave, Italo disco, Euro disco, post-disco, synth-pop, dance-pop, dance-rock, house, acid house, hip house, techno, freestyle, electro, hi-NRG, EBM, cosmic disco, Balearic beat, new beat

1990s Genres: New jack swing, contemporary R&B, dancehall, hip hop, G-funk, Miami bass, House, Italo dance, Italo house, Eurodance, Europop, hip house, electro, electroclash, progressive house, French house, techno, minimal techno, trance, alternative dance, drum and bass, jungle, big beat, breakbeat, breakbeat hardcore, rave, hardcore, happy hardcore, speed garage, UK garage, soca, reggaeton, psytrance, Goa trance

2000s Genres: Trance, electropop, dance-pop, snap, crunk, dancehall, reggaeton, dance-punk, nu-disco, electro house, minimal techno, dubstep, grime, bassline, UK funky, contemporary R&B, hip hop, drum and bass, progressive house, hardstyle, funky house

2010s Genres: Electropop, synthpop, glitchpop, hip house, nu-disco, new wave, new rave, trance, house, hi-NRG, hard NRG, dance-pop, electro-industrial, deep house, drum and bass, dubstep, techstep, liquid funk, electro house, progressive house, breakbeat, hardstyle, dubstyle, drumstep, hip hop, ghetto house, Jersey club, trap, drill, moombahton, moombahcore, dancehall, tropical house, UK garage, Europop, hyperpop

2020's A multitude of new dance music genres emerged prominently during this period, ranging from hardstyle, progressive (house), drum 'n' bass, dubstep, and an array of subgenres stemming from various modern genres. In 2024, EDM artists such as Tiësto, Calvin Harris, and Dom Dolla maintain residencies in Las Vegas, where they perform regularly at venues like LIV Las Vegas and LIV Miami, while the globalization of dance music has also facilitated popular producers like Fisher and David Guetta securing residencies in Ibiza to showcase their EDM talent throughout the summer season.

Radio formats The Dance/Mix Show Airplay chart tracks the most popular tracks played by radio stations using a "dance music" format. Modern dance music is typically a core component of the rhythmic adult contemporary and rhythmic contemporary formats, and an occasional component of the contemporary hit radio format in the case of dance songs which chart.

Mixshows are radio programmes which feature a sequence of dance music tracks where each track's outro is mixed into the intro of the next.

References

Ferreira, Pedro Peixoto. “When Sound Meets Movement: Performance in Electronic Dance Music.” Leonardo Music Journal, vol. 18, 2008, pp. 17–20. JSTOR, http://www.jstor.org/stable/25578110. Accessed 3 Mar. 2024. https://www.billboard.com/music/music-news/fisher-losing-biggest-dance-hits-of-the-decade-8546793/ https://www.livnightclub.com/las-vegas/ https://www.hiibiza.com/news/2024-residencies-revealed