User:Palpatine824/Totem

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A totem (Ojibwe doodem) is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe, such as in the Anishinaabe clan system. To commemorate ancestry, totems are inherited by members of a clan, group, or family and passed down from elders, typically in a ceremony. The amount of totems a group can represent can vary depending on status, religion, culture, or origin. Animism, or ancestral worship of animism, is the belief that objects, places, and creatures all possess a soul, was born through the Central African Republic. These beliefs animate the material world and gives hope to the people who live among it.

While the word totem itself is an anglicisation of the Ojibwe term, and both the word and beliefs associated with it are part of the Ojibwe language and culture, belief in tutelary spirits and deities is not limited to the Ojibwe people. Similar concepts, under differing names and with variations in beliefs and practices, may be found in a number of cultures worldwide. The term has also been adopted, and at times redefined, by anthropologists and philosophers of different cultures. Earlier documented forms of totems were associated with spirits or religion that can be traced back to Europe and the Roman Empire.

Contemporary neoshamanic, New Age, and mythopoetic men's movements not otherwise involved in the practice of a traditional, tribal religion have been known to use "totem" terminology for the personal identification with a tutelary spirit or spirit guide. However, this can be seen as cultural misappropriation.[1]

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Totem poles[edit]

Main article: Totem pole Tlingit totem pole in Juneau, Alaska.

The totem poles of the Pacific Northwestern Indigenous peoples of North America are carved, monumental poles featuring many different designs (bears, birds, frogs, people, and various supernatural beings and aquatic creatures). They serve multiple purposes in the communities that make them. Similar to other forms of heraldry, they may function as crests of families or chiefs, recount stories owned by those families or chiefs, or commemorate special occasions. Totem poles are typically created out of red cedar, a malleable wood relatively abundant in the Pacific Northwest and painted bright vibrant colors. Unfortunately, due to no resources before the 1900's that was able to preserve the wood, very few totems from that time period remain to this day. Different cultures or tribes practice various styles of carving intricate details into the poles as in tradition specific to that culture. They used materials like stones, shells, and animal teeth. With industrialization and the production of iron and steel, the carving process became more efficient and came more elaborate designs. The stories told on the poles are known to be read from the bottom of the pole to the top. Bottom of the pole would be the least important whereas the top would be most important. The symbolism of the poles validate a families lineage and the privileges they had or still possess through generations. They also demonstrated the relationship between humans, animals, and the environments in which they lived or subsided.

Anthropological perspectives[edit]

A totem pole in Thunderbird Park, Victoria, British Columbia

Early anthropologists and ethnologists like James George Frazer, Alfred Cort Haddon, John Ferguson McLennan and W. H. R. Rivers identified totemism as a shared practice across indigenous groups in unconnected parts of the world, typically reflecting a stage of human development.

Scottish ethnologist John Ferguson McLennan, following the vogue of 19th-century research, addressed totemism in a broad perspective in his study The Worship of Animals and Plants (1869, 1870). McLennan did not seek to explain the specific origin of the totemistic phenomenon but sought to indicate that all of the human race had, in ancient times, gone through a totemistic stage.

Another Scottish scholar, Andrew Lang, early in the 20th century, advocated a nominalistic explanation of totemism, namely, that local groups or clans, in selecting a totemistic name from the realm of nature, were reacting to a need to be differentiated. If the origin of the name was forgotten, Lang argued, there followed a mystical relationship between the object—from which the name was once derived—and the groups that bore these names. Through nature myths, animals and natural objects were considered as the relatives, patrons, or ancestors of the respective social units.

British anthropologist Sir James George Frazer published Totemism and Exogamy in 1910, a four-volume work based largely on his research among Indigenous Australians and Melanesians, along with a compilation of the work of other writers in the field.

By 1910, the idea of totemism as having common properties across cultures was being challenged, with Russian American ethnologist Alexander Goldenweiser subjecting totemistic phenomena to sharp criticism. Goldenweiser compared Indigenous Australians and First Nations in British Columbia to show that the supposedly shared qualities of totemism—exogamy, naming, descent from the totem, taboo, ceremony, reincarnation, guardian spirits and secret societies and art—were actually expressed very differently between Australia and British Columbia, and between different peoples in Australia and between different peoples in British Columbia. He then expands his analysis to other groups to show that they share some of the customs associated with totemism, without having totems. He concludes by offering two general definitions of totemism, one of which is: "Totemism is the tendency of definite social units to become associated with objects and symbols of emotional value".

The founder of a French school of sociology, Émile Durkheim, examined totemism from a sociological and theological point of view, attempting to discover a pure religion in very ancient forms and claimed to see the origin of religion in totemism.

The leading representative of British social anthropology, A. R. Radcliffe-Brown, took a totally different view of totemism. Like Franz Boas, he was skeptical that totemism could be described in any unified way. In this he opposed the other pioneer of social anthropology in England, Bronisław Malinowski, who wanted to confirm the unity of totemism in some way and approached the matter more from a biological and psychological point of view than from an ethnological one. According to Malinowski, totemism was not a cultural phenomenon, but rather the result of trying to satisfy basic human needs within the natural world. As far as Radcliffe-Brown was concerned, totemism was composed of elements that were taken from different areas and institutions, and what they have in common is a general tendency to characterize segments of the community through a connection with a portion of nature. In opposition to Durkheim's theory of sacralization, Radcliffe-Brown took the point of view that nature is introduced into the social order rather than secondary to it. At first, he shared with Malinowski the opinion that an animal becomes totemistic when it is “good to eat.” He later came to oppose the usefulness of this viewpoint, since many totems—such as crocodiles and flies—are dangerous and unpleasant.

In 1938, the structural functionalist anthropologist A. P. Elkin wrote The Australian Aborigines: How to understand them. His typologies of totemism included eight "forms" and six "functions".

The forms identified were:

  • individual (a personal totem),
  • sex (one totem for each gender),
  • moiety (the "tribe" consists of two groups, each with a totem),
  • section (the "tribe" consists of four groups, each with a totem),
  • subsection (the "tribe" consists of eight groups, each with a totem),
  • clan (a group with common descent share a totem or totems),
  • local (people living or born in a particular area share a totem) and
  • "multiple" (people across groups share a totem).

The functions identified were:

  • social (totems regulate marriage, and often a person cannot eat the flesh of their totem),
  • cult (totems associated with a secret organization),
  • conception (multiple meanings),
  • dream (the person appears as this totem in others' dreams),
  • classificatory (the totem sorts people) and
  • assistant (the totem assists a healer or clever person).

The terms in Elkin's typologies see some use today, but Aboriginal customs are seen as more diverse than his typologies suggest.

As a chief representative of modern structuralism, French ethnologist Claude Lévi-Strauss, and his Le Totémisme aujourd'hui ("Totemism Today" [1958]) are often cited in the field.

In African cultures, totemism serves as a form of environmental protection due to some families and tribes possessing multiple totems. Over a thousand animal species are considered totems among tribes in Uganda and the Central African Republic. These totems are the same among multiple different tribes and because of this, they are seen as relatives. Even though they are not of blood, they develop a strong kinship with all members. This made it easier to travel from one place to another as strangers could find social support from nearby individuals or groups in the area.

In the 21st century, Australian anthropologists question the extent to which "totemism" can be generalized even across different Aboriginal Australian peoples, let alone to other cultures like the Ojibwe from whom the term was originally derived. Rose, James and Watson write that:

The term ‘totem’ has proved to be a blunt instrument. Far more subtlety is required, and again, there is regional variation on this issue.

References[edit]

  1. ^ Aldred, Lisa, "Plastic Shamans and Astroturf Sun Dances: New Age Commercialization of Native American Spirituality" in: The American Indian Quarterly 24.3 (2000) pp. 329–352. Lincoln: University of Nebraska Press.

2. Putzi, Sibylla (2008). A to Z World Supertstitions & Folklore : 175 Countries - Spirit Worship, Curses, Mystical Characters, Folk Tales, Burial and the Dead, Animals, Food, Marriage, Good Luck, and More. World Trade Press.

3. Melamu, M.J. (2001). "Demoke's Totem: The Role of the Artist in Soyinkas, A Dance in the Forest." Journal of Cultural Studies. 3(1) 259-276 - via Database.