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Photographic portrait of Sigmund Freud, signed by the sitter ("Prof. Sigmund Freud")

Practicing citations

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This article is an exploration of identification from the angle of the screenplay writer. [1] It outlines various manifestations and sub-types of identification, as well as delving into the history of the concept and Freud’s initial theory. [2] This source uses psychanalytic techniques to analyse various literary texts. It delves deeply into identification as a literary technique, specifically as identifying with the hero character as a means to propel the tragedy. [3]

  1. ^ Finnegan, John (2016-09-01). "The screenplay and the spectator: Exploring audience identification in narrative structure". Journal of Screenwriting. 7 (3): 319–330. doi:10.1386/josc.7.3.319_1.
  2. ^ Jean., Florence, (2021). Identification in Psychoanalysis A Comprehensive Introduction. Taylor & Francis Group. ISBN 978-1-000-36504-7. OCLC 1240581103.{{cite book}}: CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link)
  3. ^ Ellmann, Maud (2013-12-24). Psychoanalytic Literary Criticism. London: Routledge. doi:10.4324/9781315845074. ISBN 978-1-315-84507-4.

Answers to Module 7 Questions

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  • Drawing of a man on a bed by a window overlooking the ocean
    Describe your media: An ink drawing I created
  • Is it your own work? Yes
  • What is the file format? JPEG
  • What license have you chosen? CC.0
  • What category/gallery will you add it to? Drawings, art
  • How will you describe the file? Ink drawing of a man on a bed by a window overlooking the ocean