User:SUJR14/sandbox

Hi, SUJR14. I've just reviewed your draft article, and had a few thoughts:

• Right now, your citations are all in a list at the bottom. It'd be great if you could covert them to inline citations — see WP:INLINE for how to do it (basically, just add <ref> and </ref> around each one and then place them after the statement in the article that they support). Let me know if you need help!

Thanks for helping to build the largest and most popular general reference work on the entire Internet. We can't do it without you! Cheers, —Theopolisme (talk)

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Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which are undoubtedly similar to digital manipulations but everything is done physically rather than virtually. Darkroom manipulation is also used to remove unwanted areas and changing the background of the image, through many techniques this process can be done.

History

One of the forefathers that started using darkroom manipulation was Jerry Uelsmann. To get his final product, he uses up to twelve enlargers at a time. Jerry Uelsmann seeks to reach a level of surrealist imagery of the unfathomable. He still uses this process today as do other photographers. Some photographers believe that the darkroom is a magical place where their is indeed a chamber of secret.

Jerry Uelsmann

Jerry Uelsmann is best know for using digital tools in the darkroom before Photoshop was even available. He started off with photography in high school as a hobby and then decided to go to an institution to learn photography. Uelsmann photograph's is different than most photographers because he uses multiple negatives and put them in one picture. He started with one enlarger and then after he waited for some prints to dry one day he decided that he wanted to use more so by enlargers so that he could get more images quickly, so he started using seven enlargers at one time. His darkroom style allowed for him to create images that had realism and the motion of what would be seen in dreams.

Techniques

Dodging and burning are used to lighten or darken a part of the photograph to get better details in highlights and shadows. Toning changes the color of the photograph. Black and white photographs can be changed to sepia, red, orange and even blue. Toning can be used to help make the photograph last long. Cropping is used to decide what is left out in the final print.

Dodging

Dodging is a very important part of the manipulation process. Dodging holds back exposure in order to make it light. Dodging can be used by hand or specific tools such as black cardboard or opaque materials so that shadows can lighten the image. Dodging is best when used in a circular motion on the image to get the desired result.

Burning

Burning is when the image receives more exposure so the image can darken. Just like dodging, burning can be done by hand or by using objects that controls the size and shape of the area. To avoid a very obvious change between the burned-in area and the rest of the image, the device must stay in motion. Burning is a longer process because it needs a longer exposure and time to change the image.

Masking

Masking is a very faint positive image that comes from the original negative image. Masking in darkroom photography can be used with more than one mask for the image by putting the original image and the mask together to come out with the single print. The advantages of masking is that this process sharpens the image and if done correctly, the contrast of the image could change when the image prints out. The mask is a copy of the original, so the edges should line up correctly and density can be shown in the original negative. Masking can give slight texture so that true blacks and shadows look properly dark.

Manipulation Used Today

Photo manipulation is used today in place of darkroom manipulation. Photo Manipulation started in the darkroom in the 1860’s when searching for a heroic image of President Lincoln. An unidentified artist appended the statesman’s head to the body of John C. Calhoun. Today, photo manipulation can be started on a photographer’s camera by formatting the image into either a JPEG or RAW format. An example of manipulation with the camera itself is automatic red-eye removal in the image. After the image is on the computer many other programs such as Photoshop and other photo editing programs that are used for photo manipulation.

See also

In-camera effect