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excerpt from The Body's Memory] Disablement, Prison, and Historical Segregation (with Marta Russell in Monthly Review) Arinieville Berkeleyside 21 July 2010 Pigeons & Birdwatchers
List of musical numbers
[edit]The list relates to the final (1870) version of the opera.
| 1866 | 1870 | Title (Czech) [1] | Performed by | Comments |
|---|---|---|---|---|
| 1 | 1 | Overture | Orchestra | |
| 2 | 2 | Proč bychom se netěšili "Let's rejoice and be merry" |
Chorus of Villagers | |
| 3 | 3 | Kdybych se co takového "If I should ever learn" |
Aria (Mařenka) | |
| 4 | Jako matka požehnáním ... Věrné milování "While a mother's love...Faithful love can't be marred" |
Duet (Mařenka and Jeník) | ||
| Jak vám pravím, pane kmotře "As I was saying, my good fellow" |
Trio (Ludmila, Krušina, Kecal) | |||
| Mladík slušný "He's a nice boy, well brought up" |
Trio (Ludmila, Krušina, Kecal) | |||
| Tu ji máme "Here she is now" |
Quartet (Ludmila, Krušina, Kecal, Mařenka) | |||
| Dance: Polka | Orchestra | |||
| Pojd' sem, holka, toč se, holka "Come, my darlings!" |
Chorus | |||
| To pivečko "To beer!" |
Chorus, Kecal, Jeník | |||
| Dance: Furiant | Orchestra | |||
| Má ma-ma Matička "My-my-my mother said to me" |
Aria (Vašek) | |||
| Známť já jednu dívčinu "I know of a maiden fair" |
Duet (Mařenka and Vašek | |||
| Nuže, milý chasníku, znám jednu dívku "Now, sir, listen to a word or two" |
Duet (Kecal and Jeník) | |||
| Až uzříš – Jak možna věřit "When you discover whom you've bought" |
Aria (Jeník) | |||
| Pojďte lidičky "Come inside and listen to me" |
Ensemble (Kecal, Jeník, Krušina, Chorus) | |||
| Act III |
To-to mi v hlavě le-leži "I can't get it out of my head" |
Aria (Vašek) | ||
| March of the Comedians | Orchestra | |||
| Dance: Skočná | Orchestra | |||
| Milostné zvířátko "We'll make a pretty thing out of you" |
Duet (Esmeralda, Principál) | |||
| Aj! Jakže? Jakže? "He does not want her – what has happened" |
Quartet (Háta, Mícha, Kecal, Vašek) | |||
| Ne, ne, tomu nevěřím "No, no, I don't believe it" |
Ensemble (Mařenka, Krušina, Kecal, Ludmila, Háta, Mícha, Vašek) | |||
| Rozmmysli si, Mařenko "Make your mind up, Mařenka" |
Sextet (Ludmila, Krušina, Kecal, Mařenka, Háta, Mícha) | |||
| Ó, jaký žal ... Ten lásky sen "Oh what grief... that dream of love" |
Aria (Mařenka) | |||
| Mařenko má! "Mařenka mine!" |
Duet (Jeník and Mařenka) | |||
| Utiš se, dívko "Calm down and trust me" |
Trio (Jeník, Mařenka, Kecal) | |||
| Jak jsi se, Mařenko rozmyslila? "What have you decided, Mařenka?" |
Ensemble (Chorus, Mařenka, Jeník, Háta, Mícha, Kecal, Ludmila, Krušina) | |||
| Pomněte, kmotře ... Dobrá věc se podařila "He's not grown up yet...A good cause is won, and faithful love has triumphed." |
Finale (All characters and Chorus) |
Music: By Felix Mendelssohn (Overture and incidental music to Ein Sommernachtstraum, Opp. 21 and 61, 1826, 1842; Overture to Athalie, Op. 74, 1845; Concert overture Die schöne Melusine, Op. 32, 1833; Die erste Walpurgisnacht, Op. 60; Symphony No. 9 for strings [first three of four movements], 1823; Overture to Die Heimkehr aus der Fremde, Op. 89, 1829).
| Sc. | Music by Mendelssohn | Scene | Comments |
|---|---|---|---|
| Overture Ein Sommernachtstraum (originally Op. 21) | Processions of characters; quarrel of Oberon and Titania | ||
| 12' | Overture to Athalie, Op. 74 | Titania & her galant; Puck chastised | |
| 21' | Scherzo Op. 61 No. 1 | Oberon & fairies | |
| 27' | middle of No. 6, Melodrama | Puck's commission | |
| Die schöne Melusine, Op. 32 | Hermia & Lysander; Hero & Couples, Puck errs Hermia & Lysander | ||
| 40' | Lied & Chor "You spotted snakes" Op. 61 No. 3 | Titania's court | |
| 45' | Intermezzo Op. 61 No. 5 | Hermia solo; then rustics | |
| 49' | Melodrama, Op 61 No. 6 (opening) | Bottom translated | |
| 49'30 | Notturno, Op 61 No. 7 | Bottom & Titania | |
| 56' | Ouverture to Die erste Walpurgisnacht, Op. 60 | Hippolyta's hunt; combats of Demetrius & Lysander, Hero & Hermia; Titania awakes | up to E major of m19 of Allegro vivace non troppo |
| 1:03' | Notturno woven into op. 60 counterpoint | Bottom remembers | |
| Scherzo interuption | Titania surrenders foundling | ||
| Overture concludes | Theseus & Hippolita; Lovers awake | ||
| Chorus ["Long live the Spring"??] Op. 60 No. 1 (from m. 8 to Druid's solo) | Triple wedding | ||
| last 4 bars of Notturno | curtain |
Bernhard Wambach (born 1948, in Neuwied[2]) is a German pianist, known especially for his interpretations of Stockhausen and Rihm.
He studied with Konrad Meister in Bremen and Peter-Jürgen Hofer in Hamburg, and took classes with Friedrich Gulda between 1973 and 1977. He participated in the 1978, 1980 and 1982 Darmstädter Ferienkurse, winning the Kranichsteiner Musikpreis for piano in 1982. In 1979 he was recognized by the International Arnold Schönberg Piano Competition (not to be confused with the Austrian Arnold Schönberg Prize) A guest artist in numerous new music festivals, he has worked with some of the most significant composers and conductors.
He has taught in Bremen, Lübeck and Darmstadt. A piano instructor at the Folkwang University of the Arts (Duisburg campus) since 1989, in 2000 he became vice-dean, and from 2002 to 2004 full dean of the music department. Von 1995 bis 2006 war er Betreuer der Haniel-Akademiekonzerte in trustee? of the Duisburg.[3]
External links
[edit]References
[edit]- ^ The English wordings are taken from Brian Large's Smetana, Appendix C: "The Genesis of The Bartered Bride", pp. 399–408
- ^ Inventionen 1991: Biografien, www.inventionen.de, abgerufen am 29. Januar 2018.
- ^ Nova Konzert 4: Bernhard Wambach, www.sendesaal-bremen.de, abgerufen am 29. Januar 2018.[dead link]
Category:German contemporary classical musicians
Category:Contemporary classical pianists
Category:German classical pianists
Category:Academic staff of the Folkwang University of the Arts
Category:1948 births
Kategorie:Interpret (Neue Musik)
Kategorie:Klassischer Pianist
Kategorie:Hochschullehrer (Folkwang Universität, Standort Duisburg)
Kategorie:Deutscher
Kategorie:Geboren 1948
Kategorie:Mann
Score
[edit]