User talk:Carmina2013
Welcome!
[edit]Hello, Carmina2013, and welcome to Wikipedia! Thank you for your contributions. I hope you like the place and decide to stay. Unfortunately, one or more of the pages you created, such as User:Carmina2013, may not conform to some of Wikipedia's guidelines, and may not be retained.
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Speedy deletion nomination of User:Carmina2013
[edit]If this is the first article that you have created, you may want to read the guide to writing your first article.
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A tag has been placed on User:Carmina2013, requesting that it be speedily deleted from Wikipedia. This has been done under section G11 of the criteria for speedy deletion, because the page seems to be unambiguous advertising which only promotes a company, product, group, service or person and would need to be fundamentally rewritten in order to become encyclopedic. Please read the guidelines on spam and Wikipedia:FAQ/Organizations for more information.
If you think this page should not be deleted for this reason, you may contest the nomination by visiting the page and clicking the button labelled "Click here to contest this speedy deletion". This will give you the opportunity to explain why you believe the page should not be deleted. However, be aware that once a page is tagged for speedy deletion, it may be removed without delay. Please do not remove the speedy deletion tag from the page yourself, but do not hesitate to add information in line with Wikipedia's policies and guidelines. If the page is deleted, and you wish to retrieve the deleted material for future reference or improvement, you can place a request here. Sam Sailor Sing 20:28, 8 October 2013 (UTC)
Threnos (for the Throat)
[edit]Threnos (for the Throat)is a composition for vocal soloists and sound processing by American composer Jacob Cooper, Slovenian director Karmina Silec and American poet Dora Malech. The world premiere was performed by New Music Theatre Choregie (SI) / Sidra Bell Dance (USA.
Project is about the transition from animal to meat. Unlike humans, these animals generally die in concealment, and the dead are not mourned. In Thrēnos, what is so often hidden behind the scenes is brought onto the stage as a performance that offers space for reckoning and reflection.