Virgil's Tomb (Joseph Wright paintings)
|Virgil's Tomb, with the Figure of Silius Italicus|
|Artist||Joseph Wright of Derby|
|Year||1779 (others 1782 and 1785)|
|Medium||Oil on canvas|
|Dimensions||101.6 cm × 127 cm (40.0 in × 50 in)|
Virgil's Tomb is the title of at least three paintings completed by Joseph Wright of Derby between 1779 and 1785.
The subject of these paintings is a fruit of Wright's Italian tour undertaken in 1773-1775. These three depict the ruined structure near Naples that was traditionally identified as the tomb of the Latin epic poet Virgil. The earliest of the three, dated to 1779, includes the figure of Silius Italicus, a slightly later poet known to have been an admirer of Virgil. Silius Italicus owned the tomb and its surroundings and organized pilgrimages for other admirers of the poet.
Unlike Wright's paintings of candlelit scenes, the views of Virgil's tomb are "flooded with oppressive lunar light". They reflect from a stage of Wright's artistic development when "he held a delicate balance between what actually was there, and what he liked to construct out of what was there" .
One of the paintings was given to William Hayley who gave it to the artist Amelia Opie. When she died it went to Thomas Brightwall. Another of the paintings was reputedly in the possession of Rev. Thomas Gisborne whom Wright visited in his estate near Needwood Forest. This painting was owned by the Barton Blount estates in 1968 and by 1981 it was sold by Miss Ward to Derby Museum and Art Gallery for £12,000. The picture with Silius Italicus in Derby Museum is, according to Benedict Nicolson, not necessarily by Wright.
- Benedict Nicolson, Joseph Wright of Derby: painter of light (1968) vol. 1 pp. 83–85 and passim
- Silius Italicus, Poet of the Second Punic War Hellenic World
- Virgil’s Tomb (1782) Exhibition Revolutionary Players
- Attempts toward fame and fortune: Joseph Wright of Derby and late-renaissance Humanism. Free Library
- (Nicolson, p. 83)
- (Nicolson, p. 83)
- Virgil's Tomb by Moonlight, Joseph Writht, Artfund, accessed September 2011
- (Nicolson p.258)
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