Born in Houma, Louisiana, she has appeared throughout the Americas, and in Europe. She matriculated at Loyola University of the South, studying with Patricia Brooks Etienne (Havranek). It was here she made her unofficial debut in 1978 as Maddalena in act 4 of Rigoletto, opposite Anthony Laciura as the Duke of Mantua. Two years later, she sang the Zia Principessa in Suor Angelica at Loyola. She holds degrees from the University of Southern Mississippi and the University of Louisiana, Lafayette where she worked with Patrick Shelby, a student of Andrew White and Sidney Dietch.
She served as an apprentice at the New Orleans Opera Association (where she made her professional debut in 1981 as Mistress Benson in Lakmé) before attending the Academy of Vocal Arts, Philadelphia, where she then was an apprentice with the Opera Company of Philadelphia. After several years of work as a professional singer and beginning her life as a university professor, she pursued and completed a Doctor of Musical Arts degree at University of Nevada, Las Vegas, where she studied with renowned vocal repertoire scholar Carol Kimball. Her dissertation topic was "The Songs of Madeleine Dring: Organizing a Posthumous Legacy."
Brister studied under Nell Rankin, a 24-year veteran of the Metropolitan Opera who had studied with Madame Jeanne Lorraine, a student of Manuel Garcia II from 1984-1990. Brister also worked with Beverly Wolff, who spent many years at New York City Opera, San Francisco Opera, Dallas, and all of the major symphony orchestras in the United States. Among others, Beverly had been a student of Sidney Dietch and Lila Edwards. Brister coached with Enrico Di Giuseppe, a tenor from the Metropolitan Opera in the early 1990s. She appeared with the Opera Orchestra of New York, Opera Company of Philadelphia, Baltimore Opera, Opera Theatre of Saint Louis, New York Opera Ensemble, Annapolis Opera, Pittsburgh Opera Theater, Connecticut Grand Opera, New England Lyric Operetta, Jefferson Performing Arts Society, Lyric Opera of Waco, Shreveport Opera, etc., and orchestras in New York, Pennsylvania, Connecticut, Louisiana, Florida, Arizona, West Virginia, and New Hampshire. She has sung over 200 recitals in 43 states and festivals in Brazil, Bulgaria, Canada, England, Germany, Hungary, Italy, Lithuania, Poland, Russia, and the Ukraine.
She has made several recordings including: Strauss Waltzes for Singing, (Arabesque with New York Vocal Arts Ensemble), Clarikinetics; Landscapes I: The Music of Daniel Baldwin; Landscapes II; Vocalise: Music for Voice, Bassoon, and Piano; (all on Mark Records). Her solo discs include: The Songs of Madeleine Dring with tenor Stanford Olsen, and Le premier matin du monde, both on Cambria Records. In 2015 and 2016 she recorded over 40 of the cabaret songs of Madeleine Dring with Courtney Kenny to be released by Cambria.
She has appeared as soloist at Carnegie Hall on seven occasions, and has sung under the batons of Krzysztof Penderecki, Michael Tilson Thomas, John Rutter, John Nelson (conductor), Philippe Entremont, Arthur Fagen, Chris Nance, Leopold Hager, Gianfranco Masini, and Eve Queler. She has performed over 200 times with orchestra, including over 100 operatic performances.
From 1986 to 1988, she was a member of the quartet New York Vocal Arts Ensemble and continued to work with that ensemble on occasion through 1996. Together with this group she traveled throughout the United States, and appeared in concerts for the Government's Concert Agency (GOSConcert) in the former Soviet Union in 1992.
She has taught at Baylor University (1999-2000), the University of Arizona (2000-2003), and the Florida State University (2003-present). She has appeared at festivals including Steinfurt (Germany) Festival, Schwetzingen (Germany) Festival, Varna (Bulgaria) Fest, the IV International Festival of Winds in Rio de Janeiro, Brazil, as well as in concerts for the International Double Reed Society in Ithaca, New York, Birmingham, England, and Norman, Oklahoma.
Brister sang Mistress Benson (Lakmé) again in 2006 with the Opera Orchestra of New York, 25 years after her professional debut in the same part. She continues to appear in recitals and concerts. Her students sing at companies throughout the United States and Europe and many have faculty positions in American universities.
She was a teaching intern with the National Association of Teachers of Singing under the acclaimed vocal pedagogue, James McKinney, and has published articles with the Journal of Singing. She taught at Baylor University (1999–2000) and at the University of Arizona (2000–2003). She is faculty artist for the Orfeo Music Festival in Vipiteno, Italy, and used to be artist faculty of the Schlern International Music Festival. In 2015, she was Associate Professor of Voice at Florida State University where she has worked since 2003. In 2013 she presented on Madeleine Dring to the International Congress of Voice Teachers in Brisbane, Australia. 
- 1988: Strauss Waltzes for Singing New York Vocal Arts Ensemble, Arabesque Records, New York.
- 2006: Le premier matin du monde Songs of Fauré, Debussy, Poulenc, Satie, and Ernest Chausson. Cambria Records.
- 2006: Clarikinetics with Debora Bish, Clarinet, Mark Records.
- 2010: Landscapes: Music by Daniel Baldwin, Mark Records.
- 2013: Songs of Madeleine Dring, with Tenor Stanford Olsen, Cambria Music.
- 20__: Landscapes II: Music of Daniel Baldwin, Mark Records. (in press)
- 2013: Trio Vocalise: Music by Laitman, Baldwin, McLarry, Chabrier.
- 2017: Cabaret Songs of Madeleine Dring: Cambria Music.
- 2017: The Lady Composer:West End Revue music of Madeleine Dring: Cambria Music
Forthcoming publications: Biography of Madeleine Dring (2018/19) Editions of Music of Madeleine Dring (Josef Weinberger and Classical Vocal Reprints)