March 13, 1897
Kars, Kars Oblast, Russian Empire
|Died||November 27, 1937
Yerevan, Soviet Armenia
|Occupation||Poet, writer, translator, public activist|
Yeghishe Charents (Armenian: Եղիշե Չարենց; March 13, 1897 – November 27, 1937) was an Armenian poet, writer and public activist. Charents was an outstanding poet of the twentieth century, touching upon a multitude of topics that ranged from his experiences in the First World War, socialist revolution, and, more prominently, on Armenia and Armenians. He is recognized as "the main poet of the 20th century" in Armenia.
An early supporter of communism, Charents joined the Bolshevik party, but as the Stalinist terror began in the 1930s, he gradually grew disillusioned with Stalinism and was executed during the 1930s purges.
Yeghishe Charents was born Yeghishe Abgari Soghomonyan in Kars (Eastern Armenia, then a part of the Russian Empire) in 1897 to a family involved in the rug trade. His family hailed from the Armenian community of Maku, Persian Armenia. He first attended an Armenian elementary school, but later transferred to a Russian technical secondary school in Kars from 1908 to 1912. He spent much of his time in reading. In 1912, he had his first poem published in the Armenian periodical Patani (Tiflis). Amid the upheavals of the First World War and the Armenian Genocide in the Ottoman Empire, he volunteered to fight in a detachment in 1915 for the Caucasian Front.
Political and literary development
Sent to Van in 1915, Charents was witness to the destruction that the Turkish garrison had laid upon the Armenian population, leaving indelible memories that would later be read in his poems. He left the front one year later, attending school at the Shanyavski People's University in Moscow. The horrors of the war and genocide had scarred Charents and he became a fervent supporter of the Bolsheviks, seeing them as the one true hope to saving Armenia.
Charents joined the Red Army and fought during the Russian Civil War as a rank and file soldier in Russia (Tsaritsin) and the Caucasus. In 1919, he returned to Armenia and took part in revolutionary activities there. A year later, he began work at the Ministry of Education as the director of the Art Department. Charents would also once again take up arms, this time against his fellow Armenians, as a rebellion took place against Soviet rule in February 1921. One of his most famous poems, I love the sun-sweet taste of the word Armenia, a lyric ode to his homeland, was composed in 1920-1921. Charents returned to Moscow in 1921 to study at the Institute of literature and Arts founded by Valeri Bryusov. In a manifesto issued in June 1922, known as the “Declaration of the Three,” signed by Charents, Gevorg Abov, and Azad Veshtuni, the young authors expressed their favour of "proletarian internationalism". In 1921-22 he wrote "Amenapoem" (Everyone's poem), and "Charents-name'", an autobiographical poem. Then, Charents published his satirical novel, Land of Nairi (Yerkir Nairi), which became a great success and repeatedly published in Russian in Moscow during the life of poet. In August 1934 Maxim Gorky presented him to the Soviet writers' first congress delegates with Here is our Land of Nairi.
The first part of Yerkir Nairi is dedicated to the description of public figures and places of Kars, and to the presentation of Armenian public sphere. According to Charents, his Yerkir Nairi is not visible, "it is an incomprehensible miracle: a horrifying secret, an amazing amazement". In the second part of novel, Kars and its leaders are seen during the WWI, and the third part tells about the fall of Kars and the destruction of the dream.
In 1924-1925 Charents went on a seven-month trip abroad, visiting Turkey, Italy (where he met Avetik Isahakyan), France, and Germany. When Charents returned, he founded a union of writers, November, and worked for the state publishing house from 1928 to 1935.
In 1930 Charents's book, "Epic Dawn", which consisted of poems he wrote in 1927-30, was published in Yerevan. It was dedicated to his first wife Arpenik.
His last collection of poems, "The Book of The Way", was printed in 1933, but its distribution was delayed by the Soviet government until 1934, when it was reissued with some revisions. In this book the authors lays out the panorama of Armenian history and reviews it part-by-part. William Saroyan met him in 1934 in Moscow and thereafter described him as a courtly, brilliant man who was desperately sad.
Charents also translated many works into Armenian, such as "The Internationale."
Last years and death
Excepting few poems in journals, Charents could publish nothing after 1934 (at the same time, in December 1935 Stalin asked an Armenian delegation how Charents is).
In July 1936, when Soviet Armenian leader Aghasi Khanjian was killed, Charents wrote a series of seven sonnets. After Komitas's death he wrote one of his last great works, "Requiem Æternam in Memory of Komitas" (1936).
Actress Arus Voskanyan told about her last visit to Charents: "He looked fragile but noble. He took some morphine and then read some Komitas. When I reached over to kiss his hand he was startled". He became a morphine addict under the pressure of the campaign against him and because he was suffering from colic, caused by a kidney stone. The hypodermic needle Charents used for his habit is on exhibit in his museum in Yerevan.
A victim of Stalinism, he was charged for "counterrevolutionary and nationalist activity" and imprisoned during the 1937 Great Purge. He died in prison hospital. All his books were also banned. Charent's younger friend, Regina Ghazaryan buried and saved many manuscripts of the Armenian poet. Charents was rehabilitated in 1954 after Stalin's death.
His first wife was Arpenik Ter-Astvadzatryan, who died in 1927. In 1931 Charents married Izabella Kodabashyan. They had two daughters, Arpenik and Anahit (b. 1935).
His home at 17 Mashtots Avenue in Yerevan was turned into a museum in 1975. The Armenian city Charentsavan was named after him.
A commemorative stamp of 40 kopecks was issued by the Soviet Union in 1958 honoring Charents after his rehabilitation. Another commemorative stamp of 150 Armenian drams as well as a commemorative coin of 100 Armenian drams were issued by the Republic of Armenia in 1997. The new Republic of Armenia currency denomination for 1000 drams carried on one of its two sides the photo of Charents and a famous quotation in Armenian of one of his poems: (Armenian) "Ես իմ անուշ Հայաստանի արեւահամ բարն եմ սիրում" (I love the sun sweet taste of Armenia).
Critical Works on Charents
The first monograph on Charents was published by Simon Hakobyan (1888–1937) in 1924 in Vienna. Among the other researchers of Charents' poetry during that period were Paolo Makintsyan, Harutyun Surkhatyan, Tigran Hakhumyan. After the Stalinist terror in 1937 charentsology was banned for 17 years. In 1954 N. Dabaghyan (who previously attacked Charents in the 1930s) published "Yeghishe Charents" critical monograph. Researches on Charents were published by Hakob Salakhyan, Suren Aghababyan, Garnik Ananyan, Almast Zakaryan, Anahit Charents, David Gasparyan and others.
Krikor Beledian's Haykakan futurizm (Armenian Futurism, 2009) includes Charents in the study of the development of Futurism in three major centers of Armenian communities: Constantinople from 1910 to 1914; Tbilisi from 1914 to 1923; and Yerevan from 1922 to 1924. A chapter in Marc Nichanian's Writers of Disaster: Armenian Literature in the Twentieth Century focuses on the question of mourning in the poetry of Charents.
- "Three songs to the sad and pale girl...", poems (1914)
- "Blue-eyed Homeland", poem (1915)
- "Dantesque legend", poem (1915–1916)
- "Soma", poem (1918)
- "Charents-Name", poem (1922)
- "Uncle Lenin", poem (1924)
- "Country of Nairi" (Yerkir Nairi) (1926)
- "Epical Sunrise", poems (1930)
- "Book of the Way", poems (1933–34)
- Nichanian, Marc; Vartan Matiossian; Vardan Matteosean (2003). Yeghishe Charents: Poet of the Revolution. Mazda Publishers. ISBN 1-56859-112-8.
- (Armenian) Aghababyan, S. «Չարենց, Եղիշե Աբգարի» (Charents, Yeghishe Abgari). Soviet Armenian Encyclopedia. vol. viii. Yerevan, Armenian SSR: Armenian Academy of Sciences, 1982, pp. 670-672.
- Coene, Frederik (2010). The Caucasus: an introduction. London: Routledge. p. 204. ISBN 9780415486606.
- Hacikyan, Agop J.; Gabriel Basmajian; Edward S. Franchuk (2005). The Heritage of Armenian Literature, Vol. 3: From The Eighteenth Century To Modern Times, vol. 3. Detroit: Wayne State University Press. p. 959. ISBN 0-8143-3221-8.
- Hacikyan et al. Heritage of Armenian Literature, p. 959.
- Historical Dictionary of Armenia, by Rouben Paul Adalian, 2010, p. 239
- Public Spheres After Socialism, by Angela Harutyunyan, Kathrin Hörschelmann, Malcolm Miles, 2009, p. 65-66
- A Reference Guide to Modern Armenian Literature, 1500-1920: edited by Kevork B. Bardakjian, p. 209
- Charents. Land of fire: selected poems; ed. by Diana Der Hovanessian, Marzbed Margossian, 1986 - p. 267
- Writers of Disaster: Armenian Literature in the Twentieth Century, Vol. 1, by Marc Nichanian, p. 77
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