Zanele Muholi
Zanele Muholi | |
---|---|
Born | |
Nationality | South African |
Known for | Photography |
Zanele Muholi (Born 19 July 1972 in Umlazi, Durban) is a South African photographer and visual activist. Zanele Muholi is a visual activist who tries to bring light to the importance of black lesbian women in South Africa. Through her artistic approach she hopes to document the journey of the African queer community as a record for future generations. She tries to capture the moment without negativity or focusing on the prevalent violence, portraying the LGBTQI community as individuals and as a whole to encourage unity [1][2][3][4][5]
Early life
Muholi was born to Ashwell Tanji Banda Muholi and Bester Muholi and she is the youngest of 5 children. She completed an Advanced Photography course at the Market Photo Workshop in Newtown, Johannesburg in 2003, and held her first solo exhibition at the Johannesburg Art Gallery in 2004. In 2009 she was awarded her Master of Fine Arts degree in Documentary Media from Ryerson University in Toronto. Her thesis mapped the visual history of black lesbian identity and politics in post-Apartheid South Africa.[6]
Career
Muholi was employed as a photographer and reporter for Behind the Mask,[7] an online magazine on LGBTI issues in Africa. In 2002, she co-founded the Forum for the Empowerment of Women (FEW),[8] a black lesbian organization dedicated to providing a safe space for women to meet and organize. She researched and documented the stories of hate crimes against the gay community in order to bring forth the realities of “corrective rape”,[9] assault, and HIV/AIDS, to public attention.
Muholi launched her visual activism through her first solo exhibition entitled 'Visual Sexuality: Only Half the Picture', at the Johannesburg Art Gallery in 2004. Her work is mostly about bringing visibility of queers in the black community. She has exhibited at the CCA Lagos in Nigeria, the Kunsthalle Wien Project Space in Vienna, Michael Stevenson in Cape Town, Le Case d’Arte in Milan, Fred Mann in London,[10] and as part of the Afrovibes Festival in Amsterdam.[11]
Her group exhibitions include: ...for those who live in it: Pop Culture, Politics and Strong Voices at MU Eindhoven, The Netherlands (2010); Bamako in Toronto, Toronto (2010); Undercover: Performing and Transforming Black Female Identities at Spelman College Museum of Fine Art, Atlanta, USA (2009); and Life Less Ordinary: Performance and Display in South African Art at Djanogly Gallery, Nottingham, UK (2009);São Paulo Biennial(2010); Africa: See You, See Me,[12] Fondazione Studio Maragoni, Florence; Officine Fotografiche, Rome (2011); The Progress of Love, Centre for Contemporary Art,[13] Lagos (2012); worldOutgames III, Galerie Verbeeck[14] - Van Dyck, Antwerp, Belgium (2013).
In 2009, Muholi founded Inkanyiso,[15] a non-profit organisation concerned with visual activism. It is involved with visual arts and media advocacy for and on behalf of the LGBTI community. The organisation’s vision statement is Produce. Educate. Disseminate.
In 2010, Muholi co directed her documentary Difficult Love,[16] which was commissioned by SABC.[17] It has shown in South Africa, USA, Spain, Sweden, UK, Amsterdam and Italy.
On the 28th of October 2013, she was appointed Honorary Professor - video and photography at the University of the Arts/Hochschule für Künste[18] Bremen in Germany.
In 2014, she presented at the prestigious Design Indaba Conference in Cape Town.[19]
In June 2014, Muholi was back at her alma mater, showing Faces and Phases[20] at the Ryerson Image Centre as part of World Pride.[21] In the same month she showed at the Singapore International Arts Festival's O.P.E.N.[22] She also spoke on legacies of violence.[23]
Exhibitions
Muholi has participated in the following;[24]
Solo Exhibitions
2015 | Somnyama Ngonyama, Yancey Richardson, New York City |
2014 | Faces and Phases, Massimadi Afrocaribbean LGBT international film festival, Montréal, Canada |
2010 | Indawo Yami, Michael Stevenson, Cape Town |
2009 | Faces and Phases, Brodie/Stevenson, Johannesburg, Like a Virgin (two-person exhibition), CCA Lagos, Nigeria |
2007 | Being, Michael Stevenson, Cape Town |
2006 | Vienna Kunsthalle project space, Vienna: Slide Show
Only half the picture, Michael Stevenson, Cape Town Only half the picture, Market Photo Workshop, Johannesburg Only half the picture, Galerie 32-34, Amsterdam SoWhereTo Now, Afrovibes and Galeries 32-34, Amsterdam |
2004 | Visual Sexuality, as part of Urban Life (Market Photo Workshop exhibition), Johannesburg Art Gallery |
Selected Group Exhibitions
2011 | Appropriated Landscapes: Contemporary African Art from the Walther Collection, Neu-Ulm, Germany |
2010 | ...for those who live in it: Pop culture, politics and strong voices, MU Eindhoven, The Netherlands |
2009 | Les Rencontres de Bamako Biennial of African Photography, Mali |
2008 | Summer 2008/9: Projects, Michael Stevenson, Cape Town |
2007 | Summer 2007/8, Michael Stevenson, Cape Town |
2006 | South African Art Now, Michael Stevenson, Cape Town |
2005 | Erotic Blenders, Toronto, Canada |
2004 | Women Arts Festival: Is Everybody Comfortable? (Market Photo Workshop exhibition), Museum Africa, Johannesburg |
2003 | Pride Women Arts Festival, Johannesburg |
2002 | Women Arts Festival, Pink Loerie Festival, Knysna |
Awards
Muholi received the 2005 Tollman Award for the Visual Arts, the BHP Billiton/Wits University Visual Arts Fellowship in 2006, a 2009 Thami Mnyele Residency in Amsterdam, and was the 2009 Ida Ely Rubin Artist-in-Residence at the Massachusetts Institute of Technology in the United States. She won the Casa Africa award for best female photographer and a Fondation Blachère award at the Rencontres de Bamako biennial of African photography in 2009, and received a Fanny Ann Eddy accolade from IRN-Africa for her outstanding contributions to the study of sexuality in Africa. In 2012, she was awarded a Civitella Ranieri Fellowship. In 2013 she was awarded the Freedom of Expression award by Index on Censorship. Glamour Magazine named her Campaigner of the Year. She was the winner of the Fine Prize[25] for the 2013 Carnegie International. On December 13, 2013 she was honoured with the prestigious Prince Claus Award.[26] In 2016, she received the Infinity Award for Documentary and Photojournalism from the International Center for Photography in New York City.[27] She also co-curated a show at the prestigious "Rencontres d'Arles" photography festival in Arles, France.[28]
Books
- Zanele Muholi: Only Half The Picture. Michael Stevenson, Cape Town 2006, ISBN 0-620361468.
- Michael Stevenson and Federica Angelucci: Faces and Phases. Prestel, Munich, Berlin, London, New York 2010, ISBN 978-3-7913-4495-9.
- Zanele Muholi. African Women Photographers #1, Ed. Casa África/La Fábrica, Granada, Spain 2011, ISBN 978-8-4150-3466-7
Controversy
In August 2009, Minister of Arts and Culture, Lulu Xingwana walked out of an exhibition that featured Muholi’s photography, calling it immoral, offensive and going against nation-building.[29] In her response Muholi expressed her sentiments by saying; "It's paralysing. I expected people to think before they act, and to ask questions. I wanted to create dialogue"[30]
On April 20, 2012, Muholi's flat in Vredehoek was robbed, with over 20 primary and back-up external hard drives containing five years' worth of photos and video being stolen with her laptop. Photos contained therein include records of the funerals of three Black South African lesbians murdered in hate crimes. Nothing else was stolen, raising suspicions that Muholi's recordings of Black lesbian life was targeted. Muholi was overseas at the time of the robbery.[31][32]
References
- ^ [1]Raél Jero Salley. African Arts. Los Angeles: Winter 2012. Vol. 45, Iss. 4; pg. 58, 12 pgs
- ^ [2] Muholi, Zanele. "Faces and phases." Transition: An International Review 107 (2011): 112+. Literature Resource Center. Web. 14 May 2015.
- ^ [3]Makhubu, Nomusa M. "Violence and the cultural logics of pain: representations of sexuality in the work of Nicholas Hlobo and Zanele Muholi." Critical Arts 26.4 (2012): 504+. Literature Resource Center. Web. 14 May 2015.
- ^ [4]Natasha Bissonauth, (2014) Zanele Muholi's Affective Appeal to Act. Photography and Culture 7:3, pages 239-251.
- ^ [5]van der Vlies, Andrew. "Queer Knowledge And The Politics Of The Gaze In Contemporary South African Photography: Zanele Muholi And Others." Journal Of African Cultural Studies 24.2 (2012): 140-156. Academic Search Complete. Web. 14 May 2015.
- ^ "Account Suspended" (PDF). zanelemuholi.com.
- ^ "Archived copy". Archived from the original on 30 July 2010. Retrieved 3 July 2010.
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- ^ "A F R I C A: SEE YOU, SEE ME - Home". A F R I C A: SEE YOU, SEE ME.
- ^ "CCA Lagos - Centre for Contemporary Art, Lagos". ccalagos.org.
- ^ "カードローン審査ガイド【まるわかり君】". woga2013.org.
- ^ "inkanyiso.org". inkanyiso.org.
- ^ "Full Movie (Difficult Love) - IMDb". IMDb.
- ^ http://www.sabc.co.za/wps/portal/SABC/SABCHOME
- ^ "HFK BREMEN". hfk-bremen.de.
- ^ "Design Indaba Conference 2014". Design Indaba.
- ^ "Zanele Muholi - RIC - Exhibitions - Ryerson University". ryerson.ca.
- ^ "Pride Toronto". Pride Toronto.
- ^ "Archived copy". Archived from the original on 10 August 2014. Retrieved 6 August 2014.
{{cite web}}
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- ^ http://ci13.cmoa.org/pages/carnegie-fine-prizes
- ^ "Prince Claus Fund - Activities". princeclausfund.org.
- ^ https://www.icp.org/infinity-awards/zanele-muholi
- ^ http://www.loeildelaphotographie.com/en/2016/07/11/article/159914339/arles-2016-systematically-open-zanele-muholi/
- ^ Smith, David (2 March 2010). "South African minister describes lesbian photos as immoral". The Guardian. London.
- ^ Lisa Van Wyk. "Xingwana: Homophobic claims 'baseless, insulting'". The M&G Online.
- ^ Michelle Jones (7 May 2012). "Burglar loots city photographer's work". Cape Times.
- ^ Laura Reynolds (15 May 2012). "Media ignore theft of photographer's work documenting black lesbian lives". Pink Paper. Archived from the original on 15 May 2012.