Jump to content

Zinnie Harris

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Keith D (talk | contribs) at 18:53, 17 June 2021 (→1999–2010: the Guardian -> The Guardian). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Zinnie Harris
Born1972
Oxford, United Kingdom
OccupationPlaywright · Screenwriter · Director
LanguageEnglish
NationalityBritish
PeriodContemporary
GenreDrama

Zinnie Harris FRSE is a British playwright, screenwriter and director currently living in Edinburgh.[1] She has been commissioned and produced by the Royal Court Theatre, Royal National Theatre, the National Theatre of Scotland and the Royal Shakespeare Company. Her work is translated and performed in many countries.

Early life

Harris was born in Oxford in 1972 and brought up in Scotland. She studied zoology at Oxford University, followed by an M.A. in Theatre Direction at Hull University.

Career

1999–2010

Harris's play By Many Wounds was produced by Hampstead Theatre in 1999, and was shortlisted for the Allied-Domecq and Meyer-Whitworth playwriting awards. Her second play, Further than the Furthest Thing was directed by Irina Brown and co-produced by the Tron Theatre, Glasgow and the Royal National Theatre, London in 2000. The play tells the story of the island of Tristan da Cunha and its inhabitants following a volcanic eruption in 1961. It won an Edinburgh Fringe First Award, the Peggy Ramsay Award, and the John Whiting Award and was shortlisted for the Susan Smith Blackburn Award. The actress Paola Dionisotti won the Evening Standard Best Actress Award for her performance as Mill in the original production. In the same year Harris was shortlisted for the Evening Standard Most Promising Playwright Award. Further than the Furthest Thing has been translated into multiple languages and performed across the globe, often being described as a "modern classic".[2][3]

Her next play Nightingale and Chase, was produced by the Royal Court Theatre, London 2001 and co-commissioned by Clean Break. A trilogy of plays followed for the Royal Shakespeare Company and the Traverse Theatre Edinburgh - Solstice (2005), Midwinter (2004) and Fall (2008). Midwinter[4] was given an Arts Foundation Fellowship Award for playwriting and shortlisted for the Susan Smith Blackburn Award. It has been performed many times in translation, notably at the Royal Dramatic Theatre in Sweden (2005)[5] and at La Cartoucherie, Paris (2010). Harris adapted and directed Julie, an adaptation of Strindberg's Miss Julie, for the National Theatre of Scotland in 2006. For the Donmar Warehouse, London, she adapted Ibsen's A Doll's House in 2009, relocating the setting to Downing Street in 1909, exploring politics and scandal. By coincidence, Harris's new version opened in the week the Westminster MP's expenses scandal broke in the UK press. Gillian Anderson played the role of Nora, and Christopher Eccleston the part of Kelman (Krogstad). A subsequent production opened at the Lyceum Theatre in Edinburgh in April 2013 in a co-production with the National Theatre of Scotland.

2011–2016

In 2011 the National Theatre of Scotland commissioned and performed The Wheel, directed by Vicky Featherstone. The play won an Edinburgh Fringe First Award, was joint winner of the Amnesty International Freedom of Expression Award,[6] and shortlisted for the Susan Smith Blackburn Award. The Wheel had its U.S. debut at the Steppenwolf Theater of Chicago in 2013, directed by Tina Landau and starring Joan Allen. Harris' play Solstice had its U.S. debut at the Red Orchid Theatre in Chicago in January 2014, directed by Karen Kessler.

Harris has written a number of shorter plays; The Garden for the Traverse Theatre (2010); The Panel for the Tricycle Theatre London for the Women, Power and Politics Season (2010); and From Elsewhere: The Message / From Elsewhere: On the Watch for the Tricycle Theatre as part of The Bomb: a Partial History Season (2012).

In 2015, The Royal Court Theatre produced Harris's new play, How To Hold Your Breath at the Jerwood Theatre Downstairs. It starred Maxine Peake and Michael Schaeffer and was directed by Vicky Featherstone.[7] It imagined the fall of Europe and what would happen to the Western privileged values and outlook if Europeans became the next wave of refugees. It was awarded the Berwin-Lee Award for playwriting in 2016. The play went on to have multiple productions in translation in Turkey, Greece, France and Sweden.

2016–2020

This Restless House was commissioned and produced by the National Theatre of Scotland and Citizens Theatre in 2016 and directed by Dominic Hill. This trilogy of plays was inspired by Aeschylus' Oresteia and retells the ancient story placing the women at the centre of the story. It was awarded Best New Play at Critics' Awards[8] and was shortlisted for the Susan Smith Blackburn award[9] and Best New Play in the UK Theatre Awards.[10] The Scotsman theatre critic Joyce McMillan described the play as a "trail-blazing 21st century adaptation".[11]

Zinnie Harris had three major new pieces of work presented at the Edinburgh International Festival in 2017. This Restless House was presented again, alongside two other of her plays, putting Harris's work in the centre of Festival Drama programme that year.[12]

Meet me at Dawn was the second of the trio of plays and was presented in a co-production between the EIF and the Traverse Theatre and directed by Orla O'Loughlin. Harris said "Meet me at Dawn is a play about love and grief. I wanted the play to have a relationship with the Orpheus and Eurydice myth, a myth that was created to address the impossibility of death; when someone dies you simply cannot accept that you will not see them again. But what if you could see your loved one one more time? The non-naturalistic form of theatre means you can imagine a bit of magic dust and give that possibility.”[11]

The third piece of work was a new version of Ionesco's classic play, Rhinoceros which Harris adapted for the EIF and the Royal Lyceum Theatre in association with DOT Theatre, Istanbul. The production was directed by the Turkish theatre director Murat Daltaban, and went on to win a host of awards at the CATS (Best Production, Best Director, Best Sound and Best Actor).[13] It was brought back to the Lyceum as part of the 2018 season.

In 2017, she adapted Ibsen's The Master Builder for the West Yorkshire Playhouse, the resultant play was called The Fall of the Master Builder and was directed by James Brining. In 2020, she adapted The Hundred and One Dalmatians by Dodie Smith for a new musical, to premiere in 2021 at Regent's Park Open Air Theatre. The production will be directed by Timothy Sheader, choreographed by Liam Steel, set and costumes designed by Katrina Linsdsay with puppetry designed and direction by Toby Olié.[14]

Directing work

Harris has directed for a number of theatres, including the Royal Shakespeare Company, the Traverse Theatre, The Tron Theatre, 7:84 and the Royal Lyceum Theatre. In 2017 she directed Caryl Churchill's A Number for the Royal Lyceum Theatre and was awarded Best Director in the 2017 Scottish Critics CATS awards.[15] She was Associate Director at the Traverse Theatre from 2015 – 2018 and is directing The Duchess of Malfi for the Royal Lyceum Theatre Edinburgh in 2019.

Bibliography

Honours and awards

  • Best Director 2017, Critics Award for Theatre in Scotland (for A Number)[17]
  • Herald Angel 2017 for work at three plays at Edinburgh International Festival[18]
  • Best New Play 2016, Critics Award for Theatre in Scotland (for This Restless House)[19]
  • Berwin Lee Playwriting Award 2016 (for How to Hold Your Breath)[20]
  • Amnesty International Freedom of Expression Award 2011 (joint winner - for The Wheel)[21]
  • Arts Foundation Fellowship Award 2005 (for Midwinter)[22]
  • John Whiting Award 2001 (for Further than the Furthest Thing)[23]
  • Peggy Ramsay Award 2000 (for Further than the Furthest Thing)[24]
  • Five Fringe First Awards (2000, 2001, 2009, 2011, 2014)[25]
  • Nominated for UK Theatre Awards Best New Play 2016[26]
  • Nominated for Susan Smith Blackburn Prize (2005, 2012, 2016, specially commended 2000)[27]
  • Nominated for Outstanding Newcomer in British Television Writing 2016[28]
  • Nominated for Evening Standard Most Promising Playwright 2000[29]
  • Nominated for Meyer Whitworth Playwriting Award 1999[30]
  • Nominated for John Whiting Award 1999[31]
  • Nominated for Allied Domecq Playwriting Award 1999[32]

In 2018 she was elected a Fellow of the Royal Society of Edinburgh[33]

References

  1. ^ "Zinnie Harris | Authors | Faber & Faber". www.faber.co.uk. Retrieved 2021-03-11.
  2. ^ "This week's new theatre and dance". The Guardian. Apr 20, 2012.
  3. ^ New Theatre Quarterly 68: Volume 17, Part 4: v. 17
  4. ^ The New Order of War (At the Interface/Probing the Boundaries), Ed. Bob Brecher
  5. ^ Hundra År På Nybroplan, pub. Stockholmia Förlag 2007
  6. ^ "Zinnie Harris | Authors | Faber & Faber". www.faber.co.uk. Retrieved 2018-10-12.
  7. ^ "How To Hold Your Breath - Royal Court". Royal Court. Retrieved 2018-10-12.
  8. ^ "CATS: Press Release 12 June 2016".
  9. ^ "Zinnie Harris | The Susan Smith Blackburn Prize". www.blackburnprize.org. Retrieved 2018-10-12.
  10. ^ "Oresteia: This Restless House - International Festival | The Lyceum | Royal Lyceum Theatre Edinburgh". lyceum.org.uk. Retrieved 2018-10-12.
  11. ^ a b "International Festival interview: playwright Zinnie Harris". Retrieved 2018-10-12.
  12. ^ Wade, Mike (2017-07-31). "Zinnie Harris: the drama queen of the Edinburgh festival (she's got five plays on)". The Times. ISSN 0140-0460. Retrieved 2018-10-12.
  13. ^ "CATS: 2017–18 winners". www.criticsawards.theatrescotland.com. Retrieved 2018-10-12.
  14. ^ "Regent's Park Open Air Theatre announce 2020 season". British Theatre. 2019-09-11. Retrieved 2019-09-11.
  15. ^ "CATS: 2016–17 winners". www.criticsawards.theatrescotland.com. Retrieved 2018-10-12.
  16. ^ "'Zinnie Harris' Books | Faber & Faber". www.faber.co.uk. Retrieved 2018-10-12.
  17. ^ "The Lyceum Leads with 15 CATS Award Nominations | The Lyceum | Royal Lyceum Theatre Edinburgh". lyceum.org.uk. Retrieved 2018-10-15.
  18. ^ "Angels reach out across Edinburgh and Europe". HeraldScotland. Retrieved 2018-10-15.
  19. ^ "Oresteia: This Restless House | Citizens Theatre". Citizens Theatre. 2017-08-15. Retrieved 2018-10-15.
  20. ^ "Zinnie Harris (2015 UK)". Berwin Lee London New York Playwrights Inc. Retrieved 15 October 2018.
  21. ^ Association, Press (2011-08-25). "Amnesty award goes to Edinburgh fringe plays Sold and The Wheel". The Guardian. Retrieved 2018-10-15.
  22. ^ "Zinnie Harris". Creative Writing. 2014-10-17. Retrieved 2018-10-15.
  23. ^ "Further than the Furthest Thing". Public Store View. Retrieved 2018-10-15.
  24. ^ Wilson, Tanya (2000-08-03). "Arts: Zinnie Harris, the prizewinning playwright talks to Tanya Wilson". The Guardian. Retrieved 2018-10-15.
  25. ^ "Fringe 2011 awards roundup". Edinburgh Festival. 2011-08-30. Retrieved 2018-10-15.
  26. ^ "Oresteia: This Restless House - National Theatre Scotland". National Theatre Scotland. Retrieved 2018-10-15.
  27. ^ "Zinnie Harris | The Susan Smith Blackburn Prize". www.blackburnprize.org. Retrieved 2018-10-15.
  28. ^ "The British Screenwriters Awards 2016". British Screenwriters Awards. Retrieved 2018-10-15.
  29. ^ "Playwrights' Studio, Scotland | Playwrights". www.playwrightsstudio.co.uk. Retrieved 2018-10-15.
  30. ^ "School of English | University of St Andrews". www.st-andrews.ac.uk. Retrieved 2018-10-15.
  31. ^ "Maison Antoine Vitez / Centre International de la Traduction Théâtrale". Maison Antoine Vitez (in French). Retrieved 2018-10-15.
  32. ^ "Zinnie Harris (2015 UK)". Berwin Lee London New York Playwrights Inc. Retrieved 2018-10-15.
  33. ^ "Professor Zinnie Harris FRSE - The Royal Society of Edinburgh". The Royal Society of Edinburgh. Retrieved 2018-03-14.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Zinnie_Harris&oldid=1029074651"