Pornocrates
| Pornocrates | |
|---|---|
| Pornokratès, La dame au cochon | |
 | |
| Artist | Félicien Rops |
| Year | 1878 |
| Type | Gouache and watercolor painting |
| Dimensions | 75 cm × 48 cm (30 in × 19 in) |
| Location | Musée provincial Félicien Rops, Namur |
Pornocrates, Pornokratès, La dame au cochon, or The Lady with the Pig is an 1878 painting by the Belgian artist Félicien Rops. It is part of the collection of the Musée provincial Félicien Rops in Namur, Belgium.
The work is 75 cm high and 48 cm wide, executed in gouache and watercolor paint heightened with pastel on paper. Reproductions of the work (soft-ground etchings, heliogravures and aquatints, sometimes colored) are also held in other museum collections, such as the LACMA, the National Museum of Western Art and the Rijksmuseum Amsterdam.
Description
[edit]Pornocrates is considered the best-known work by Rops.[1] It was painted when Rops was 45 years old and living in Paris with Léontine Duluc and her sister Aurélie, with both of whom he fathered children.[2] The title of the work can be translated as "the ruler of fornication".[citation needed] According to a letter by Rops, the painting was done "in an overheated apartment, full of different smells, where the opopanax and cyclamen gave me a slight fever conducive towards production or even towards reproduction".[3] The work depicts a woman, holding a swine on a leash, viewed from the left side. The woman, said to be a courtesan, is almost naked, with the exception of long black silk gloves, a blindfold, a plumed hat, black shoes and stockings, and a band of gold and blue silk – accessories which only emphasize her nakedness.[4] Above the pig with golden tail, three winged putti fly away in what appears to be shock or horror. Rops refers to them as "Three loves – ancient loves – vanish in tears".[3]
Meaning of the work
[edit]Various interpretations for the work exist. The woman can be seen as a powerful female, led by the hog, which can be seen as an image of a man in a bestial, submissive and ignorant state, kept in check by the woman. The pig with golden tail can also be seen as an allegory for luxury, or even as an animal of the devil,[1] a symbol of fornication, steering the woman in blindness. In any case the work represents Rops' vision of the woman of his time: a femme fatale who was increasingly assertive, ruthless and seductive.[5] "She was the human animal viciously depicted by Félicien Rops as "Pornokrates", ruler of Proudhon's "Pornocracy", a creature blindly guided by a hog, the symbol of Circe, the bestial representative of all sexual evil".[6]
The woman and pig are walking on top of a marble stage,[7] with a frieze depicting four allegories of the arts: sculpture, music, literature and painting. The fine arts are depicted as grey, classical male figures, looking desperate. This might be interpreted as the victory of sensuousness and eroticism of the art that Rops and his contemporaries of the Decadent movement created, in contrast with the boredom of the academic art of that era.[4]
The title may also refer to the concept of pornocracy, a period in the History of the papacy during the first half of the 10th century where the popes were strongly influenced by a corrupt aristocratic family, the Theophylacti. Pierre-Joseph Proudhon published his anti-feminist tract La Pornocratie ou les femmes dans les temps modernes in 1875, three years before Rops worked on his Pornocrates.
An early owner of the work was the Belgian jurist and art collector Edmond Picard.[8] Pornocrates was received with indignation and scandal during the 1886 exhibition of the Cercle des XX, an art group to which Rops belonged.[8]
Gallery
[edit]-
Soft-ground etching (1896) at LACMA -
Etching with watercolours, private collection -
Photogravure (1896) at musée provincial Félicien Rops
.jpg)
See also
[edit]References
[edit]- ^ a b Leblanc, Véronique (1997). "Pornocratès, 1878. In "Félicien Rops: life and work", published by Stichting Kunstboek". Musée provincial Félicien Rops Namur. Archived from the original on 22 May 2009.
The reference to Antiquity is obvious, first in the title which evokes post-Alexandrian Greece and its prostitutes, then in the composition which makes this woman a timeless goddess who passes by, indifferent to the despair of "ancient loves". Music, Poetry, Painting, the academic arts, lament, frozen in stone while an all-powerful and sardonic modern woman triumphs. The trinkets with which she is adorned emphasize her nudity and make her even more perverse. In its conquering march, it is the pig that sets the pace. In the work of Rops and that of many of his contemporaries, this animal has a strong diabolical and erotic charge. He is a "creature of the devil" because he stubbornly keeps his eyes riveted on the ground, never looking at the sky and he is the "sex beast" because, according to tradition, he is the only one of his kind to copulate for pleasure and not just for reproduction.
- ^ Smets, Joëlle (3 March 2016). "Félicien Rops: Pornokratès". lesoir.be. Le Soir. Retrieved 15 April 2016.
- ^ a b Letter from Félicien Rops to H. Liesse, 1879.
- ^ a b Felicien Rops Pornocrates – YouTube video with interpretation of the work
- ^ Dorhout, Pauline (10 February 2013). "Félicien Rops: Pornocrates (1878); Musée Félicien Rops, Namur". The World According to Art. Retrieved 15 April 2016.
- ^ Dijkstra, Bram (1986). Idols of Perversity. Fantasies of Feminine Evil in Fin-de-Siècle Culture. Oxford: Oxford University Press. pp. 325. ISBN 9780195037791.
- ^ "Drawing – Pornokratès". Musée Félicien Rops. Retrieved 15 April 2016.
- ^ a b "Pornokratès ou La Femme au cochon". numeriques.be. Retrieved 15 April 2016.
External links
[edit]
- Pornocrates on Europeana.eu
- Pornocrates on the website of Musée Félicien Rops (in French)
- Etching in the collection of LACMA
- Etching/aquatint in the collection of the National Museum of Western Art, Tokyo
- La Pornocratie ou les femmes dans les temps modernes by Pierre-Joseph Proudhon on French Wikisource