A Thousand Clowns
|A Thousand Clowns|
Theatrical release poster
|Directed by||Fred Coe|
|Produced by||Fred Coe
|Screenplay by||Herb Gardner|
|Based on||A Thousand Clowns
by Herb Gardner
|Music by||Gerry Mulligan
|Edited by||Ralph Rosenblum|
|Distributed by||United Artists|
|Running time||116 minutes|
|Box office||$2,400,000 (Rentals)|
A Thousand Clowns is a 1965 film adaptation from a 1962 play by Herb Gardner, and directed by Fred Coe. It tells the story of an eccentric comic who is forced to conform to society to retain legal custody of his nephew, who had been abandoned by his sister.
Unemployed television writer Murray Burns (Jason Robards) lives in a cluttered New York City studio apartment with his 12-year-old nephew, Nick (Barry Gordon). Murray has been unemployed for five months after quitting his previous job: writing jokes for a children's television show called Chuckles the Chipmunk. Nick, the illegitimate son of Murray's sister, was left with Murray seven years earlier.
When Nick writes a school essay on the benefits of unemployment insurance, his school requests that New York State send social workers to investigate his living conditions. Investigators for the Child Welfare Board, Sandra Markowitz (Barbara Harris), and her superior and boyfriend Albert Amundson (William Daniels), threaten Murray with removal of the child from his custody unless he can prove he is a capable guardian.
Murray charms and seduces Sandra. He convinces her to join him in his delusional charade, in which seeking work is a kind of joke used to keep the conventional, conformist, and inhumane state from his doorstep. Sandra rationalizes her growing relationship with Murray as encouragement for his attempts to seek employment. Although Murray tries to avoid actually getting a job, he finds himself in a dilemma: if he wishes to keep his nephew, he must swallow his dignity and go back to work.
Murray also feels that he can't let go of Nick until the boy has shown some "backbone". In a confrontation with his brother and agent Arnold (Martin Balsam), Murray expounds his nonconformist worldview: that a person must fight at all costs to retain a sense of identity and aliveness, and avoid being absorbed by the homogeneous masses. Arnold retorts that by conforming to the dictates of society, he has become "the best possible Arnold Burns".
Murray agrees to meet with his former employer, the detested Chuckles host Leo Herman (Gene Saks). When Nick doesn't laugh at Leo's pathetic display of comedy, Leo insults Nick. Nick quietly but firmly puts Leo in his place. Nick becomes upset with Murray for tolerating Leo's insults, and Murray sees the boy has finally grown a backbone. Realizing that Nick has come of age, Murray resigns himself to going back to his old job, and the next morning he joins the crowds of people heading off to work.
- Jason Robards as Murray Burns
- Barbara Harris as Dr. Sandra Markowitz
- Martin Balsam as Arnold Burns
- Barry Gordon as Nick Burns / Wilbur Malcome Burns / Theodore Burns / Raphael Sabatini / Dr. Morris Fishbein / Woodrow Burns / Chevrolet Burns / Big Sam Burns / Lefty Burns
- William Daniels as Albert Amundson
- Gene Saks as Leo "Chuckles the Chipmunk" Herman
- Phil Bruns as Man in the restaurant
- John Macmartin as Man in office
|38th Academy Awards||Best Supporting Actor||Martin Balsam||Won|
|Best Music||Don Walker||Nominated|
|Best Picture||Fred Coe||Nominated|
|Best Writer||Herb Gardner||Nominated|
|American Cinema Editors||Best Edited Film||Ralph Rosenblum||Nominated|
|Golden Globes||Best Motion Picture - Musical/Comedy||Nominated|
|Best Actor - Musical/Comedy||Jason Robards||Nominated|
|Best Actress - Musical/Comedy||Barbara Harris||Nominated|
|Laurel Awards||Best Male Supporting Performance||Martin Balsam||Won|
|National Board of Review||Top Ten Films||Won|
|Writers Guild of America||Best Writer||Herb Gardner||Won|
Music in the film ranges from rudimentary drum cadences to Dixieland arrangements of "The Stars and Stripes Forever". "Yes Sir, That's My Baby" is used in several places.
Noted actress Judy Holliday wrote the lyrics for the theme song "A Thousand Clowns". This was her last film credit, as the film was released after her death on June 7, 1965.
- "A THOUSAND WORDS (U)". United Artists. British Board of Film Classification. October 13, 1966. Retrieved October 1, 2013.
- "Big Rental Pictures of 1966", Variety, 4 January 1967 p 8
- 1963 Tony Awards
- "38th Academy Award Winners". oscars.org. Retrieved 2012-08-03.
- "The Golden Globes". thegoldenglobes.com. Retrieved 2012-08-03.
- "Laurel Awards 1966" (PDF). elkesommeronline.com. Retrieved 2012-08-03.