Akanaṉūṟu

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Sangam literature
Akattiyam Tolkāppiyam
Patiṉeṇmēlkaṇakku
Eṭṭutthogai
Aiṅkurunūṟu Akanaṉūṟu
Puṟanāṉūṟu Kalittokai
Kuṟuntokai Naṟṟiṇai
Paripāṭal Patiṟṟuppattu
Pattuppāṭṭu
Tirumurukāṟṟuppaṭai Kuṟiñcippāṭṭu
Malaipaṭukaṭām Maturaikkāñci
Mullaippāṭṭu Neṭunalvāṭai
Paṭṭiṉappālai Perumpāṇāṟṟuppaṭai
Poruṇarāṟṟuppaṭai Ciṟupāṇāṟṟuppaṭai
Patiṉeṇkīḻkaṇakku
Nālaṭiyār Nāṉmaṇikkaṭikai
Iṉṉā Nāṟpatu Iṉiyavai Nāṟpatu
Kār Nāṟpatu Kaḷavaḻi Nāṟpatu
Aintiṇai Aimpatu Tiṉaimoḻi Aimpatu
Aintinai Eḻupatu Tiṉaimalai Nūṟṟu Aimpatu
Tirukkuṛaḷ Tirikaṭukam
Ācārakkōvai Paḻamoḻi Nāṉūṟu
Ciṟupañcamūlam Mutumoḻikkānci
Elāti Kainnilai
Tamil people
Sangam Sangam landscape
Tamil history from Sangam literature Tamil literature
Ancient Tamil music Sangam society
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Akananuru (Tamil: அகநானுறு), a classical Tamil poetic work, is the seventh book in the secular anthology of Sangam literature (600 BCE - 300 CE), namely Ettuthokai.[1] The secular anthology is entirely unique in Indian literature, which are almost religious during the era.[1] It contains 400 Akam (subjective) poems dealing with matters of love and separation. Other names for Akananuru include Neduntogai or Nedunthokai ("the long anthology"), Ahappattu, Ahananuru, and Agananuru.[2]

Authors[edit]

As many as 145 poets are said to have contributed to Akananuru collection.[2] Perunthevanaar, who translated the Mahabharatham into Tamil, is one of the authors. Rudrasarman compiled this anthology[3] at the behest of the Pandya king Ukkiraperuvazhuthi.

Date[edit]

It is highly likely that the poems in Akananuru collection were prevalent independently before they were collected and categorized in this present form. The anthology is dated to around the first and the second century C.E. The poems probably are of a much earlier date. At least few poems must belong to 5th century BC to 3rd BC depending on the structure of poems. There were mentions of Nanda and Mauryas in few poems, which eventually date these poems to 4th to 3rd centuries BC.

Poetic characteristics[edit]

This book comes under the Akam (subjective) category in its subject matter. Ancient Tamil poems was categorised into the broad categories of Akam(அகம்) - Subjective, dealing with matters of the heart and human emotions, and Puram (புறம்) - Objective, dealing with the tangibles of life such as war, politics, wealth, etc. The poems of this anthology are of the Akaval meter.

In the poems on Akam, the aspects of love of a hero and a heroine are depicted. The story of love is never conceived as a continuous whole. A particular moment of love is captured and described in each poem as the speech of the hero or the lady-companion or somebody else. A young man leading a peaceful life of love and affection with his wife is referred as "A bird with two heads and one soul".[4] Women are always referred as Mangala Mahilar, Melliyal Mahalir, Seyelai Mahalir and Manaiyal - all of these indicating the soft characterization and glorifying the house hold presence of women folk during the Sangam period.[4] The auspicious time of wedding was considered to be the harvest season.[5] A high standard of moral virtue seems to have prevailed among women of household.[5]

Akananuru contains 401 stanzas and is divided into three sections[2]

  1. Kalintruyanainirai (களிற்றுயானைநிறை), 121 stanzas
  2. Manimidaipavalam (மணிமிடைபவளம்), 180 stanzas
  3. Nittilakkovai (நித்திலக்கோவை), 100 stanzas

English Translations[edit]

Bharathidasan University, Tiruchirapalli has published a full translation of all the 400 songs by Professor A.Dakshinamurthy in 3 Volumes in 1999. So far, this is the only complete English translation available.[6][7]


Akananuru: Mullai - Poem 4

(The heroine’s companion consoles her friend at the advent of the rainy season)

The rumbling clouds winged with lightning

Poured amain big drops of rain and augured the rainy season;

Buds with pointed tips have sprouted in the jasmine vines;

The buds of Illam and the green trunk Kondrai have unfolded soft;

The stags, their black and big horns like twisted iron

Rushed up toward the pebbled pits filled with water

And leap out jubilantly having slaked their thirst;

The wide expansive Earth is now free

From all agonies of the summer heat

And the forest looks exceedingly sweet;

Behold there O friend of choicest bangles!

Our hero of the hilly track will be coming eftsoon,

Driving fast his ornate chariot drawn by the steeds

With waving plumes and trimmed manes

When the stiffly tugged reins

Will sound like the strumming of Yal.

As he drives, he has the chariot bells tied up

So as not to disturb the union of bees

That live on the pollen of the blossoms in the bushes.

He rushes onward thinking all along of your great beauty.

O friend whose fragrance is like unto the blossoming Kantal

On the mountain, tall and huge,east of Urantai of dinsome festivity!

- Translated by Prof A.Dakshinamurthy

Notes[edit]

References[edit]