American Composers Forum

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The American Composers Forum is a non-profit membership organization dedicated to the promotion and assistance of American composers and their music. It was founded in 1973 as the Minnesota Composers Forum and is based in Saint Paul, Minnesota, United States. Its mission is, "to link communities with composers and performers, encouraging the making, playing, and enjoyment of new music," and as of 2000 it was, "the largest composer-service organization in the country."[1]

The Forum was founded as the Minnesota Composers Forum in 1973 by a group of University of Minnesota graduate students — including Libby Larsen and Stephen Paulus — with a $400 grant from the University’s Student Club Activities Fund. In 1996, the organization changed its name to the American Composers Forum, and established chapters in New York City, Boston, Philadelphia, Washington D.C., Atlanta, Chicago, San Francisco, and Los Angeles. Today, the Forum acts as the umbrella national organization for locally funded chapters in Minnesota (based in Saint Paul), Philadelphia and the San Francisco Bay Area, in addition to volunteer-led chapters in New York City and Los Angeles. In 2007, the organization partnered with the American Music Center in extending membership to current composition students attending six affiliated academic institutions: Indiana University's Jacobs School of Music, the New England Conservatory, the San Francisco Conservatory, the University of Michigan in Ann Arbor, and Yale University. The Forum's current annual budget for fiscal year 2008 is $1.8 million. As of 2010 the Forum had 1700 active members[2] in all 50 states, Canada, and several other countries.

Forum members pay annual dues that are used to fund networking and informational services, such as the Forum's website and bimonthly newsletter, Sounding Board. The Forum also funds national and local commissioning projects, as well as offers programs for individual composers and performers of new music. These projects and programs are funded by grants from government agencies, corporate and private foundations, and individual contributions.

Current Forum programs include Continental Harmony, a national, community-based commissioning program; Faith Partners, a residency program that pairs multiple communities of faith with a composer of their choice; BandQuest, a program that supports the creation of new work for middle-level concert bands by contemporary composers such as Michael Colgrass, Michael Daugherty, Jennifer Higdon, Tania Léon, and Gunther Schuller; Composers Datebook, a daily two-minute radio feature integrating contemporary composers into the continuum of classical music history; and Innova Recordings,[3] a compact disc label that issues more than two dozen releases of new music each year. In co-operation with the American Music Center and the Minnesota Orchestra, the Forum also offers an annual Minnesota Orchestra Composer Institute, an intensive, week-long series of professional workshops and career seminars for emerging composers, culminating in a public concert of their works performed by the Minnesota Orchestra and its music director, Osmo Vänskä, at Orchestra Hall in Minneapolis.

First Nations Composer Initiative[edit]

In 2006 the Forum launched, with the Ford Foundation, the First Nations Composer Initiative (FNCI), an organization dedicated to the promotion of new music by Native American composers. Based in Saint Paul, Minnesota, United States, the program aims to establish a national infrastructure for American Indian composers and performers, increase the visibility of these artists in both Native and non-Native communities, and create new opportunities for their work.

Its Program Director is Georgia Wettlin-Larsen and its Advisors include Louis W. Ballard (deceased), Sharon Burch, Raven Chacon, Brent Michael Davids, Joy Harjo, Jennifer E. Kreisberg, R. Carlos Nakai, Joanne Shenandoah, and Jerod Impichchaachaaha' Tate.

The organization sponsors the Composer Apprentice National Outreach Endeavor (CANOE), which teaches American Indian young people to compose their own concert music.

See also[edit]

References[edit]

  1. ^ Heintze, James R. and Saffle, Michael; eds. (2000). Reflections on American Music: The Twentieth Century and the New Millennium: a Collection of Essays Presented in Honor of the College Music Society, p.330. Pendragon Press. ISBN 9781576470701.
  2. ^ May, Joanne (2010). Music for Homeschoolers: A Guide to Music Instruction for the Homeschooled Child, p.53. ISBN 9781574631579.
  3. ^ Hill, Brad; Carlin, Richard; and Hubbs, Nadine (2005). American Popular Music: Classical, p.7. ISBN 9780816069767.

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Listening[edit]