Augmented major seventh chord
| Component intervals from root | ||
| major seventh | ||
| augmented fifth | ||
| major third | ||
| root | ||
| Forte number or Tuning | ||
| 4-19 | ||
In music, an augmented major seventh chord, augmented/major seventh chord, or major seventh sharp five chord (written as +M7, +Δ7, M7♯5, M7(♯5), M7/♯5, etc.) is a nondominant seventh chord comprising the root note, the note a major third above the root, the note an augmented fifth above the root, and the note a major seventh above the root: 1-3-♯5-7, and is associated with the augmented scale[2] (see jazz scale and chord-scale system). When used in jazz scores, a number of symbols can be used to represent this chord, including maj+7, and Δ+7.
This chord comes from the third mode of the both the harmonic minor and the melodic minor scales. For example, the third mode of the A minor melodic consists of C, D, E, F♯, G♯, A, and B. Therefore, the notes of the C maj7(♯5) chord are C, E, G♯, and B.
As with dominant seventh chords, nondominant seventh chords including the augmented major seventh usually progress according to the circle, thus III+
resolves to vi or VI.[3] For example, C maj7(♯5) usually resolves to F.
The chord can be represented by the integer notation {0, 4, 8, 11}.
Augmented major seventh chord table [edit]
| Chord | Root | Major third | Augmented fifth | Major seventh |
|---|---|---|---|---|
| Cmaj7(♯5) | C | E | G♯ | B |
| C♯maj7(♯5) | C♯ | E♯ (F) | G (A) |
B♯ (C) |
| D♭maj7(♯5) | D♭ | F | A | C |
| Dmaj7(♯5) | D | F♯ | A♯ | C♯ |
| D♯maj7(♯5) | D♯ | F (G) |
A (B) |
C (D) |
| E♭maj7(♯5) | E♭ | G | B | D |
| Emaj7(♯5) | E | G♯ | B♯ (C) | D♯ |
| Fmaj7(♯5) | F | A | C♯ | E |
| F♯maj7(♯5) | F♯ | A♯ | C (D) |
E♯ (F) |
| G♭maj7(♯5) | G♭ | B♭ | D | F |
| Gmaj7(♯5) | G | B | D♯ | F♯ |
| G♯maj7(♯5) | G♯ | B♯ (C) | D (E) |
F (G) |
| A♭maj7(♯5) | A♭ | C | E | G |
| Amaj7(♯5) | A | C♯ | E♯ (F) | G♯ |
| A♯maj7(♯5) | A♯ | C (D) |
E (F♯) |
G (A) |
| B♭maj7(♯5) | B♭ | F♯ | A | |
| Bmaj7(♯5) | B | D♯ | F (G) |
A♯ |
See also [edit]
Sources [edit]
- ^ Benward & Saker (2003). Music: In Theory and Practice, Vol. I, p.230. Seventh Edition. ISBN 978-0-07-294262-0.
- ^ Coker, Jerry (1976). The Jazz Idiom, p.66. ISBN 0-13-509851-3.
- ^ Benward & Saker (2003), p.232.
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