Child Ballads

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For the album, see Child Ballads (album).
The 1904 Houghton Mifflin edition of Child's English and Scottish Popular Ballads

The Child Ballads are 305 traditional ballads from England and Scotland and their American variants, collected by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as The English and Scottish Popular Ballads, a work of 2,500 pages. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s.

Child Ballad #84. 1939 recording of Hule "Queen" Hines singing Barbara Allen recorded by John and Ruby Lomax

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History[edit]

Francis James Child collected the words to over 300 British folk ballads.
Illustration by Arthur Rackham
of Child Ballad 26, "The Twa Corbies"

Child's collection was not the first of its kind; there had been many less scholarly collections of English and Scottish ballads, particularly from Bishop Thomas Percy's Reliques of Ancient English Poetry (1765) onwards.[1] There were also "comprehensive" ballad collections from other countries. Child modelled his work on Svend Grundtvig's Danmarks gamle Folkeviser, classifying and numbering the ballads and noting different versions, which were placed side by side to aid comparison.[2] As a result, one Child number may cover several ballads, which Child considered variants of the same story, although they may differ in many ways (as in "James Hatley"). Conversely, ballads classified separately may contain turns of phrase, and even entire verses, that are identical.

Illustration by Vernon Hill
of Child Ballad 2, The Elfin Knight

The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of "A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century.[2] The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some probably have very ancient influences,[citation needed] only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous collection of ballads in English.

Many of Child's ballads were obtained from printed broadsides, but he generally distinguished the "traditional" ballads that interested him from later broadside ballads. Unfortunately, since Child died before writing a commentary on his work, it is uncertain exactly how and why he selected some ballads and discounted others.[3]

Child Ballads are generally heavier and darker than is usual for ballads. Some of the topics and other features characteristic enough of Child Ballads to be considered Child Ballad motifs are these: romance, enchantment, devotion, determination, obsession, jealousy, forbidden love, insanity, hallucination, uncertainty of one's sanity, the ease with which the truth can be suppressed temporarily, supernatural experiences, supernatural deeds, half-human creatures, teenagers, family strife, the boldness of outlaws, abuse of authority, betting, lust, death, karma, punishment, sin, morality, vanity, folly, dignity, nobility, honor, loyalty, dishonor, riddles, historical events, omens, fate, trust, shock, deception, disguise, treachery, disappointment, revenge, violence, murder, cruelty, combat, courage, escape, exile, rescue, forgiveness, being tested, human weaknesses, and folk heroes.

On one extreme, some Child Ballads recount identifiable historical people, in known events, embellished for dramatic effect.[4] On the other, some differ from fairy tales solely by their being songs and in verse; some have been recast in prose form as fairy tales. A large part of the collection is about Robin Hood; some are about King Arthur. A few of the ballads are rather bawdy.[5]

Modern recordings[edit]

Illustration by Katherine Cameron of a retelling of the story of Child Ballad 37, Thomas Rymer and Queen of Elfland

Many Child Ballads have subsequently appeared in contemporary music recordings. Burl Ives's 1949 album, The Return of the Wayfaring Stranger, for example, includes two: "Lord Randall" and " The Divil and the Farmer".

In 1956 four albums (consisting of eight LPs) of 72 Child Ballads sung by Ewan MacColl and A.L. Lloyd were released: The English and Scottish Popular Ballads, Vols. 1-4.[6]

In 1960 John Jacob Niles published The Ballad Book of John Jacob Niles, in which he connects folk songs which he collected throughout the southern United States and Appalachia in the early 20th century to the Child Ballads. Many of the songs he published were revived in the Folk music revival, for example "The Riddle Song" ("I gave my love a Cherry"), which he connects with Child No. 1, "Riddles Wisely Expounded".

Joan Baez sang ten Child ballads distributed among her first five albums, the liner notes of which identified them as such.[7]

British electric folk groups such as Fairport Convention, Pentangle and Steeleye Span drew heavily on the Child Ballads in their repertoires, and many other recording artists have recorded individual ballads. Harry Smith included a number of them into his Anthology of American Folk Music.

Child ballads also occasionally occur in the work of musical groups not usually associated with folk material, such as Ween's recording of "The Unquiet Grave" (Child 78) under the title "Cold Blows the Wind" and versions of "Barbara Allen" (Child 84) recorded by the Everly Brothers, Art Garfunkel, and (on the soundtrack of the 2004 film A Love Song for Bobby Long) John Travolta. In 2009, Fleet Foxes included "The Fause Knight Upon the Road" as the b-side to the 7" release of "Mykonos" (as "False Knight on the Road"). In 2013 US singer-songwriter Anaïs Mitchell and Jefferson Hamer released Child Ballads comprising seven songs from the Francis James Child collection.

Print and electronic editions of Child's two collections[edit]

The two collections have about 200 ballads in common. Each of the two collections includes about a hundred ballads that the other does not.[8]

Illustration by Alexander George Fraser
of Child Ballad 275, Get Up and Bar the Door

The tunes in print and electronic editions[edit]

  • Child's 1882-1898 publication includes, in its final volume's second half, 55 music scores for 46 (of the 305) ballads.[9]
  • Bronson, Bertrand Harris. The Traditional Tunes of the Child Ballads: With Their Texts, According to the Extant Records of Great Britain and North America, four volumes (Princeton, New Jersey: Princeton University Press, 1959-72. Northfield, Minnesota: Loomis House Press, [10]
  • Bronson, Bertrand Harris. The Singing Tradition of Child's Popular Ballads (Princeton, New Jersey: Princeton University Press, 1976. Northfield, Minnesota: Loomis House Press, 2009 reissue)
  • The Traditional Tunes of the Child Ballads: Digital Edition (New York: Camsco Music, 2009) is a CD-R of a scan of Bronson's above-listed four-volume publication.
Illustration by George Wharton Edwards of Child Ballad 155, The Jew's Daughter

See also[edit]

Notes[edit]

Illustration by Pavel Svedomskiy
of a Russian version of the story
of Child Ballad 173, Mary Hamilton
  1. ^ B. Sweers, Electric Folk: The Changing Face of English Traditional Music (Oxford University Press, 2005), p. 45.
  2. ^ a b A. N. Bold, The Ballad (Routledge, 1979), p. 5.
  3. ^ T. A. Green, Folklore: An Encyclopedia of Beliefs, Customs, Tales, Music, and Art (ABC-CLIO, 1997), p. 352.
  4. ^ "ballad". Encyclopædia Britannica. The minstrels manipulate the story with coarse explicitness. 
  5. ^ J. E. Housman, British Popular Ballads (1952, Ayer Publishing, 1969).
  6. ^ "Ewan MacColl & A.L. Lloyd: The English and Scottish Popular Ballads, Volume I". Ewan MacColl's Discography. Retrieved 2014-05-21. 
  7. ^ Baez's first, second, third and fifth albums (released in 1960-64) included these ten Child ballads, in this order: 173, 250, 54, 84, 113, 81, 209, 243, 78, 170.
  8. ^ In the first collection there are 115 ballads that are not in the second collection. In the second collection there are 90 ballads that are not in the first collection. The first collection has 369 ballads (219 plus 150 that come under the eight volumes' "Appendix" heading). The number of ballads in the second collection is nominally 305 but actually much higher because hundreds of the ballads that Child presented as versions of another ballad (because their story is basically the same or similar) are very different from that other ballad, in many cases sharing not even one stanza.
  9. ^ Which ballads are the 46 for which a tune was included in the 1882-1898 publication (The English and Scottish Popular Ballads) is indicated in this footnote's list of numbers, which are Child's index numbers for those 46. The number of occurrences of a ballad's index number in this list is the number of music scores included for it in that publication. The referents of the index numbers (the title that Child selected to be each ballad's main title) are listed in the List of the Child Ballads. Ballads 3, 9, 10, 10, 10, 11, 12, 12, 17, 20, 40, 42, 42, 46, 47, 53, 58, 61, 63, 68, 75, 77, 84, 89, 95, 97, 98, 99, 99, 100, 106, 114, 157, 161, 163, 164, 164, 169, 169, 173, 182, 222, 226, 228, 235, 247, 247, 250, 256, 258, 278, 281, 286, 286, 299.
  10. ^ 2009 reissue)

Further reading[edit]

External links[edit]

  • Discography of the Child ballads that lists 10,000 commercially released recordings of them. The Child Ballad Database
  • Tunes of 82 Child ballads played by an audio synthesizer, information about each of them and, for many of them, links to information (not written with the ballad in mind) on the historical background of the ballad's story or on another relevant topic. Contemplator's Child Ballad Website
  • Amateur audio of amateur solo singing of Child ballads, mostly unaccompanied, from 1956 to 1976 in Arkansas, Missouri and thereabouts: 137 recordings of 43 ballads by 69 singers, with each recording's version of the lyrics displayed on that recording's webpage. The Max Hunter Folk Song Collection of the Ozark Mountains
  • Audio and video recordings of many Child ballads are at YouTube, findable there by typing "child ballad OR ballads" or a ballad's title in the search-box.
  • All the lyrics (and only the lyrics, omitting Child's commentary on each ballad) in The English and Scottish Popular Ballads (Child's ten-volume 1882-98 publication); and the bibliography of the 1860 edition of English and Scottish Ballads (Child's eight-volume publication). Internet Sacred Text Archive
  • The title of each version of each Child ballad, listed under Child's index number (one of 1 through 305) for that ballad; all 305 lists in one list. Each version's title is the one given in The English and Scottish Popular Ballads, which was the title given by the source (published, manuscript or oral) from which Child received that version. Each title in this list is a link to the lyrics (in The English and Scottish Popular Ballads) of that version. Child's commentary on each ballad is omitted. The University of Sydney's English Poetry Fulltext Database
  • Alternative titles of Child ballads not mentioned by Child in The English and Scottish Popular Ballads are included in a list, mixed with the version titles mentioned there by Child for that ballad. All 305 lists are in one list. Some of the version titles mentioned by Child are not included. Ed de Moel
  • Concordance to the Child ballads. An alphabetical list of every word in the ballads, showing (and citing the source of) the few words before and after every occurrence of it in any of the ballads. To use the concordance on a Macintosh computer, its four PDF files need to be downloaded to a Windows PC, then de-compressed on a Windows PC and then copied to a Macintosh. Cathy Lynn Preston
  • Paintings, generally surrealistic, of Child Ballads by 13 artists in an exhibit presented in 2011. The Child index number of the ballad that is illustrated by each of the 13 paintings, starting at the top of that webpage and moving down: 26, 22, 10, 13, 68, 278, 90, 4, 77, 53, 209, 81, 200. Rotating History Project
  • Video of a gradually scrolling panorama of illustrations of Child Ballad 53 ("Lord Bateman" a.k.a. "Young Beichan") that arrive inside a stationary frame when the lyrics that they illustrate are sung by the operator of the scrolling device, which is called a Crankie Box and resembles a puppet theater. This entertainment medium was invented in the 19th century, when it was known as a moving panorama. Anna and Elizabeth
  • Lists of Child's research materials (his correspondence and other archived papers) for his two ballad collections. Harvard University's Houghton Library