Sir Edward Brantwood Maufe KBE, R.A, F.R.I.B.A. (12 December 1882 – 12 December 1974) was an English architect and designer. He built private homes as well as commercial and institutional buildings but is noted chiefly for his work on places of worship and memorials. His perhaps best known buildings are Guildford Cathedral and the Air Forces Memorial. He was a recipient of the Royal Gold Medal for architecture in 1944 and, in 1954, received a knighthood for services to the Imperial War Graves Commission which he was associated with from 1943 until his death.
Early life and career
Maufe was born Edward Muff in Sunny Bank, Ilkley, Yorkshire, on 12 December 1882. He was the second of three children and youngest son of Henry Muff (d.1910) and Maude Alice Muff née Smithies (d.1919). Henry Muff was a linen draper who worked for the firm Brown, Muff & Co. Ltd. Maufe's mother was the niece of Sir Titus Salt, the founder of Saltaire. Maufe started his education at Wharfedale School in Ilkley and later attended Bradford School.
During his adolescent years, Maufe became interested in architecture. In 1899 he was sent to London to serve a five-year apprenticeship under the direction of the London architect William A. Pite (brother of Arthur Beresford Pite). Soon after, the Muff family moved from Yorkshire to the Red House in Bexleyheath, London. The house was designed by Philip Webb for William Morris, and Maufe later acknowledged the design as an early architectural influence. After completing his apprenticeship in 1904, he attended St John's College, Oxford, where he received a B.A. in 1908; he also studied design at the Architectural Association School of Architecture.
In 1909, he changed his surname by deed poll from Muff to Maufe. The following year he moved to 139 Old Church Street, Chelsea, London. On 1 October 1910, he married Prudence Stutchbury (1882–1976), the daughter of Edward Stutchbury of the Geological Survey of India. She was a designer and interior decorator, and later a director of Heal's. They had a son who died in 1968.
During the First World War, Maufe served in the Royal Naval Volunteer Reserve, and then joined the army in 1917 with Dick Sheppard acting as his guarantor. Maufe enlisted in the Royal Garrison Artillery on 9 January 1917 and was commissioned as a staff lieutenant on that April and saw action in Salonika. He was discharged on 26 February 1919. Having already been an associate member since 1910, Maufe was elected a fellow of the Royal Institute of British Architects (RIBA) in 1920.
His architectural drawings and correspondence were deposited at the RIBA. In 1940, Maufe commissioned his portrait (now at the RIBA) showing him in front of his winning design for Guildford Cathedral from Gluck (whose studio in Hampstead he had designed in 1932). Another oil portrait of him by John Laviers Wheatley (1892-1955) was exhibited in 1956 and is in the Primary Collection of the National Portrait Gallery, London.
Maufe's first important commission after setting up practice on his own was, in 1912, the design of Kelling Hall, Norfolk, for Sir Henry Deterding. The building shows Maufe's early links with the arts and crafts movement due to its butterfly plan, knapped flint walls, and a grey tiled and gabled roof. Maufe's other notable pre-war work included the decoration of St Martin-in-the-Fields, the chapels and alterations at All Saints Church, Southampton (which was later destroyed during the Second World War in 1940), and St John's, Hackney, which first brought him into notice in church circles.
He came to prominence in 1924 with his design for the Palace of Industry at the British Empire Exhibition, Wembley and was a silver medallist at the Paris Exhibition in 1925 which resulted in him securing a wide variety of commissions.
Two early buildings, the church of St Bede in Clapham (1922) and St Saviour's in Acton (1924), were both built for the Royal Association in Aid of the Deaf and Dumb and made him notable among fellow architects. The latter church displays a simple structure and has a likeness to contemporary Swedish architecture. St Saviour's was loosely based on the design by Ivar Tengbom of Hogalids church in Stockholm, which Maufe described as being the most completely satisfying modern Swedish building he had seen. During this period, Maufe was a constant champion of modern Swedish architecture, and was often vocal on this theme in the architectural press, citing his own buildings as having simplified elevations, painted ceilings, and applied sculpture, similar to those found in Sweden. Maufe felt that Swedish architecture had a combined freshness without obviously breaking with tradition.
In 1932, Maufe won a competition to design the Guildford Cathedral, coming first among 183 entries. When the building was dedicated in 1961, architectural taste had moved away from its Neo-Gothic designs. The cathedral's exterior including the nave and aisles together with Maufe's use of space, won him general admiration amongst fellow architects. As a result, he was described as a designer of churches by conviction, as he attempted to produce buildings of austere simplicity aiming directly at the creation of a religious atmosphere. At Guildford, he wanted to produce a design of the times, yet to keep in line with the great English cathedrals already established within the United Kingdom.
In 1936 King George VI commissioned Maufe to conduct various alterations to the Royal Chapel of All Saints in Windsor Great Park. The small private chapel stands in the grounds of Royal Lodge and was the Queen Mother's residence. Maufe designed a new ceiling for the chancel and a royal pew, new choir stalls and a casing for a new organ. In 1944, he was awarded the Royal Gold Medal for architecture.
From 1943 Maufe was principal architect UK to the Imperial War Graves Commission, eventually becoming chief architect and artistic adviser until 1969. Among his war memorial designs are those at Tower Hill which was an expansion to the already established memorial by Sir Edward Lutyens and the Air Forces Memorial at Cooper's Hill overlooking Runnymede (1950–53). Maufe's domestic work had a stylish modernity, in direct contrast with the new functionalism. In the architectural language of the time it was called ‘modernity with manners’ and very much reflected the established taste of the inter-war period. Maufe often wrote and lectured on architecture chiefly on furnishing within the home and on present-day architecture. His designs were considered by interior designers to be modern and stylish, with built-in fitments and pastel colour-schemes, particularly pink, mauve, and cream, contrasted with silver-lacquered furniture and mirrors. One of his house designs was Yaffle Hill, Broadstone, Dorset, built in 1929 for Cyril Carter of Poole Potteries. Other schemes included an extension to Baylins, Beaconsfield in 1927, for Ambrose Heal, Hanah Gluck's studio in Bolton Hill, Hampstead (1932), and the studio for religious services at Broadcasting House (1931). He also designed several branch banks for Lloyds, one of the best being at 50 Notting Hill Gate, London in 1930.
Other works include the Festival Theatre in Cambridge, St. Thomas the Apostle in Hanwell, London and the Oxford Playhouse and St Columba's Church (Pont Street, London SW1). He designed buildings for Trinity and St John's College, Cambridge, Balliol and St John's College, Oxford (of which he was made an honorary fellow of in 1943). Maufe was later commissioned to re-design the war-damaged Middle Temple and of Gray's Inn, which made him an honorary master of the bench in 1951.
Retirement and death
Partial list of works
- Kelling Hall, Norfolk (1912)
- St Bede's, Clapham Road, London SW9 (1924)
- Palace of Industry, Wembley, London (1924–1925)
- Lloyds Bank, Wren Road, Camberwell (1925)
- Festival Theatre, Cambridge, (1926) (alterations only)
- St Saviour's, Old Oak Lane, Acton London, (1926)
- Trinity College, Cambridge (1927)
- Tower at St Mary's, Liss, Hampshire (1930)
- Lloyds Bank, 50 Notting Hill Gate, London (1930)
- St John's Church, Hook, Hampshire (1931)
- Guildford Cathedral (1932)
- Studio for Religious Services, Broadcasting House, Portland Place (1932)
- Rawlinson Building extension, St John's College, Oxford (1933)
- St Thomas the Apostle, Boston Road, Hanwell, London (1934)
- The House, Round Island, Poole Harbour (c1935)
- Alterations to Royal Chapel of All Saints in Windsor Great Park (1936)(a new ceiling for the chancel and a royal pew, new choir stalls and a casing for a new organ)
- Extension to Morley College, London SE1 (1937)
- St John's College, Cambridge Chapel Court and North Court (1938–40)
- The Oxford Playhouse, Oxford (1938)
- Heal's Department Store in Tottenham Court Road, London (1938) (Southern extension)
- St John the Evangelist, London Road, Hook, Hampshire (1938)
- Bishop Hannington Memorial Church, Hove (1938)
- St Andrew's United Reformed Church, Cheam (1939)
- St George's Church, Goodrington, Paignton (1939)
- All Saints Weston, Chestnut Avenue, Esher, Surrey (1939)
- Walworth Methodist Chapel Clubland (1939)
- Chatham Naval Memorial, Chatham, Kent (1945) (extension only)
- Plymouth Naval Memorial, Plymouth, Devon (1945) (extension only)
- The RAF Shelter, Brookwood Cemetery, Surrey (1947)
- Dolphin Quad, St John's College, Oxford (1947)
- Dulwich Picture Gallery post-war restoration (1947–53)
- Commonwealth War Graves Commission cremation memorial, Golders Green Crematorium, London (1949)
- St Mary's Church, Hampden Park, Eastbourne (1952–54)
- Air Forces Memorial, Runnymede, Surrey (1953)
- The Tower Hill Memorial, London (1955) (extension only)
- The Master's House, Temple Church (c1955) (rebuilding following war-time bomb damage, work shared with Sir Hubert Worthington)
- St Columba's Church, London, Pont Street in London SW1 (1955)
- Crown Row Building, Inner Temple (1955) (rebuilding following war-time bomb damage)
- Magna Carta Memorial, Runnymede, Surrey (1957)
- Francis Taylor Building, Inner Temple (1957)
- St Alphege's, Lower Edmonton, London (1958)
- The Chapel at Lewes Priory School Mountfield Road, Lewes (1960)
- Cathedral Church of St Peter, Bradford (1963) (extension only)
- St Nicholas' Church, Saltdean (1964)
- In her original 1986 entry on Maufe for the Dictionary of National Biography, Margaret Richardson gave his date of birth as 12 December 1883 and mentions that "Maufe died 12 December 1974, his ninety-first birthday, in the farmhouse he had restored in the late 1920s at Shepherd's Hill, Buxted, Sussex." In her revised 2004 entry, she corrected the date to 12 December 1882 and re-wrote the death passage as "Maufe died on 12 December 1974, his ninety-second birthday, in Uckfield Hospital."
- Richardson, Margaret. Maufe, Edward Oxford Dictionary of National Biography, Oxford University Press, accessed 6 November 2011 (subscription or UK public library membership required)
- Bradford Telegraph & Argus End in store for Brown, Muffs
- The National Archives Maufe, Edward National Archives, accessed September 2011
- See image and date at the RIBA's picture archive Ribapix.
- Canvas portrait by John Laviers Wheatley, National Portrait Gallery, exhibited in 1956, accessed November 2011
- Royal Gold Medal winners list taken from Architecture.Com, accessed September 2011
- Nairn & Pevsner 1971, p. 214.
- Golders Green Crematorium at Hampstead Garden Suburb Trust
- Nairn, Ian; Pevsner, Nikolaus (1971) . The Buildings of England: Surrey (2nd ed.). Harmondsworth: Penguin Books. ISBN 0-300-09675-5.
|Wikimedia Commons has media related to Edward Maufe.|
- The Grove Dictionary of Art
- Royal Institute of British Architects RIBA
- Sir Edward Maufe's London - an architectural tour of Maufe's London - Part 1 and Part 2
- St Columba's Church, London
- 207 Squadron Royal Air Force Association, The Air Forces Memorial
- Images of Maufe's Guildford Catheral works at Sheffield Hallam University