Elsbeth Juda

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Elsbeth Ruth Juda née Goldstein, known professionally as Jay (2 May 1911 – 5 July 2014) was a British photographer most notable for her pioneering fashion photographs and work as associate editor and photographer for The Ambassador magazine between 1940 and 1965.[1]

Early life[edit]

She was born in Darmstadt, Germany on 2 May 1911 to Margarete Neumann (1885–1954) and Julius Joel Goldstein (1873–1929), a philosopher.[2] As a young woman, she moved to Paris, where she found work as secretary to a banker.[2] In 1931, Elsbeth married her childhood love, Hans Peter Juda (1904–1975), and they went to live in Berlin where he was a financial editor at the Berliner Tageblatt. In 1933, they fled Nazi Germany for London with nothing but two suitcases and a violin.[2]


Juda studied photography under the Bauhaus photographer Lucia Moholy, the wife of the artist László Moholy-Nagy.[1] At the time Juda and her husband Hans lived in London, where Hans was the publisher of a British trade magazine called The Ambassador, for which László Moholy-Nagy was the Art Director.[1] Lucia Moholy would visit Juda at her home to teach her photography.[1] Soon after, Juda did a stint as a "dark room boy" at the Scaioni Studio in London.[1] She later worked as a photographer for advertising companies and fashion magazines, including Harper's Bazaar .[1]

The Ambassador[edit]

Hans and Elsbeth Juda originally opened a London satellite office for the Dutch trade magazine International Textiles.[3] After 1940, however, when Amsterdam came under control of the Germany army, the magazine proved too difficult to continue.[3] In March 1946 the Judas changed the name of the publication to The Ambassador and changed its focus to British industry, trade and exports.[1] The magazine was influential from its inception and encouraged by the British Government, who helped by ensuring a continual supply of paper during the war. Indeed The Ambassador, The British Export Magazine became the voice of British manufacturing for export when the nation's trade was struggling to emerge after 1945. It was published monthly in four languages (English, German, French and Portuguese), had subscribers in over ninety countries, and a circulation of 23,000 copies.[3]

Juda's husband, Hans, coined the official motto "Export or Die" for The Ambassador.[3] Later, as the magazine became an essential marketing and press journal for a Britain desperate to reestablish itself as a global exporter in the post-war era, the phrase would become a mantra for the national manufacturing industry. Throughout their work during the 1940s, 1950s and 1960s, Juda and her husband became two of the United Kingdom's greatest champions for export, constantly promoting every facet of British manufacturing, culture and the arts and, in the process, coming into close contact with a host of distinguished artists, writers, designers and photographers. The critic Robert Melville described Ambassador as "the most daring and enterprising trade journal ever conceived...no other magazine...has so consistently and brilliantly demonstrated the relevance of works of art to the problems of industrial design."[4]

Juda's shoots for The Ambassador combined elements of fashion, modernism and trade. Her series of photos of the famed British model Barbara Goalen modeling Scottish textiles among the heavy machinery of working textile factory are especially representative of her unique visual aesthetics.[1] Together they built a considerable art collection from the many artists that they came in contact with at The Ambassador. It is a much wider circle of friends, however, which would allow Jay to capture every facet of a reemerging post-war Britain through the lens of her camera. The magazine was bought by Thomson Publications in 1961 and continued to be published until 1972.[3]


Juda was a portraitist who photographed many British artists of the 1950 and 1960s, including Henry Moore, John Piper (artist), Graham Sutherland, Kenneth Armitage, and Peter Blake (artist).

Churchill portrait by Graham Sutherland[edit]

Juda was present to photograph and document Graham Sutherland's portrait of Sir Winston Churchill, which was commissioned in 1954 by the past and present members of the House of Lords and the House of Commons of the United Kingdom in celebration of Churchill's eightieth birthday.[5] Sutherland's resulting controversial portrait became infamous because Churchill openly hated it and stated that it "makes me look half-witted".[5] After it was publicly unveiled in Westminster Hall on 30 November 1954 Sutherland's portrait was hidden and then destroyed (by order of Lady Churchill).[5]

Juda's photographs record the day when an elderly Churchill can be seen being posed by Sutherland. Churchill's vigour was fading; in the previous year he had suffered a stroke and, although he had recovered, the effects of age and illness were increasingly apparent. He also drank heavily at lunchtime. According to Juda, during the session Graham Sutherland would say, 'A little more of the old lion, sir' and he'd sit up and then flop after a minute.[6]

British Fortnights[edit]

Juda started themed months called British Fortnights at the American department stores Lord and Taylor and Neiman Marcus in an effort to promote British brands and goods.[2] Juda was initially approached to create a British Fortnight at Neiman Marcus in Dallas, Texas by Stanley Marcus, who was a fan of The Ambassador [1] Stanley Marcus and Juda eventually become close friends, with Marcus even setting up a trip for Juda to visit the Kodak company in Rochester, New York and the studios of Richard Avedon and Irving Penn.[1]


In 1980 Juda presented the National Portrait Gallery a collection of bromide prints, negatives, contact sheets, and news cuttings relating to her photographs of Winston Churchill and Graham Sutherland. In 1987 Juda donated The Ambassador archives to the Victoria and Albert Museum.[1] The most complete sets of Juda's archives can be found in the British Library and the Victoria and Albert Museum.[3] Juda died at the age of 103 on 5 July 2014.[7]

See also[edit]

Notes and references[edit]

  1. ^ a b c d e f g h i j k Lederman, Erika. "Elsbeth Juda" Photomonitor, Retrieved February 2014.
  2. ^ a b c d Lipman, Maureen "Elsbeth Juda: Portrait of a Role Model" The Jewish Chronicle Online, Retrieved January 2014.
  3. ^ a b c d e f Pohl, Uscha."Elsbeth Juda - Jay Very Magazine, Retrieved January 2014.
  4. ^ Hodgson, Francis. "Glamour meets commercial photography" FT Magazine, Retrieved January 2014.
  5. ^ a b c Lichtig, Toby."The afterlives of art" The Times Literary Supplement, Retrieved January 2014.
  6. ^ Rose, Hilary."Contacts -Churchill poses for Sutherland" The Times Magazine, Retrieved January 2014.
  7. ^ Elsbeth Juda - obituary

External links[edit]