Emma
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| Emma | |
|---|---|
 Title page from the first edition |
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| Author | Jane Austen |
| Country | United Kingdom |
| Language | English |
| Genre(s) | Novel |
| Publisher | John Murray |
| Publication date | December 1815; title page says 1816 |
| Media type | |
| ISBN | N/A |
Emma, by Jane Austen, is a comic novel about the perils of misconstrued romance. The novel was first published in December 1815. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively 'comedy of manners' among her characters.
Before she began the novel, Austen wrote, "I am going to take a heroine whom no-one but myself will much like."[1] In the very first sentence she introduces the title character as "Emma Woodhouse, handsome, clever, and rich." Emma, however, is also rather spoiled; she greatly overestimates her own matchmaking abilities; and she is blind to the dangers of meddling in other people's lives and is often mistaken about the meanings of others' actions.
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[edit] Plot summary
Emma Woodhouse, aged 20 at the start of the novel, is a young, beautiful, witty, and privileged woman in Regency England. She lives on the fictional estate of Hartfield in Surrey in the village of Highbury with her elderly widowed father, a hypochondriac who is excessively concerned for the health and safety of his loved ones. Emma's friend and only critic is the gentlemanly George Knightley, her neighbour from the adjacent estate of Donwell, and the brother of her elder sister Isabella's husband. As the novel opens, Emma has just attended the wedding of Miss Taylor, her best friend and former governess. Having introduced Miss Taylor to her future husband, Mr Weston, Emma takes credit for their marriage, and decides that she rather likes matchmaking.
Against Mr Knightley's advice, Emma forges ahead with her new interest, and tries to match her new friend Harriet Smith, a sweet but none-too-bright parlour boarder of seventeen —described as "the natural daughter of somebody"— to Mr Elton, the local vicar. Emma becomes convinced that Mr Elton's constant attentions are a result of his attraction and growing love for Harriet.
But before events can unfold as she plans, Emma must first persuade Harriet to refuse an advantageous marriage proposal. Her suitor is a respectable young gentleman farmer, Mr Martin, but Emma wrongly and snobbily decides he isn't good enough for Harriet. Against her own wishes, the easily-influenced Harriet rejects Mr Martin.
Emma's schemes go awry when Mr Elton, a social climber, proposes to Emma herself. Emma's friends had understood that Mr Elton's attentions were the result of his attraction to Emma and his ambition in marrying her, although she had not. Emma, rather shocked, tells Mr Elton that she had thought him attached to Harriet; however Elton is outraged at the very idea of marrying the socially inferior Harriet. After Emma rejects Mr Elton, he leaves for a while for a sojourn in Bath, and Harriet fancies herself heartbroken. Emma now tries to convince Harriet that Mr Elton is beneath her after all.
An interesting development is the arrival in the neighbourhood of Frank Churchill, Mr Weston's son who had been given to his deceased wife's relatives to bring up. Frank is of course also Mrs Weston's stepson, and Emma has never met him, but she has a long-standing interest in doing so.
Mr Elton, as Emma's misconceptions of his character melt away, reveals himself to be more and more arrogant and pompous; he had snubbed Harriet at a dance. He soon returns from Bath with another newcomer, a vulgar but rich wife who becomes part of Emma's social circle, though the two women soon loathe each other.
A third new character is the orphaned Jane Fairfax, the reserved but beautiful and elegant niece of Emma's impoverished neighbour, the talkative Miss Bates who lives with her deaf, widowed mother. Miss Bates is an ageing spinster, well-meaning but increasingly poor; Emma strives to be polite and kind to her, but is irritated by her dull and incessant chattering. Jane, very accomplished musically, is Miss Bates' pride and joy; Emma envies her talent and initially dislikes her for her apparent coldness and reserve. Jane had lived with Miss Bates until she was nine, but Colonel Campbell, a friend indebted to her father for seeing him through a life-threatening illness, welcomed her into his own home where she became fast friends with his unfortunately plain daughter and received a first-rate education. On the marriage of Miss Campbell, Jane returned to her Bates relations, ostensibly to regain her health and prepare to earn her living as a governess.
In her eagerness to find some sort of fault with Jane — and also to find something to amuse her in her pleasant but dull village — Emma indulges in the fantasy, apparently shared by Frank, that Jane was an object of admiration for Miss Campbell's husband, Mr Dixon, and that it is for this reason she has returned home instead of going to Ireland to visit them. This suspicion is further fueled by the arrival of a piano for Jane from a mysterious anonymous benefactor.
Emma tries to make herself fall in love with Frank largely because everyone says they make a handsome couple. Frank seems to everyone to have Emma as his object, and the two flirt together in public, at the evening piano and on a day-trip to Box Hill, a local beauty spot. Emma ultimately decides, however, that Frank would suit Harriet better after an episode where Frank 'saves' Harriet from a band of Gypsies. At this time, Mrs Weston wonders if Emma's old friend Mr Knightley might have taken a fancy to Jane. Emma promptly decides that she does not want Mr Knightley to marry anyone, but rather than further explore these feelings, she claims that this is because she wants her little nephew Henry to inherit the family property.
When Mr Knightley scolds her for a thoughtless insult to Miss Bates, Emma is privately ashamed and tries to atone by going to visit Miss Bates. Mr Knightley is surprised but deeply impressed by Emma's recognition of her wrongdoing and attempt to make amends; this leads to a more meaningful affection for Emma. Meanwhile, Jane reportedly becomes ill, but refuses to see Emma or accept her gifts. Emma thinks Jane's behaviour stems from Emma's previous neglect of and coldness towards Jane. Jane also suddenly accepts an offer for a governess position from a friend of Mrs Elton's.
Soon thereafter, Emma learns why Jane had behaved strangely: it's because Jane and Frank have been secretly engaged for almost a year. Why Frank pretended to admire Emma was to disguise his clandestine relationship with Jane. Jane's distress had been because she and Frank had quarrelled over his behaviour with Emma and his unguarded behaviour towards herself, something Jane believes could put them at risk of discovery. Then Frank's overbearing aunt, whose opposition to the engagement Frank had feared, dies, and so Frank's and Jane's engagement becomes public.
When Harriet confides that she thinks Mr Knightley is in love with her, jealousy makes Emma realize she loves him herself. Mr Knightley has been in love with Emma all along, and after the engagement of Jane and Frank is revealed, he proposes to her, and she joyfully accepts.
Shortly thereafter, Harriet reconciles with her young farmer, Mr Martin, and they marry. Jane and Emma reconcile before Jane and Frank go to live in Yorkshire. Finally, Emma and Mr Knightley decide that after their marriage they will spare Emma's father loneliness and distress by living with him at Hartfield, instead of settling at the Knightley estate, Donwell.
[edit] Principal characters
Emma Woodhouse, the protagonist of the story, is a beautiful, high-spirited, intellectual, and 'slightly' spoiled woman of 21. Her mother died when she was very young, and she has been mistress of the house ever since, certainly since her older sister got married. While she is in many ways mature for her age, Emma makes some serious mistakes, mainly due to her conviction that she is always right and her lack of real world experience. Although she has vowed she will never ever marry, she delights in making matches for others. She seems unable to fall in love, until jealousy makes her realize that she has loved Mr Knightley all along.
Mr George Knightley, is about 37 or 38. He is a close friend of Emma, and her only critic, though he cares deeply for her. Mr Knightley is the owner of the neighbouring estate of Donwell, which includes extensive grounds and a farm. He is the elder brother of Mr John Knightley – the husband of Emma's elder sister Isabella. Mr Knightley is very annoyed with Emma for persuading Harriet to turn down Mr Martin, thinking that the advantage is all on Harriet's side; he also warns Emma against matchmaking Harriet with Mr Elton, correctly guessing that Mr Elton has a much higher opinion of himself. He is suspicious of Frank Churchill and his motives; although his suspicion turns out to be based mainly on jealousy of the younger man, his instincts are proven correct by the revelation that Frank Churchill is not all that he seems.
Mr Frank Churchill, Mr Weston's son by his previous marriage, an amiable young man who manages to be liked by everyone except for Mr Knightley, who considers him quite immature, although this partially results from his jealously of Frank's supposed 'pursuit' of Emma. After his mother's death he was raised by his wealthy aunt and uncle, whose last name he took. Frank thoroughly enjoys dancing and music and likes to live life to the fullest. Frank may be viewed as a careless but less villainous version of characters from other Austen novels, such as Mr Wickham from Pride and Prejudice or Willoughby from Sense and Sensibility.
Jane Fairfax, an orphan whose only family consists of an aunt, Miss Bates, and a grandmother, Mrs Bates. She is regarded as a very beautiful, clever, and elegant woman, with the best of manners, and is also very well-educated and exceptionally talented at singing and playing the piano; in fact, she is the sole person that Emma envies. She has little fortune, however, and seems destined to become a governess – a prospect she dislikes.
Harriet Smith, a young friend of Emma's, is a very pretty but unsophisticated girl who is too easily led by others, especially Emma; she has been educated at a nearby school. The illegitimate daughter of initially unknown parents, she is revealed in the last chapter to be the daughter of a fairly rich and decent tradesman, although not a "gentleman". Emma takes Harriet under her wing early in the novel, and she becomes the subject of some of Emma's misguided matchmaking attempts. Harriet initially rebuffs a marriage proposal from farmer Robert Martin because of Emma's belief that he is beneath her, despite Harriet's own doubtful origins. She then develops a passion for Mr Knightley, which is the catalyst for Emma realising her own feelings. Ultimately, Harriet and Mr Martin are wed, despite Emma's meddling.
Philip Elton is a good-looking, well mannered and ambitious young vicar. Emma wants him to marry Harriet; he wants to marry Emma. Mr Elton displays his mercenary nature by quickly marrying another woman of means after Emma's rejection.
Augusta Elton, formerly Miss Hawkins, is Mr Elton's moneyed but obnoxious wife. She is a boasting, domineering, pretentious woman who likes to be the centre of attention and is generally disliked by Emma and her circle. She patronizes Jane, which earns Jane the sympathy of others.
Mrs Anne Weston, formerly Miss Taylor, was Emma's governess for sixteen years and remains her closest friend and confidante after she marries Mr Weston in the opening chapter. She is a sensible woman who adores Emma. Mrs Weston acts as a surrogate mother to her former charge and, occasionally, as a voice of moderation and reason.
Mr Weston, a recently wealthy man living in the vicinity of Hartfield. He marries Emma's former governess, Miss Taylor, and by his first marriage is father to Frank Churchill, who was adopted and raised by his late wife's brother and sister-in-law. Mr Weston is a sanguine, optimistic man, who enjoys socializing.
Miss Bates, a friendly, garrulous spinster whose mother, Mrs Bates, is a friend of Mr Woodhouse. Her accomplished niece, Jane Fairfax, is the light of her life. One day, Emma humiliates her on a day out in the country, when she pointedly alludes to her tiresome prolixity. Afterward, Mr Knightley sternly rebukes her and Emma, shamed, tries to make amends.
Mr Henry Woodhouse, Emma's father, is always concerned for his own health and that of his friends, to the point of trying to deny his visitors foods he thinks too rich. He laments that "poor Isabella" and "poor Miss Taylor" shouldn't have married and been taken away from him.
[edit] Criticism and themes
Emma Woodhouse is the first Austen heroine with no financial concerns, which, she declares to the naïve Miss Smith, is the reason that she has no inducement to marry. This is a great departure from Austen's other novels, in which the quest for marriage and financial security are two of several themes in the stories. Emma's ample financial resources are one of the factors that make this novel much lighter than Austen's earlier works, such as Sense and Sensibility and Pride and Prejudice. Jane Fairfax's prospects, in contrast, are bleak.
Emma also proves surprisingly immune to romantic attraction and sexual desire. In contrast to Austen heroine Marianne Dashwood, who is attracted to the wrong man before she settles on the right one, Emma shows no romantic interest in the men she meets. She is genuinely surprised and somewhat disgusted when Mr Elton declares his love for her much like the way Elizabeth Bennet reacts upon Mr Collins' proposal. Her fancy for Frank Churchill represents more of a longing for a little drama in her life than a longing for romantic love. Notably, too, Emma utterly fails to understand Harriet Smith and Robert Martin's budding affection for each other; she interprets the prospective match solely in terms of financial settlements and social ambition. Only after Harriet Smith reveals her interest in Mr Knightley does Emma realize her own feelings for him. Although never outright stated as such, it may be postulated that the reason for Emma's inability to fall in love with another man is that she has been unconsciously in love with Mr Knightley for years.
While Emma differs strikingly from Austen's other heroines in these two respects, she resembles Elizabeth Bennet and Anne Elliot, among others, in another way: she is an intelligent young woman with too little to do and no ability to change her location or everyday routine. Though her family is loving and her economic circumstances comfortable, her everyday life is dull indeed, and she has few companions of her own age when the novel begins. Emma's determined and inept matchmaking may represent a muted protest against the narrow scope of a wealthy woman's life, especially that of a woman who is single and childless.
[edit] Film and television adaptations
Emma has been the subject of many adaptations:[2]
- 1972: Emma (BBC 1972 television), starring Doran Godwin as Emma.
- 1995: Clueless (a loose modern adaptation), starring Alicia Silverstone as Cher Horowitz (Emma).
- 1996: Emma, starring Gwyneth Paltrow as Emma.
- 1996: Emma, starring Kate Beckinsale as Emma.
- 2009: Emma, starring Romola Garai as Emma.[3]
[edit] Emma in popular culture
- The novel Emma is featured in the film Naked (1993) by Mike Leigh, in which the character Johnny (played by David Thewlis) confuses the title and the name of the author.
- Emma provides the basis for the plot of Clueless (1995) by Amy Heckerling.
- Joan Aiken wrote a companion novel, Jane Fairfax: The Secret Story of the Second Heroine in Jane Austen's Emma.
- Reginald Hill wrote a 1987 short story "Poor Emma" (included in the 2007 paperback There are no Ghosts in the Soviet Union) in which finances and security play the central role.
- The Importance of Being Emma, a novel by Juliet Archer, is a modern version of Emma.
- Emma and the Werewolves : Jane Austen and Adam Rann, a mashup novel by Adam Rann.[4] A mashup novel appropriates text and the author's name from an original source that is no longer protected by copyright, integrating new narrative into the original to create a new (mashup) story on the back of the original. Typically, the mashup story is a sendup of the original story. Also typical, the mashup publisher prints the original author's name in a manner that falsely represents the original as a joint author or collaborator in the mashup novel.
[edit] See also
[edit] Notes
- ^ Austen-Leigh, James Edward. A Memoir of Jane Austen. 1926. Ed. R. W. Chapman. Oxford: Oxford University Press, 1967. p. 157
- ^ Jane Austen at the Internet Movie Database
- ^ "Casting announced for BBC One's Emma this Autumn" at BBC One (4 April 2009)
- ^ Jane Austen's Emma Meets Her Match: Werewolves
[edit] External links
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Wikisource has original text related to this article: |
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Wikiquote has a collection of quotations related to: Emma |
- Emma at Project Gutenberg
- Chronology/Calendar for Emma
- Emma study guide, quotes, themes, teaching guide
- Emma, complete text and audio
- Emma, free audio book at LibriVox
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