Helge Rosvaenge
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Helge Rosvaenge (born Helge Anton Rosenvinge Hansen, 29 August 1897 – 17 June 1972) was a Danish-born operatic tenor whose career was centred on Germany and Austria, before, during and after World War II. His last name is sometimes spelled Roswaenge or Rosvænge.
Rosvaenge was born in Copenhagen. However, his life was spent in Germany, and he made his debut at Neustrelitz as Don Jose in Carmen in 1921. Engagements followed at Altenburg, Basel, Cologne (1927–30) and the Berlin State Opera, where he was leading tenor from 1930 to 1944, being especially distinguished in the Italian repertory. He also sang regularly at the Vienna State Opera from 1936, and in Munich. Rosvaenge also appeared at the Salzburg Festival, making his debut there in Der Rosenkavalier. Other roles which he performed at Salzburg between 1933 and 1939 were Tamino in The Magic Flute, Huon in Oberon and Florestan in Fidelio. His London debut at the Royal Opera House, Covent Garden, occurred in 1938, as Florestan.
He sang Parsifal at the Bayreuth Festival in 1934 and 1936, but otherwise the Wagnerian repertory was mostly on recordings.
He also appeared in films, such as Verlieb' dich nicht am Bodensee (1935) and Last Rose (1936).[1]
After World War II, Rosvaenge divided his time between Berlin and Vienna. He continued to sing until 30 May 1959 (when he gave what was billed as his farewell concert at Vienna's Great Musikvereinssaal), singing arias from Turandot as Calàf, Aida as Radamès and Il trovatore as Manrico. His voice showed little sign of age; it was still warm and sonorous throughout its range, and brilliant and lustrous in its upper register. Indeed, he could produce an easy and full-blooded high D during his vocal prime. This can be heard in one of his most celebrated recordings, the Postillon's Song ("Mes amis, écoutez l'histoire") from Le postillon de Lonjumeau by Adolphe Adam.
Rosvaenge appeared in a wide spectrum of roles ranging from Mozart to Weber, from Verdi to Puccini. He sang with "a steely voice, brilliant high notes and insistent declamation throughout its scale" which was "brilliant and lustrous in its top register", according to Luiz Eduardo Goncalves Gabarra. He was equally impressive as Andrea Chénier and was also an acclaimed and exciting Radamès and Otello, in which latter role he was often heard on German radio.
He toured the US before retiring, and died in Munich at 74.
Repertoire
[edit]| Ruolo | Titolo | Autore |
|---|---|---|
| Chapelou | Le postillon de Lonjumeau | Adam |
| Fra Diavolo Lorenzo |
Fra Diavolo | Auber |
| Florestan | Fidelio | Beethoven |
| Énée | Les Troyens | Berlioz |
| Don José | Carmen | Bizet |
| Georges Brown | La dame blanche | Boieldieu |
| Vladimir Igorevich | Prince Igor | Borodin |
| Don Manuel | Don Gil | Braunfels |
| Julien | Louise | Charpentier |
| Nureddin | Der Barbier von Bagdad | Cornelius |
| Nando | Tiefland | d'Albert |
| Shepherd | Die toten Augen | d'Albert |
| Pelléas | Pelléas et Mélisande | Debussy |
| Nemorino | L'elisir d'amore | Donizetti |
| Tonio | La fille du régiment | Donizetti |
| Lionel | Martha | Flotow |
| Don Martin | Don Gil | Futterer |
| Andrea Chénier | Andrea Chénier | Giordano |
| Count Loris Ipanov | Fedora | Giordano |
| Bogdan Sobinin | A Life for the Tsar | Glinka |
| Ali | La rencontre imprévue | Gluck |
| Admeto | Alceste | Gluck |
| Baron von Kayserling | Adrienne | Goetze |
| Faust | Faust | Gounod |
| Prince Léopold | La Juive | Halévy |
| The courtier | Cardillac | Hindemith |
| Števa | Jenůfa | Janáček |
| Felix | Rendez-vous um Mitternacht | Kattnigg |
| Hein | Der Fremde | Kaun |
| Primus Thaller | Der Kuhreigen | Kienzl |
| Italian tenor | Yolimba | Killmayer |
| Georg | Spuk im Schloss | Křička |
| Schrenk | Die große Sünderin | Künneke |
| Prince Sou-Chong | The Land of Smiles | Lehár |
| Canio | Pagliacci | Leoncavallo |
| Marquis de Chateauneuf | Zar und Zimmermann | Lortzing |
| Kronthal | Der Wildschütz | Lortzing |
| Sylvain | Les dragons de Villars | Maillart |
| Turiddu | Cavalleria rusticana | Mascagni |
| Raoul de Nangis | Les Huguenots | Meyerbeer |
| Vasco de Gama | L'Africaine | Meyerbeer |
| Symon Rymanowicz | Der Bettelstudent | Millöcker |
| Bastien | Bastien und Bastienne | Mozart |
| Contino Belfiore | La finta giardiniera | Mozart |
| Idomeneo | Idomeneo | Mozart |
| Belmonte | Die Entführung aus dem Serail | Mozart |
| Kappelmeister | Der Schauspieldirektor | Mozart |
| Don Ottavio | Don Giovanni | Mozart |
| Ferrando | Così fan tutte | Mozart |
| Tamino | The Magic Flute | Mozart |
| Fenton | The Merry Wives of Windsor | Nicolai |
| Orphée | Orpheus in the Underworld | Offenbach |
| Pâris | La belle Hélène | Offenbach |
| Falsacappa | Les brigands | Offenbach |
| Hoffmann | Les contes d'Hoffmann | Offenbach |
| Abdisu | Palestrina | Pfitzner |
| Chevalier Renato des Grieux | Manon Lescaut | Puccini |
| Rodolfo | La bohème | Puccini |
| Mario Cavaradossi | Tosca | Puccini |
| Dick Johnson | La fanciulla del West | Puccini |
| B. F. Pinkerton | Madama Butterfly | Puccini |
| Pang Calaf |
Turandot | Puccini |
| Count Almaviva | The Barber of Seville | Rossini |
| Arnold Melchtal | William Tell | Rossini |
| Fedja | Iwan Tarassenko | Salmhofer |
| Astolf | Die Weiberverschwörung | Schubert |
| Alfred | Die Fledermaus | J. Strauss II |
| Guido | Eine Nacht in Venedig | J. Strauss II |
| Sándor Barinkay Conte Carnero |
The Gypsy Baron | J. Strauss II |
| Suleiman | Tausendundeine Nacht | J. Strauss II |
| An Italian singer | Der Rosenkavalier | Strauss |
| The tenor (Bacchus) | Ariadne auf Naxos | Strauss |
| The Apparition of a Youth | Die Frau ohne Schatten | Strauss |
| Da-Ud | Die ägyptische Helena | Strauss |
| Matteo | Arabella | Strauss |
| Wilhelm Meister | Mignon | Thomas |
| Duke of Mantua | Rigoletto | Verdi |
| Manrico | Il trovatore | Verdi |
| Alfredo Germont | La traviata | Verdi |
| Arrigo | I vespri siciliani | Verdi |
| Gabriele Adorno | Simon Boccanegra | Verdi |
| Gustavo | Un ballo in maschera | Verdi |
| Don Alvaro | La forza del destino | Verdi |
| Don Carlo | Don Carlo | Verdi |
| Radames | Aida | Verdi |
| Otello | Otello | Verdi |
| Walther von der Vogelweide | Tannhäuser | Wagner |
| A young sailor | Tristan und Isolde | Wagner |
| Balthasar Zorn Kunz Vogelgesang |
Die Meistersinger von Nürnberg | Wagner |
| Froh | Das Rheingold | Wagner |
| Parsifal | Parsifal | Wagner |
| Abu Hassan | Abu Hassan | Weber |
| Max | Der Freischütz | Weber |
| Oberon Hüon |
Oberon | Weber |
| Harald | Königsballade | Wille |
| Roderick | The Mine Foreman | Zeller |
Recordings
[edit]Rosvaenge was a prolific recording artist starting as early as 1927, first for the Gramophone Company (now EMI) and later on the Telefunken, Parlophone and Odeon labels. Many of these recordings have been reissued on CD. The finest of them were made in the 1930s and early 1940s.
A recording of his solo tenor singing in a 1938 performance of Verdi's Requiem with the BBC Symphony Orchestra conducted by Arturo Toscanini has been released on CD as well.[2]
