List of modernist composers

From Wikipedia, the free encyclopedia
Jump to: navigation, search

Lists of composers by philosophical stance: modernist composers

Austria[edit]

Russia/Soviet Union[edit]

Second Viennese school[edit]

Germany[edit]

Finland[edit]

France[edit]

Italy[edit]

Hungary[edit]

Poland[edit]

Scotland[edit]

United States[edit]

England[edit]

See also[edit]

References[edit]

  • Ashby, Arved Mark. 2004a. "Introduction". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 1–22. Rochester: University of Rochester Press. ISBN 1-58046-143-3.
  • Ashby, Arved Mark. 2004b. "Modernism Goes to the Movies". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 345–86. Rochester: University of Rochester Press. ISBN 1-58046-143-3.
  • Bauer, Amy. 2004 "'Tone-Color, Movement, Changing Harmonic Planes': Cognition, Constraints, and Conceptual Blends in Modernist Music". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 121–52. Rochester: University of Rochester Press. ISBN 1-58046-143-3.
  • Bernstein, David W. 2002. "Cage and High Modernism". The Cambridge Companion to John Cage, edited by David Nicholls, 186–213. Cambridge: Cambridge University Press. ISBN 0-521-78348-8 (cloth); ISBN 0-521-78968-0 (pbk).
  • Leon Botstein. "Modernism", Grove Music Online, edited by Laura Macy (accessed December 20, 2008), grovemusic.com (subscription access).
  • Broyles, Michael, and Denise Von Glahn. 2007. Leo Ornstein: Modernist Dilemmas, Personal Choices. Bloomington and London: Indiana University Press. ISBN 978-0-253-34894-4.
  • Clapp, Philip Greeley. 1916. "Sebastian Bach, Modernist". Musical Quarterly 2, no. 2 (April): 295–313.
  • Dahlhaus, Carl. 1989. Nineteenth-Century Music, translated by J. Bradford Robinson. California Studies in 19th-Century Music. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0-520-07644-0.
  • Frisch, Walter. 2005. German Modernism: Music and the Arts. California Studies in 20th-Century Music. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0-520-25148-9.
  • Gagné, Nicole V. 2012. Historical Dictionary of Modern and Contemporary Classical Music. Historical Dictionaries of Literature and the Arts. Lanham, MD: Scarecrow Press. ISBN 0-8108-6765-6.
  • Hanley, Edwin. 1954. "Chorale Variations. Johann Gottfried Walther: Meinen Jesum lass' ich nicht; Jesu meine Freude. Georg Böhm: Ach wie nichtig, ach wie flüchtig; Auf meinen lieben Gott; Herr Jesu Christ, dich zu uns wend. Finn Viderø, organ. 12" LP. Haydn HSL-3066" (record review). The Musical Quarterly 40, no. 2 (April): 289–94.
  • Holden, Scott. 2010. "The 'Adventures and Battles' of Vladimir Dukelsky (a.k.a. Vernon Duke)". American Music 28, no. 3 (Fall): 296–319.
  • Howell, Tim. 2011. "The Legacy of a Modernist". Finnish Music Quarterly, no. 4:38–41.
  • Karolyi, Otto. 1994. Modern British Music: The Second British Musical Renaissance—From Elgar to P. Maxwell Davies. Rutherford, Madison, Teaneck: Fairleigh Dickinson University Press; London and Toronto: Associated University Presses. ISBN 0-8386-3532-6.
  • Lien, Anthony Marcus. 2002. "Against the Grain: Modernism and the American Art Song, 1900 to 1950". PhD diss. Davis: University of California, Davis.
  • Loya, Shay. 2011. Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition. Eastman Studies in Music. Rochester, NY: University of Rochester Press. ISBN 9781580463232.
  • Petersen, Nils Holger. 2010. "Quotation and Framing: Re-contextualization and Intertextuality as Newness in George Crumb’s Black Angels". Contemporary Music Review 29, no. 3 (June): 309–21.
  • Rifkin, Deborah. 2006. "Making It Modern: Chromaticism and Phrase Structure in Twentieth-Century Tonal Music". Theory and Practice 31:133–58.
  • Ross, Alex. 2007. The Rest Is Noise: Listening to the Twentieth Century. New York: Farrar, Strauss, and Giroux. ISBN 978-0-374-24939-7.
  • Schwarz, K. Robert. 1990. "Process vs. Intuition in the Recent Works of Steve Reich and John Adams". American Music 8, no. 3 (Autumn): 245–73.
  • Tommasini, Anthony. 2007. "The Savvy Operator Who Aced That Newfangled Art Form, Opera". The New York Times (17 August).
  • Webster, James. 2008. "Rosen's Modernist Haydn". In Variations on the Canon: Essays on Music from Bach to Boulez in Honor of Charles Rosen on His Eightieth Birthday, edited by Robert Curry, David Gable, Robert Lewis Marshall, 283–90. Eastman Studies in Music 58. Rochester, NY: University of Rochester Press. ISBN 9781580462853.
  • Werder, Felix. 1965. "Monteverdi the Modernist: Monteverdi, by Leo Schrade". The Age (17 April).
  • Whenham, John. 1997. Monteverdi: Vespers (1610). Cambridge Music Handbooks. Cambridge and New York: Cambridge University Press. ISBN 9780521459792.
  • Whitesell, Lloyd. 2004. "Twentieth-Century Tonality, or, Breaking Up Is Hard to Do". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 103–120. Rochester: University of Rochester Press. ISBN 1-58046-143-3.
  • Williams, Alastair. 2002. "Cage and Postmodernism". The Cambridge Companion to John Cage, edited by David Nicholls, 227–41. Cambridge: Cambridge University Press. ISBN 0-521-78348-8 (cloth); ISBN 0-521-78968-0 (pbk).
  • Wilmotte, Marie-Hélène. 1994. "L'expérimental comme gage de la modernité: La Sequenza I de Luciano Berio". Les cahiers du CIREM, nos. 30–31:71–84.
  • Wright, Jeffrey Marsh, II. 2010. "The Enlisted Composer: Samuel Barber's Career, 1942–1945". PhD diss. Chapel Hill: The University of North Carolina at Chapel Hill.