Madame Fatal

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Madame Fatal
MadamFatal.jpg
Madame Fatal in Crack Comics #22.
Publication information
Publisher Quality Comics
DC Comics
First appearance Crack Comics #1 (May 1940)
Created by Art Pinajian
In-story information
Alter ego Richard Stanton
Abilities Skilled hand to hand combatant
Expert cane fighter
Peak physical condition
Superior investigative skills
Professional acting, disguise and theatric skills
High-level intellect and intuition

Madame Fatal (sometimes referred to as Madam Fatal) is a fictional character and a comic book superhero active during the Golden Age of Comic Books. Madame Fatal was created and originally illustrated by artist/writer Art Pinajian and the debut of the character was in the Crack Comics #1 (May 1940), a crime/detective anthology series published by Quality Comics. Madame Fatal continued as a feature in that title but when the character was not well received, Madame Fatal made a last appearance in #22 (March 1942).

The character later appeared in some publications by DC Comics when DC Comics bought the rights to the character in 1956, along with a bulk buy of all Quality Comic's characters, although Madame Fatal not been seen much since except a few brief appearances and passing mentions by other comic book characters.

Madame Fatal is notable for being a male superhero who dressed up as an elderly woman and as such is the first cross-dressing hero. The original incarnation of the more famous cross-dressing character, Red Tornado, later that year, would become the first cross-dressing heroine.[1]

Fictional character biography[edit]

"She" was actually Richard Stanton, a handsome, pipe-smoking, dapper, middle-aged blonde Caucasian man who is exceptionally intelligent and intuitive, as well as being at the peak of his physical abilities. He had made a vast fortune successfully playing the Wall Street stock market of the late 1920s, a time of economic unrest, which incurred the jealousy of many of those close to him. In his private life, Stanton was also a widower and a single father, being the parent of a two-year-old (unnamed) girl. As well as being a successful financial investor, Stanton is also a lover of theatrics and a world-famous stage, theatre, radio and film actor living in Manhattan, until his wealthy and prominent celebrity status brought unwanted attention from costumed villains. Stanton's daughter was kidnapped by them and the police were unable to uncover their identities, but Stanton was, on his wits and superior investigative skills. As such, Stanton decided to take matters into his own hands after he deduced that the leader of the gang was John Carver, a crime kingpin who had been running extortion rackets in various cities.

As a civilian, Stanton had already been searching for Carver for eight years, after a fight they had and the threats that Carver had made. Prior to this, Carver had been the first man to love Stanton's late wife, and Carver had been jilted when she chose Stanton instead. After the kidnapping of Stanton's daughter, and when the police got nowhere, Stanton's wife was riddled with guilt as it was her previous connection with Carver which had brought about the whole scenario. She died of a broken heart.[2]

Stanton was able to infiltrate the John Carver gang due to his convincing acting and stage disguise as an old, helpless, red-cloaked woman with a yellow walking cane which doubled as a sly quarterstaff. Once inside their lair Stanton then used his natural athleticism and physical abilities to wipe out the unsuspecting gang, and revealed his true identity to Carver. In the ensuing fight, Carver (a formidable fighter himself) knocked Stanton to the ground and attempted to shoot him with a revolver, but Stanton quickly pulled out a rug from underneath Carver, tripping him up, and Carver accidentally shot himself instead. In his dying breaths, the crime kingpin told Stanton his daughter was still alive, although held captive by another villain. He never revealed who before dying.

Stanton decided to retire from acting and continue down the path of a crime-fighter and bring other villains to justice, inspired by his first success, adopting the alter-ego Madame Fatal. Stanton made his last appearance on Broadway on May 1, 1930, as an old woman, which garnered Stanton praise and acclaim from the audience. After that he disappeared from public view altogether and became "Madame Fatal" full-time. Stanton would also use the alternate identity to attempt to locate his captive daughter, whom Carver had passed on to other villains. When the character rights were sold to DC Comics and DC decided not to continue the character, this plot point was not resolved contemporaneously, and it was not revealed which villain was actually holding Stanton's daughter until The Shade #4 in 2012.

Powers and abilities[edit]

Although Stanton had no actual super powers to speak of, he was a strong, agile and athletic man at his physical peak and a skilled fighter with a powerful punch. He had a high level of intelligence and intuition which aided his investigative abilities and locating criminals. Madame Fatal often came up against criminal masterminds and supervillains such as Doctor Prowl (a black-masked, hat-wearing gentlemanly murderer with metal claws) and The Jester (a violent clown-themed thief who laughs at death) and their henchmen;[3] however Madame Fatal's disguise gave him an edge in physical combat as his foes would underestimate his strength and speed. Madame Fatal's yellow walking cane was also a formidable weapon in Stanton's hands as he adept at using the cane as a weapon.

The old woman disguise was aided strongly by his expert acting skills, being a former professional actor and female impersonator. This same disguise also often raised Stanton above suspicion, and made him an expert in confidence trickery, infiltration, stealth, information gathering, and melting anonymously into crowds. Madame Fatal was also aided on occasion by his pet parrot, Hamlet, his only connection to his previous life. Hamlet was named so because he was intelligent enough to recite Shakespeare, and would inspire and help Stanton remember important information.

Controversy and ridicule[edit]

Madame Fatal was never a popular character given the cross-dressing angle,[4] which is perhaps part of the reason why DC Comics decided not to further run with the character and limited him to light-hearted jibes made by other comic book heroes.

The character has often been ridiculed, such as in a recent article on Cracked.com which has been read well over half a million times, listed the character as one of the "7 crappiest super heroes in comic book history".[5]

Also, the later depictions of Madame Fatal living alone, and as Stanton was a former stage actor who lived alone, many modern readers believe that the cross-dressing character was actually a thinly-disguised homosexual, though this was never expressly acknowledged in Crack Comics, nor are Pinajian's intentions known.

Madame Fatal in recent years[edit]

DC Comics acquired the rights to all the former Quality Comics characters in 1956, but has yet to make use of Madame Fatal beyond a few very brief cameos and a few mentions that made light of the character's cross-dressing.

Outside of regular DC Universe continuity, comix writer Kim Deitch (Hollywoodland) did a story in 1972 that purported to be about Madame Fatal. But inasmuch as he did things in it that it's hard to imagine a mainstream comic book character doing, there could be some question about the character's identity in this incarnation.[6]

James Robinson and Paul Smith featured Madam Fatal in a cameo in 1993's The Golden Age. In The Golden Age #4, Madam Fatal appears in a panel surrounded by the Fiddler, and the Gambler, who all appear to be courting the cross-dressing hero while other characters (including Wildfire, Harlequin, and the Psycho-Pirate) stand around giggling (apparently knowing Madam Fatal's true gender).

Madame Fatal has been mentioned in a homosexual-based joke in 1999, yet the passing reference would seem to imply Madame Fatal's death. In a scene in JSA #1 (August 1999) that depicted the funeral of the first Sandman, Wildcat wonders whether his own funeral will "be like the time they buried Madame Fatal here, and no one turned up for the funeral but the touring cast of La Cage aux Folles?"[7] This would seem to suggest that the character of Madame Fatal is considered deceased in the DC universe, or at least has suffered a comic book death.

James Robinson gives the character a prominent role in The Shade #4 (2012), set in 1944. In this issue Madame Fatal finally learns the location of his daughter.

See also[edit]

References[edit]

  1. ^ Ragnell (2006-05-11). "Ragnell's Written Word (May 11, 2006): "Mama-Thon — The Red Tornado"". Ragnell.blogspot.com. Retrieved 2014-05-14. 
  2. ^ "UNMASKED.jpg (image)". 1.bp.blogspot.com. Retrieved 2014-05-14. 
  3. ^ "InsaneJournal". Asylums.insanejournal.com. Retrieved 2014-05-14. 
  4. ^ Brian Hughes (2009-03-10). "Again With the Comics: Madame Fatal: The Golden Age Transvestite Superhero!". Againwiththecomics.blogspot.com. Retrieved 2014-05-14. 
  5. ^ O'Brien, Daniel. "The 7 Crappiest "Super Heroes" in Comic Book History". Cracked.com. Retrieved 2014-05-14. 
  6. ^ "Don Markstein's Toonopedia: Madam Fatal". Toonopedia.com. Retrieved 2014-05-14. 
  7. ^ "Madam Fatal". Internationalhero.co.uk. Retrieved 2014-05-14. 

External links[edit]