Yanaki and Milton Manaki
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|Yanaki and Milton Manaki|
|Native name||Miltiade (Milton) and Ienache (Yanaki), Manachia (Manaki) (Aromanian)|
Avdella, Monastir, Ottoman Empire
|Died||1954 Thessaloniki, Greece
1964 Bitola, Yugoslavia
|Years active||1905 - 1964 |
Yanaki and Milton Manaki were photography and cinema pioneers who gained reputation for bringing the first film camera and creating the first motion pictures on the Balkan Peninsula and the Ottoman Empire. Their work was done in the city of Bitola, a strong economical and cultural center in Ottoman Rumelia. They started their film career with the 60 seconds long documentary film of their grandmother weaving titled The Weavers regarded as the first motion picture shot in the Balkans. The Manaki brothers did their work with a 35 mm Urban Bioscope camera that Yanaki Manaki imported from London.
In 1904 the two Aromanian brothers moved from their birthplace Avdella to the town Manastir (present-day Bitola). One year after, they open their own atelier for photographic art. After their excellent work is seen by the Balkan public, in 1906 they get an invitation from the king Carol I of Romania to participate in the World Photo Exhibition in Sinaia, Romania, where they won a gold medal for their collection. Later, they become the official photographers of the Ottoman Sultan, and in 1929 to the King of Yugoslavia Alexander Karađorđević. According to the memoirs of Milton Manaki, in 1905, his older brother traveled through several European capitals. In London he bought Bioscope film camera with serial number 300 from the Charles Urban Trade Company. With this camera they shot their 114-year-old grandmother Despina, it was the first film sequences, which marked the birth of the cinematography of Southeastern Europe. The film was made only 10 years after the shooting of the first Lumière brothers film, which influenced the brothers. Living in a time of transition from the 19th to 20th century, during the Ilinden Uprising, the Balkan Wars and the First World War, the development of Bitola as a consulate and military center of the Ottoman Empire, the brothers Manaki with their films helped to perpetuate these historical events.
Yanaki and Milton recorded a number of films, mostly documentaries that were talking about all aspects of life in the city of Bitola. Apart from their activity in filmmaking and photography, in 1921 they built an outdoor cinema named "Manaki", under the open sky on the main street Shirok Sokak. However this temporary solution does not satisfy the two brothers, so they built a movie theater, which began its work on the 1st of December 1923. Unfortunately, this historic building was destroyed in 1939 in a fire.
Today at the National Archive of the Republic of Macedonia are preserved more than 17.000 photos and over 2000 meters recorded film frоm the brothers Manaki. They left a rich legacy of important documentary value of the historical and cultural development of Eastern Europe. In their honor the Manaki Brothers Film Festival is held every year.
The brothers were born in a village called Avdella near the town of Grevena, what's today Greece, in the Ottoman Empire. Milton Manaki was born in 1882 and Yanaki was born in 1878 into a wealthy Aromanian family of land owners. Their parents were also dealing with livestock, as well as financial transactions (lending), which increased their treasure and contributed to their leisurely lifestyle. During the 1860s the area became a center of the Romanian national movement among the Aromanians, where their father Dimitrios was involved and to some extend the brothers developed Aromanian identity. They both attended Romanian elementary school in their birthplace. After that, Milton signs up in the Romanian high school in Ioannina and Yanaki in the Romanian high school in Bitola. Yanaki shows great signs of interest for painting, calligraphy, and photography during his high school years. Milton not interested in learning drops out of high school after completing his first year. His parents then sent him to Grevena to learn craft, but also not interested in that he goes back home being financially supported by his parents. With the formation of secondary education, Yanaki was enabled to be employed as an educator.
Career in photography and film
Yanaki was employed as an art teacher in a Romanian school in Ioannina. Here he opened his first photographic studio in 1898 where he asked his brother to go along and learn photography. Manaki gained interest for photography and quickly achieved to learn the craft. At this time in a number of negotiations Yanaki managed to buy a yard plot on the main street of the capital of the Rumelia Eyalet and the Vilayet of Monastir - Bitola. In 1904 both brothers got working on the construction of their independent workshop named Atelier for Photographic Art. In 1905 Yanaki moved permanently in Bitola and opted for permanent residence in the city. Milton firstly worked as a cleaner in the studio and kept hygiene of the tools with which the photos were done. But later he started to study photographic skills and with tireless labour, he became a "master of photography" for an incredibly short time. At this time it is assumed that Milton started participating in the Internal Macedonian Revolutionary Organization. Here he made around 50 photographs of Aromanian revolutionaries in the organization. Besides that it is believed that he also helped transport arms from Albania to Macedonia in the 2nd Revolutionary Committee of Bitola.
The Manaki's had a passion to travel. They were traveling separately through many of the European capitals. When the brothers went together to Bucharest in 1905 that were told that film cameras could be purchased in London. Interested in the idea while on expedition through Paris and then Vienna, Yanaki makes a quick stop in England where he buys a Bioscope 300 camera from Charles Urban. After his trip he takes the camera home with him. Being experienced in photography the two brothers got a hold at the new medium with which they made the first motion pictures in Southeastern Europe.
Meanwhile, in 1906 during a second visit to Romania under the official invitation of the king Carol I of Romania they attend a photographic contest held from the 5–12 November 1906. In this contest they won a golden and a silver medal for their work. With this achievement they got the title Official Photographs of the Romanian King. For the purpose of their studio the brothers would often go to diverse inhabited places to take photographs, mostly Aromanian populated villages. Parallel to their photography work, the brothers overcome the filming technique and started filming their first documentaries. Great involvement in photography and camera work by the Manaki's took place during the Young Turk Revolution in 1908 and 1909. When they made around 450 photographs and a short film in which are registered every significant events that took place in that period of time. In 1909, they filmed the arrival of the royal Romanian delegation in Bitola and made a series of photographs of this event. Quite a significant undertaking was the filming of the visit of the Turkish Sultan Mehmed V to Bitola in 1911. For this purpose Milton traveled to Thessaloniki where at the port he recorded the arrival of the Sultan by boat, then his journey by train on route Thessaloniki-Bitola, his reception on the railway station in Bitola, as well as events held in honor of the visit of the Sultan in Bitola. The same year they were honored as Official Photographs of the Ottoman Sultan.
On October 18, 1912, Serbia, Montenegro, Bulgaria and Greece started the First Balkan War, and in 1913 with the Treaty of Bucharest the town of Bitola where the Manaki brothers lived was occupied by the Serbian army on the 6th November 1912. In this period Milton and Yanaki made over 200 photographs capturing this events. Besides the great number of portraits of Serbian officers and soldiers they made pictures of great important political figures of the Kingdom of Yugoslavia.
In early 1914 Milton Manaki made a trip to Grevena and Advella to see his parents and relatives. After returning home he was recruited by the Serbian armed forces, but he was soon released as an account of his contacts with the high Serbian authorities. Their work reduced in the period from 1914 to 1915 because of the conflicts and wars happening at that time. Then being in a financial trouble the brothers started borrowing money from different clients. During period with the withdrawal of the Serbian army from Bitola and the coming of the Bulgarian officers in an inspection of the atelier the Bulgarians found three shotguns that Milton had bought. This resulted with Yanaki being interned in Bulgaria. Yanaki bought property in the Bulgarian village Straja and started breeding horses. Because of the bombing of Bitola in the First World War Milton constantly traveled through Korçë to Thessaloniki.
In 1916 the photography work revives for a short period when Bulgarian and German officers started to be clients in the atelier. In this period Milton made a wide range of portraits from Bulgarian, German, Serbian, French, Italian officers and soldiers and Russian volunteers. But in the second half of 1916 the city of Bitola was again occupied by Serbian and French soldiers. This resulted with the bombing of the city by German and Bulgarian forces. The bombings struck the atelier of the Manaki brothers which destroyed their camera and other equipment. In 1919 Milton and Yanaki, who returned from internment in Bulgaria, with a collaborative effort retired the destroyed atelier and started with their work.
As a new source for existence in 1921 the two brothers make a decision to expand their activity in cinema. For this purpose they bought а film projector and made an outdoor cinema on the Shirok Sokak street. With few efforts and some difficulties in 1923 they open the first movie theater in Bitola called "Manaki". Their next movies included the multiple greetings of Alexander I of Yugoslavia to Bitola, the gratitude giving to the lost French and Serbian soldiers, the 1922 explosion in Bitola, the wedding of Petar Gerass, and the wedding of the first Macedonian artist Risto Zerda in Prilep.
In 1928 the Manaki brothers sent a letter to the Marshal of the Serbian Royal Court with an appeal to be named as official royal photographers by the credibility they had as photographers of the Romanian king and Ottoman sultan. Their request was accepted and in 1929 they were invited by the office of the royal court.
In 1935 Milton married Aromanian compatriot Vasiliki Dauka and their son Leonid was born on 10 May the same year. In 1937 Yanaki left and Milton was left to work alone as a photographer. In 1940 he made one of his most famous documentaries titled The Bombing of Bitola. During the World War II the area was annexed by Kingdom of Bulgaria and Milton searched from the authorities to be given a license to work as a photographer. After he got it he remained with his work and made over 1200 photographs. On the 4th November 1944 the Yugoslav Partisans took over Bitola after retreating Germans. The entering of the Partisans in the town was caught on camera by Milton as an important historical collection of photographs. In this period Milton made around 5000 photographs of many themes: politics, weddings, armed forces, sport etc. As the most important photosmade by him in this time were considered the entering of Josip Broz Tito in Bitola.
Yanaki Manaki in 1935 leaves photography and moves to Thessaloniki, Greece where he remains for the rest of his life. Milton Manaki in a number of negotiations achieved to sell all of his 1500 meter film footage to the government of SR Macedonia for 1 000 000 dinars. He also worked with the Cinematique of Yugoslavia in Belgrade. After duplicating, all of the Manaki brothers movies were returned to Milton in 1954. Milton continued to work with authority institutions until his death giving them required photographs or film footage. As the first filmmaker in the region in 1957 the Organization of Yugoslav Film Makers made him an honored member. Zagreb Film made a documentary film about Milton's work and career in 1958. At this time the National Technique of Macedonia awarded him with memory diploma. Milton remained in Bitola, Yugoslavia till his death in 1964.
|Grandmother Despina||1905||60 seconds||weaving|
|Outdoor School||1905||120 seconds||school|
|Parade of Military Band, Carriages and Horsemen||1908||60 seconds||Young Turk Revolution|
|Events marking Hurriyet||1908||120 seconds||Young Turk Revolution|
|Turks Hold Speech||1908||120 seconds||Young Turk Revolution|
|Parade to Mark Hurriyet||1908||4 minutes||Young Turk Revolution|
|Manifestations (With Greek Inscriptions)||1908||60 seconds||Young Turk Revolution|
|Events Marking the Young Turk Revolution||1908||120 seconds||Young Turk Revolution|
|The Funeral of the Metropolitan Aimilianos of Gravena||1911||6 minutes||funeral|
|Panorama of Grevena||1911||60 seconds||Grevena|
|Romanian Delegation Visiting Bitola, Gopesh, Resen||1911||120 seconds|
|Turkish Sultan Mehmed V Reshad Visiting Bitola||1911||16 minutes||Ottoman Sultan Mehmed V|
|Church in grevena||1911||60 seconds||Grevena|
|Alexander Karađorđević Visiting Bitola||1912||4 minutes||Alexander I of Yugoslavia|
|Opening the City Restaurant in Bitola||1912||120 seconds||Bitola|
|Welcoming of the Greek King and Heir to the Throne Paul by General Bojovic, in Bitola||1912||60 seconds||Paul of Greece|
|Bombing of Bitola||1940||unknown||World War II|
|Entering of the National Liberation Army in Bitola||1944||unknown||World War II, Socialist Yugoslavia|
|Greeting of Tito in Bitola||1963||20 minutes||Josip Broz Tito|
|Source: Cinematheque of Macedonia|
The Manaki brothers are regarded as the starters of the cinematography in many countries, but in general - the Balkans. The films that they made mark the start of ethnographic documentary in the Balkans. They are credited for perpetuating the notable historical event happening on the Balkan and the Macedonia region in the time before, during and in between the First and Second World War. Their work is mostly concentrated in the film archives of the Republic of Macedonia and Greece. Some amount of their film footage and photographs has been lost or destroyed in the bombing of their studio in 1916 and the burning of their theater in 1939.
The plot of Theo Angelopoulos's film Ulysses' Gaze revolves around the fictional and metaphoric quest for a lost, undeveloped reel of film taken by the Manaki brothers before the Balkans were split by the forces of nationalism. It opens with the images of their grandmother spinning wool. The first documentary about the Manaki brothers was from Zagreb Film in 1958, and in 1988 a Greek-language documentary was released.
In their honor in the hometown of Bitola where Milton Manaki resided for 60 years until his death, the Manaki Brothers Film Festival was first organized on 21 May 1950. The main winner prize of the festival is the Golden Camera 300 named in honor of the legendary camera of the Manaki's. The "Manaki Brothers" is the main and oldest film festival in the Republic of Macedonia and former SFR Yugoslavia. In 2011 the local government announced the restoration of the Manaki Brothers Film Theater on the Shirok Sokak street that was destroyed in a fire in 1939. In 2012 the Cinematheque of Macedonia announced that the Manaki brothers films will be put under restoration and digitizing.
- Lumina, №10 festival, Octombrie 1905, p. 304, # 84.
- Milton Manaki: first filmmaker on the Balkans;
- Yanaki Manaki: pioneer of photography and cinematography;
- Distinguished people for Bitola, ISBN 998927830X, NUUB St. Clement of Ohrid, Bitola, 2007, page 124 and page 126;
- Macedonian National Archives - Brothers manaki;
- Macedonian National Archives, Igor Stardelov - Milton Manaki;
- Unet - Biography of Milton and Yanaki Manaki;
- Balkan Border Crossings: First Annual of the Konitsa Summer School, Border Crossings Network, ISBN 3825809188, LIT Verlag Münster, 2008;
- Manaki Brother Film Festival - Biography of Milton and Yanaki Manaki;
- Journal of Film Preservation, Preservation of Manaki Brothers Film Heritage;
- Manakia Bros: Pioneers of Balkan Cinema, Claimed by Six Nations, Marian Tutui, Romanian Film Archive.
- Macedonia, 4th Edition, Thammy Evans, Bradt Guides, 2004; page 207
- Filmland Griechenland - Terra incognita: griechische, Elene Psoma, Logos Verlag Berlin GmbH, 2008, ISBN 3832516182, S. 23. (Ger.)
- Katerina Zacharia, "'Reel' Hellenisms: Perceptions of Greece in Greek Cinema" in Katerina Zacharia, Hellenisms, p. 323
- Vecer Online - One century of the Macedonian seventh art (Macedonian)
- Historical Dictionary of the Republic of Macedonia, Historical Dictionaries of Europe, Dimitar Bechev, Scarecrow Press, 2009, ISBN 0810862956, p. 234.
- Kolektiv, Distinguished people for Bitola, NUUB St. Clement of Ohrid, Bitola, 2007, page 124
- "In 1906 the brothers participated in a big exhibition in Romania, from where they return with a golden medal"
Makedonska Nacija - Biography of Milton Manaki. (Macedonian)
- Po povod Manaki, Tomislav Osmanli, Skopje, 2006, page 27
- "Moving through the European capitals Yanaki stays a short time in London where he finds what he was searching for. That was a historical event for him, and he buys the Bioscope 300 camera from Charles Urban Trading."
Makedonska Nacija - Yanaki Manaki pioneer in the Balkan's photography and cinematography. (Macedonian)
- The Cosmopolit - The Manaki Brothers
- Utrinski Newspaper - Archive monument from the creation of the Manaki's
- Loza - article on the "Cinema of the Brothers Manaki" (Macedonian)
- Journal of Film Preservation, page 27
- The official website of the festival in Macedonian and English.
- Rethinking Violence: States and Non-State Actors in Conflict, Erica Chenoweth, Adria Lawrence, MIT Press, 2010, ISBN 0262014203, p. 105.
- Christodoulou, Christos K., "The Manakis brothers, the Greek pioneers of the Balkan cinema", Organization for the Cultural Capital of Europe Thessaloniki 1997, p. 33.
- Cinema of flames: Balkan film, culture and the media, Dina Iordanova, British Film Institute, 2001, ISBN 9780851708485, p. 213.
- The Concise Routledge Encyclopedia of the Documentary Film, Ian Aitken, Routledge, 2013, ISBN 0415596424, p. 71.
- According to Jane K. Cowan (University of Sussex) "Fixing National Subjects in 1920’s Southern Balkans": Born in the 1880s as Ottoman subjects, they were the sons of a bourgeois, multilingual Vlach family... By the 1860s, long before their birth, the boys’ father, Dimitrios, had become attracted to the Romanian national movement. As a young teacher in the early years of the new century, Yannakis also became involved in the Romanian national movement which emerged in Avdela... Both brothers allegedly supported 'Balkan Federation'. For years, they lived peripatetically between Avdela, Yannina, Bitola, Plovdiv, Bucharest, and London. But ultimately, national borders rigidified and separated them for good... Yannakis died in Salonika in 1954 a Greek citizen, while his brother Miltos died in Monastir (now Bitola) a Yugoslav citizen.
- History of Greek Cinema - Manaki Brothera - page 4, Vrasidas Karalis, 2002, ISBN 1441194479
- Marian Tutui, Romanian Film Archive, Manakia Bros Pioneers of Balkan Cinema claimed by six nations. Balkan cinema versus cinema of the Balkan nations.
- Build.MK - Restoration of the Manaki film theater. (01.05.2013
- Dnevnik (Skopje)-Bitola will re-build the Manaki cinema. (23.11.2012)
- Zurnal.MK - Manki cinema to be rebuild in Bitola. (20.03.2013)
- Dnevnik - Digitizing of Manaki brothers films. (30.08.2012)