Mother Joan of the Angels

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Mother Joan of the Angels
Mother Joan of the Angels FilmPoster.jpeg
Directed by Jerzy Kawalerowicz
Release dates
  • May 1961 (1961-05) (Cannes)
  • May 7, 1962 (1962-05-07) (United States)
Running time
105 minutes
Country Poland
Language Polish

Mother Joan of the Angels (Polish: Matka Joanna od Aniołów, also known as The Devil and the Nun) is a 1961 drama film on demonic possession, directed by Jerzy Kawalerowicz, based on a novella of the same title by Jarosław Iwaszkiewicz. The film won the Special Jury Prize at the 1961 Cannes Film Festival.[1]


Set in a seventeenth century Polish convent, a priest, Father Suryn (Mieczyslaw Voit), arrives at a small inn for a night's rest. He has been sent to investigate a case of demonic possession at a nearby convent after a local priest was burnt for sexually tempting the nuns. The next day, he sets out for the convent, where he meets its abbess, Mother Joan (Lucyna Winnicka), said to be the most possessed of all the nuns. Father Suryn will have to go to hell and back to save Joan, casting himself forever into darkness for her salvation.



Main article: Urbain Grandier

This film is very loosely based on the real life outbreak of mass hysteria in the French town of Loudun in 1634 that occurred when a convent of Ursuline nuns, led by the hunchbacked Sister Jeanne of the Angels, became obsessed with a handsome, womanising priest, Urbain Grandier. When Grandier turned down the nun's invitation to become their spiritual director, Jeanne, in a jealous rage, accused Grandier of using black magic to seduce her and her sisters and possess them with devils. Grandier's enemies, including Cardinal Richelieu, used the accusation as an excuse to have him found guilty of witchcraft and executed.

Unlike Ken Russell's The Devils (1971), which depicts Grandier's trial and death, Mother Joan of the Angels instead depicts the events after his death. The nuns continued to be possessed for four years after his death, and further exorcisms were carried out by the sincere and deeply spiritual Father Joseph Suryn whose main concern was helping Sister Jeanne.

Critical reception[edit]

The film was recommended by Philip Jenkinson in the Radio Times. The film is among 21digitally restored classic Polish films chosen for Martin Scorsese Presents: Masterpieces of Polish Cinema.[2]

See also[edit]


External links[edit]